Quilt Market is THE trade show for the quilt industry.  It takes place every fall in Houston, and in spring at a sequence of cities around the U.S.  I had only been once before–in 2003 I think it was–in Portland, Oregon, with my dearest friend Marie.  What an overwheleming experience and eye-opener!  I knew within 30 minutes that I did NOT want to do the “designer and have a booth at Market” thing for my career, but that I DID want to be a part of the industry.

This year, AQS really  put on the extra push to get my book into print in time for Market, and arranged book signings both in their booth and in Peterson-Arne, one of the major distributors to quilt shops.  The photo above is the AQS booth, and you can see that they included two of my quilts on their wall, including The Wall right under the AQS banner (with my book smack dab under it!), and Tea over on the right.  The two projects on the table are in the book!

Marge Boyle, the AQS marketing person, put together some very nice name cards and easel-display thingies which I was able to use later when doing book signings at Festival, in my booth, and later here in Maine at book-signings.  Thanks Marge!  Here is the close-up of the center of the booth’s wall:

The booth was at the back of the hall….right near the ladies room!  As Libby Lehman walked by while I was signing, one of the editors immediately went over to say hello, brought to introduce her to me, and we gave her one of my books.  Needless to say, I felt quite sheepish–I mean, I’m just me, and she is the Queen, Master…Empress??? of Thread (except she is so nice and friendly those all sound too uppity–she’s just the master!).

To my utter delight, on Thursday one of my students from MOnday came dashing in…she was in Libby’s class that day, and of the three books Libby recommended for machine quilting, MINE was one of them!   MY OH MY!!!!   It is SO AFFIRMING to have someone with Libby’s expertise and stature say good things–after all, she doesn’t know me from a hole in the wall, and for her to think I’ve done well… WOW!   I know I did my best, but it sure makes you feel wonderful to know that someone who is THE expert agrees that I’ve done a good job.  PHEW!

And a view of another table in the booth:

Life is good!

Last minute preparations for going to Houston included packets to give to the major distributors (the folks from whom Quilt shops buy their patterns, notions, books and whatnot) with my line of patterns and letting them know about my book, ThreadWork Unraveled.  Of course, none of the regular envelopes was the correct size..too large, too small, none just right.

So I decided to think like my friend Deborah, who is amazing at putting together lovely package presentations.  I decided to use cloth ties or tags or something…and went looking for white envelopes, not boring manila.  I wanted my package to stand out. Then I measured and sewed up the tyvek envelopes so the contents wouldn’t slop around, punched holes to add the tag which has a custom “Sarah by the Sea” stamp on one side and a hand-written “thank you” on the other side, and tied things up!

So far, EE Schenck (out in Oregon) gets the prize for the most prompt reply (alas a thanks but no thanks).  Will have to follow up with the others.

And, inspired by Margarete Steinhauer’s jewelry bag in the current 2009-2010 Quilting Arts Gifts magazine, I decided to make my own.  Margarete’s cinches up into a little snug ball.   Of course, my suitcases are always crammed, and I am so intensely visual I want my jewelry case to open up flat.  So I made this:

Here it is open:

I used an idea from Diane Rusin Doran (who had two awesome projects in the same issue, won a third place in the same category as I did in Houston, and is just cool and fun!), to wit:  paint white velcro so it matches your project—reject the tyranny of white-black-beige!  Diane suggested using a thin, ink-consistency paint.  I didn’t have any so I thinned some leaf green Setacolor.  Kinda blotchy, so while in Houston I bought some Jacquard Ink! From Jane Davila’s Flourish booth to try next; you can find these items at her website store, here (if you don’t find it on the website…e-mail her….they have it and you can order it for sure!).

This project is definitely a prototype…the long zipper (which I had on hand) allows the bag to open flat but is a nuisance in real life, so I’ve got an idea for an improvement.  Then maybe I’ll submit it to Quilting Arts Gifts for next year’s issue and see if I can finally get a pattern in it!

Back next with pictures from the show floor and my classes!

Sheesh…ya think my life has been on fast forward?  Just checked and I have photos for blogposts from July and August….. posts I never had time to write!  So before I get to Houston and Festival and the Frayed Edges in October, I’ll share the summer fun!

We were a small group in August.  Deborah, of course, was in the beastly heat of Texas, and Hannah was home with four girls, so she didn’t make it to our August get-together.  But Kate, Kathy and I finally had our “dyeing day” which we had originally planned for last summer (!).  AND we got to celebrate Kathy’s birthday (photo above).

Then we got to the fun, messy stuff!  I set up tables in the back yard, and mostly forgot to take pictures, but thankfully Eli took a few, especially the following day when I had more time to putter. He got one of me on the “mixing table.”

(Marie…don’t those rasty clothes I’m wearing look familiar?  Marie and I used to dye in our garage in Friday Harbor before I left Wash. for Maine!)

Here is one of the mottled pieces I did.  On the right you can see the edge of the trampoline, which (covered with plastic) held our dyed wonders!

Here’s the same piece, dry:

I wanted to try a bit of shibori, cloth that is tied to create resists.  I used those glass “pebbles” that you can buy to  put in the bottom of vases or for mosaics and crafts, and tied them with yarn.  It took nearly 3 hours after Kate and Kathy left to tie up a yard of fabric.

I  deliberately didn’t tie some of the pebbles too tight, as I am not fond of white fabric showing on my dyed fabrics.  I wanted just a bit of dye to seep under the ties so the resist would show, but not too much.  Here is the cloth batching in a plastic tub:

And looking at the bottom of the tub:

Finally, it was done, and I LOVE it!

I even ended up using it as the backdrop for a photo in my book (to order, click on the link in the left sidebar, and yes, I ship outside the US)!

Here are the socks and shirt I did the day after the Frayeds….  the purple socks went to Deborah, since she couldn’t be with us.  You can see them on here feet here Teeheee!  The pink and yellow socks were for Hannah for her birthday in late September, and the upside-down rainbows and shirt are for me!

And here is the rest of my dyeing days results.  I find that for my art quilts, I prefer “blendy” fabrics, not hand-dyeds with sharp crystallization patterns–at least for most things.  You’ll find that many of my fabrics from this session are blendy and “stash fillers” to plug gaps in my selection.  without further commentary:

Hope you enjoyed…I sure did!  Now to find time to quilt with it!

At LONG Long last, the cases of books have arrived and I will begin shipping pre-orders, with the first orders being shipped first.  All items will be sent via US Postal Service (USPS) Priority Rate Flat Mail envelopes, both domestic and International–the equivalent first class mail.  Since this service is eminently reliable in the US, I won’t contact each of you individually; please DO let me know if there is a problem!   For international orders, the USPS tracking ends when the package leaves the US, so I will send each person living outside the US an e-mail to let them know the package is en route.  I hear that these envelopes take 1-2 weeks to be delivered to Canada, but not sure about Australia.  Someone let me know?  THANKS!

Towards the end of the editing process for ThreadWork Unraveled, my editor said “OK Sarah:  we have two empty pages and three things we could use:  the Index, Resources and the Annotated Bibliography.  Which would you like in the book?”  I chose the Index instantly, since any good reference book MUST have one.  The resources list was shorter, and I really wanted to keep the full bibliography intact.  So I suggested that we add a note at the start of the Resources page that if folks wanted, they could visit here (my blog) to download a FREE annotated bibliography:  From Sarah’s Bookshelf .

The categories include:

• Art Quilting
• Breaking Out and Stretching Yourself
• Color
• Decorative Stitch and Free-motion Embroidery
• Drawing, Design Inspiration and Creativity
• Hawaiian Applique
• Machine Applique
• Machine Quilting and Design
• Miscellaneous Cool Stuff
• Painting and Dyeing Fabric

You can click on the link to download the entire PDF, but when you print it (it is 14 pages long), you can select just one section to print if you only want, for example, Painting and Dyeing Fabric books.  Also, if I decide to update a section (I’ll probably be adding Melanie Testa’s Inspired to Quilt book soon to the latter category), you only need to check to see if a section has been updated and re-print that one, not the whole thing.

If you have any favorite books that aren’t on my list, DO share the information by leaving a comment.  I LOVE books (can’t you tell?).