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Archive for the ‘AQS’ Category

Blue Batik and Leaves….

Sunday, October 24th, 2010

I seem to be congenitally incapable of making abstracts.  Using Kathy Schmidt’s Cell Block Blues pattern, from here Rule-Breaking Quilts book (see my post here reviewing the book), I started working on a quilt with a selection of ten blue and white fat quarters purchased at the AQS Tennessee show, where I was teaching. The picture above shows the beginnings…my first ten blocks, along with the recently returned (after a year away at shows) Field of Gold and the ribbon it won in Houston and a table-runner that needs to be quilted.

This AQS-Knoxville show was my last big away-teaching of the year, and I thought I’d treat myself to some fabric and totally unlike-me quilting, possibly as a project for another book.  I thought it would be fun to help support friend and fellow-author Kathryn Schmidt by using one of her  projects, and thought it would get a good stretch for me.  So what do I do with this fun, easy abstract?  I make it into more work (splicing in those bright colors) and into leaves—I just can’t seem to make something if I don’t relate it back to reality!  Anyway, I went to the Batiks by Design booth and made my own assortment of ten fat quarters and, amazingly enough, forgot to take a picture before I started slicing them up!   By the time I got the center of the quilt done, I was left with less than a fat eight total out of all ten!  Fortunately, I found them online and have ordered more for the borders and binding (that’s a wicked teaser!).  Most of the batik designs we see are from Bali, but these designs are from Java and are more like the old-time designs.

In Rule-Breaking Quilts, Kathy Schmidt teaches how to stack and slice, then swap, fabrics for an improvisationally pieced block. See my review of her book for more information and where to order!

Here I'm auditioning a bright yellow-hand-dyed that I intend to splice into the seams

In this photo, you can see that I've stitched the first side of the inserts. On the left of each block, the piece is ironed, on the right the seams are as-stitched.

The right hand side of the blue block assembled and pressed

and the yellow block in process; you'll note that the edges are uneven and will require smoothing out with the rotary cutter

Sometimes (often!) after sewing the first seam, I like to fine-tune the shape of the spliced-in color to match the next bit of batik

The yellow block with the "leaf veins" sewn, but the center stemline needs to be refined and re-shaped

The stemline has been trimmed and smoothed, and now I'm getting ready to cut the yellow for that inset

Same process, but for a light blue block; here I have already trimmed the wonky edges to create a smooth space for the center stemline

Blocks sewn but not yet pressed or squared up

Pressed blocks, looking a bit more presentable!

After I made my blocks I squared them up.  Most were able to come out to 8 inches cut, but a few were smaller.  As you’ll see when I get to showing you the way the quilt came together, this really didn’t matter as I filled in odd shaped rectangles with strips and rectangles of batik (talk about a LOT of partial-seaming…erg!  I NEVER seem to do anything easy, but I must say I’m pleased with the outcome so far….)

Quilt Market, October 2009–Part 1

Saturday, November 7th, 2009

Quilt Market is THE trade show for the quilt industry.  It takes place every fall in Houston, and in spring at a sequence of cities around the U.S.  I had only been once before–in 2003 I think it was–in Portland, Oregon, with my dearest friend Marie.  What an overwheleming experience and eye-opener!  I knew within 30 minutes that I did NOT want to do the “designer and have a booth at Market” thing for my career, but that I DID want to be a part of the industry.
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This year, AQS really  put on the extra push to get my book into print in time for Market, and arranged book signings both in their booth and in Peterson-Arne, one of the major distributors to quilt shops.  The photo above is the AQS booth, and you can see that they included two of my quilts on their wall, including The Wall right under the AQS banner (with my book smack dab under it!), and Tea over on the right.  The two projects on the table are in the book!

Marge Boyle, the AQS marketing person, put together some very nice name cards and easel-display thingies which I was able to use later when doing book signings at Festival, in my booth, and later here in Maine at book-signings.  Thanks Marge!  Here is the close-up of the center of the booth’s wall:

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The booth was at the back of the hall….right near the ladies room!  As Libby Lehman walked by while I was signing, one of the editors immediately went over to say hello, brought to introduce her to me, and we gave her one of my books.  Needless to say, I felt quite sheepish–I mean, I’m just me, and she is the Queen, Master…Empress??? of Thread (except she is so nice and friendly those all sound too uppity–she’s just the master!).

To my utter delight, on Thursday one of my students from MOnday came dashing in…she was in Libby’s class that day, and of the three books Libby recommended for machine quilting, MINE was one of them!   MY OH MY!!!!   It is SO AFFIRMING to have someone with Libby’s expertise and stature say good things–after all, she doesn’t know me from a hole in the wall, and for her to think I’ve done well… WOW!   I know I did my best, but it sure makes you feel wonderful to know that someone who is THE expert agrees that I’ve done a good job.  PHEW!

And a view of another table in the booth:

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Life is good!