This past weekend I was fortunate to be able to present my trunk show / lecture “With a Dash of Color” to the Amoskeag Quilters Guild, based in/near Manchester, New Hampshire, and teach a machine quilting class on Saturday. Alas, I have very few pictures! The talk is one I have done many times before, but I always have fun and hope to turn on a few lightbulbs for folks. Basically, we all respond to color, but not all of us (me included!) have an intuitive grasp of color. There are a number of ways to put together a color scheme for a quilt, and that’s what I talk about using my quilts as examples. (read to the end for info on that bit above!)

The next day I taught a class on machine quilting and decorative threads, but snafu seemed to be the order of the day (did you all know the origin of the word snafu? I am told it dates to World War 2, or perhaps earlier, and stands for—uh, well, I’m going to clean up the language, but substitute the expletive verb that seems appropriate: Situation Normal All Fouled Up). When I arrived at the venue, the power was out to the entire building! And for a machine class. Fortunately for me and the students, the morning is mostly lecture and there was a good window, so we moved tables and sat by the only natural light and went through the basics. By the time I was nearly done, the power returned!

For the class I tried something new. I had an assortment of Superior Threads re-wound onto bobbins (a service Superior provides for teachers). As a result, I could offer a kit with ten “micro-spools” that included three bobbins of Bottom Line (60wt. poly), and one each of metallic, Glitter (a holographic thread), Brytes (30-wt cotton), King Tut (variegated 35 or 40 wt cotton, forget how heavy), MasterPiece (50wt cotton), Rainbows (variegated 40 wt poly) and a solid 40-wt poly. The kit runs $15, and is seems students were OK with that…the same as buying two spools of “fancy” thread. I offered a choice of either silver or gold–photo above (for the metallics baggie) and warm (pink/red), cool (blues) or earthtone (greens and browns)–photo below, so students could pick one color and one metallic. To my surprise, earth was the most popular! Don’t these threads look like a color feast?

Let me know what you would like in a thread sampler? I’d love to refine this kit!

It must have been a nerve-wracking day for program chair Cary Flanagan (who was in the class…visit her website at Something Sew Fine) and guild president Sue Ann Walker, who were trying on a Saturday morning to find an alternate location…to use immediately! Thanks to both for their efforts!

Above are the two sections of the class….it was held in the cafeteria of an office building. The good news is that the students had PLENTY of table space, but it meant for a bit of “projecting my voice” (i.e. being even louder than I usually am) and getting some exercise getting around to all 18 students. Still, I’ve heard it went well. As always, if there is anything I can improve, I always want to know because I can’t make it better if I don’t know it needs improving!

I met one of the students, Aline, on Friday evening and she told me about this miniature she is working on, which will FINISH at 7×7 inches. She brought in a quarter of it and let me photograph it…that’s what you see at the top of this post. Yes, that is inches on the ruler, Those itty bitty triangles of pink and green are half square triangles…smaller than a 1/4″ finished size. I took one look at it and said “you are FLIPPIN’ INSANE!” and I stand by it LOL! The tiny straight line is a “piece” 1/32 inch thick. I love looking at them, but I could never, EVER be that accurate! Beautifully done, Aline!

Looking at this old mill building, you’d not realize that a glory of color happens inside! This is the home to dye-provisioner Pro Chemical and Dye….known to quilters and dyers as “ProChem.”

Earlier this month I was fortunate to take a second workshop with Carol Soderlund, Color Mixing for Dyers II. This workshop builds on what we learned in part 1, which I took last year. It was fun as several women returned from last year, so it was great to see familiar faces, meet new folks, AND meet Wil Opio Oguta, from the Netherlands, whom I had “met” online through the Fabled Fibers challenge. If you click on Wil’s name, you’ll go to her blog and can see some of her pieces form the workshop, too.

Here’s our “class picture,” with many of us holding something we had made during the five days.  We had folks not only from across the US, but also from Denmark, the Netherlands and France! Carol is in the plum tie-dye shirt in the center, I’m just to the right of her.

I make MANY different pieces, but will share this one with you today; it is a mix of several yellows (ranging from a cool lemon color to a warm, nearly tangerine, plus two reds, a cool fuchsia and a warmer basic mixing red).

Over the next week or so I’ll add several posts with different things I worked on during the workshop. The first two days were focussed on using thickened dyes (print paste mix), doing many techniques that were familiar to me, having used them with paints of various sorts. It was interesting, however, to do them with dye instead (I MUCH prefer the soft hand of fabric after it is dyed compared to even the most supple of paints).

We dyed a fourth “color family” using three new primaries over the course of the whole workshop, then the last three days we worked on layering and overdyeing for specific effects and our own personal projects. As with paint, some blues are warm (think turquoise), some are cool (think glacier blue), some yellows are cool (lemonade), some are warm (sunshine and buttercups). By using primaries with different properties, you can get dramatically different shades of color: a warm yellow, warm red, and shaded/toned blue produce a completely different palette thank a cool yellow, cool red and warm blue. I’ll share a few photos later on of my color swatchbook just to tempt you, but first I have to cut and paste up my swatches from this session!

As usual, it was another wonderful day! Despite the look of autumn all around us, like the photo above which is just a mile or so down the road from Hannah’s house (on the peninsula south of Brunswick / Harpswell), it was a mild and balmy day fit for t-shirts…a last gasp of warm summer air. We had fun sharing, food (of course!), gifts and projects before flying to the winds as kid-duties called us home in the afternoon.

Hannah’s b-day is late September and mine (something like 15-17 years earlier!) in early October both happened since we last met, so we had a double celebration. Deborah sent goodies from Texas, and we exchanged gifts and grins and thank you’s. It is so wonderful to have creative friends!!!! Here is Hannah enjoying some hand-dyed fabric from my recent workshop (I promise, those posts are coming!)… but I had to tell her to keep unrolling to find the socks in the center–she told me she had been lusting after my bright socks and was having a hard time keeping quiet, so it was perfect!

And here is my loot… from Deborah’s lovely sprigs and twigs (and LOVE the way it is mounted! off to find a frame!), to Kate’s damask table cloth (ready to dye, of course, from a small treasure trove of old linens she lucked into recently) and batik, to the Japanese desk Calendar (I LOVE and am so inpsired by Japanese woodblocks) from Kath to Hannah’s happy, crazy, jump-roping girl made from found beach glass (near her home) and beads she bought in China when adopting Nina. The crazy lime hair is perfect for my state of life these days!

I shared my hand-dyes, and Kathy treated us to an in progress visual FEAST. She is making a bed quilt as a commission for some friends, interpreting their vacation photos from over the years. I SO WANT THIS. Aw heck, I want to be Kathy! I want her creativity and vision and color sense and style. But since I can’t have them, I will be more than content to sit and look and learn and enjoy and be thankful she is my friend. She is constructing the quilt in panels and quilting them, then will join them together. Here is one panel:

And another:

And LOOK at this quilting on the back….she’s as nutso as I am about quilting!

SIGH. I also REALLY like the way Kathy combined low-contrast deep-dark batiks in squares for setting the “photos.” Will keep that in mind for the future…. plus it’s a great excuse to buy more batiks… grin!

For lunch, we had calzones made by Bart the wonderful (aka Hannah’s hubby), one tomato-y and sausage and veggies, the other spinach and riccotta (which I’m going to try to duplicate tonight), followed by a true Maine treat: Whoopie Pie. However, this may be the largest whoopie pie on the planet, found and brought by Kathy:

The “cookie” is a dense chocolate cake, the filling is more like frosting, and it is super rich. Oprah loves these, and her endorsement sent the maker from a mom making whoopie pies at home and then commercially for her friends from local to stratosphere / nationwide. Another Maine mom makes good! So we indulged. Here are the birthday girls with Kathy (Hannah on the left, Kathy plus Whoopie Pie, and me in a shirt I dyed at the workshop).

After our visit to the Botanical Gardens last month, we stopped at On Board Fabrics in Edgecomb and all purchased canvas to make floor cloths or something similar. In a nutshell, you buy heavy canvas, paint it, goop on (Mod-Podge, fusible, glue, whatever) fabric, then polyurethane the daylights out of it. Finally, hem the edges, put non-skid stuff on the back, and have a colorful floor. Well, I figured in my house that’s one more thing to collect or trap cat or dog hair, so mine will be washable placemats (a surprise for the family for Christmas, unless Joshua reads my blog while internet surfing at school when he is supposed to be studying….ahem, sport!). Kate was better prepared than the rest of us and got the most done. Here is a blank green-painted canvas to make a runner, plus that glorious mango color runner on top of it, with some Kaffe Fassett prints on top. Isn’t that enough to just make you smile when you look down at your floor?

Finally, on the way home, I actually got stopped for a train (!!!!) at the edge of the Wiscasset bridge and had the chance to snap this picture of the ready-for winter tree and the still-summery screaming blue sky:

Today I have, alas, no pictures to share, but boy do I have two AWESOME links to share that are art quilt and textile related!  The first is about antique indigo…the actual indigo!  The second is about katazome artist Karen Miller.

First, Isabella Whitworth makes incredible silk pieces in the UK which you can see on her website, here. On a recent post to the Dyers’ List (a listserv for folks interested in dyeing fibers, both cellulose like cotton and protein like wool–to sign up visit this site). She mentioned that she had recently been to an indigo symposium in the UK and was able to see some pieces of contemporary cloth and yarn dyed with indigo that is over 360 years old!!!!!! The indigo was retrieved by divers from a shipwreck that dates to 1641; one expert was given some, and dyed the pieces. Totally flippin’ amazing! Click HERE to go to that particular part of Isabella’s website.  And after you’ve done that, be sure to check out Isabella’s gallery pages….sigh….lust for cloth…..inspiration!

The second treat is thanks to Gerrie Congdon, who is an artquilter, dyer of cloth, awesome gramma, and many other things besides, and relates to Karen Miller. Karen Miller is a West Coast artist who specializes in katazome, a dyeing-out-but-not-if-she-can-help-it art from Japan which in one cuts stencils (meticulously, using many, MANY hours) by hand, applies rice paste, then dyes / prints fabric. Karen was recently profiled on an Oregon PBS program which you can find (thanks for the link Gerrie!) at Oregon Art Beat.

For my Friday Harbor and West Coast readers, you may be intrigued to know that not only is Karen a marine biologist / scientist by training, but her parents (or was it her grandparents? I met her at the Assn of Pacific Northwest Quilters show years ago and the details are a bit fuzzy now) helped establish and get-going the U. of Washington Marine Labs at the edge of the harbor that lends its name to the town of Friday Harbor in San Juan Island, Washington. Way cool! I think she sometimes teaches at Coupeville Arts Center on Whidbey… if I were still on the island, I’d be there for a workshop!

If you love learning about fiber, old fiber arts, and contemporary artists, treat yourself to some websurfing and visit all of these links. I’m going back, and I could watch Karen’s segment on Oregon Art Beat many times (as soon as it was over the first time–all 6+ minutes– I immediately hit play again!).

ProChem is in Fall River, Massachusetts, the town literally on the edge of the state next to Rhode Island (to get to ProChem from the highway you drive through a few blocks of a neighborhood in Tiverton, RI). My dad was born there in (get this!) 1899, and no, that is not a typo…he was OLD when I was born, nearly 59!

Anyway, lately I’ve been taken with pictures of falling down houses here in Maine. This burned out shell on Shove Street in Fall River, maybe 2/10 of a mile from ProChem caught my eye every morning as I drove in to class (the motel is in a neighboring town). On the way home on Saturday afternoon, I finally stopped to take pics because I knew I’d really be sorry if I didn’t. The picture above is of an outside staircase, that went from the sidewalk to what presumably used to be the main living level of the former house.

This next picture is of the old basement /ground level. I love the old arched doorway to the stairs curving up… from the way it is made, I am guessing these were inside stairs to a back or side entry.

Here’s a picture of the charred window frame and old plastered stone wall:

And finally, to help you place things, a wide angle view of the arched-doorway wall and the house next door. It is VERY close…less than ten feet so I’ll bet it was scary for the owners of the new house when the old one was going up in flames!