Yep…. long time readers will remember this from last year. It is jam-making time! I loved the comment last year when someone told me they almost licked their screen!

Here is what 45 pounds of strawberries looks like (above). The past two years we have picked our own, but (big surprise!) Paul and I picked 30 of the 38 pounds, while the two boys picked 8 pounds and fussed. Well, Paul’s rotator cuff is torn (surgery in 2 weeks, and not soon enough he ways) so he can’t pick, and he agreed it was unreasonable to expect me to pick that much. Plus, we RAN OUT of 38 pounds worth of jam. OK, 38 pounds minus munchies during creation….. So thanks to Mr. Bellmore at Spears U-pick farm, he set aside four flats for me (the cost is a little more than U-pick…and I think it is worth it!!!!). They were ready Monday. Monday evening I hulled and washed the berries (for hours):

This is what 42 pounds of strawberry hulls looks like:

Then on Tuesday I made jam until I ran out of pectin (we bought more on the way to the Sea Dogs game in Portland). Then I sliced the remaining berries, minus a colander’s worth of really good, ripe ones with stems left on.

Eli, smart lad that he is, remembered when I had made chocolate dipped berries in Friday Harbor (at least 4 years ago…when he was 5!) and suggested we do it again. So we did. Alas, I let the chocolate get too hot, so they weren’t as pretty as they could be, but who cares…they tasted good! Melting the white chocolate chips was not successful, tho.

On Wednesday, I spent the entire day making up the rest of the jam. I use Pomona’s brand Universal Pectin, which is designed to use low sugar or honey. For 40+ pounds of berries, I used less than 15 pounds of sugar! That means my jam tastes like BERRIES, not sugar! The boys love it, and I love that they love it. We ended up with 42 pints, in mostly pint jars (until they ran out when I used half-pint jars, which the boys can vacuum up in a day!!!!!) There are 8 pint jars hidden in this picture, to the left of the microwave and behind the first row….

And to justify all the work, had to add one more photo of Eli surveying a year’s worth of jam: Then I had to box ’em all up and haul them down to storage in the basement. May splurge and (for the first time in 4 years) make raspberry jam later, too! Gonna let Mr. Bellmore pick them, too (well, his farm hands!).

And as an aside…totally cool: Mr. Bellmore rents his farm, for 25+ years, from the Spears family, which has owned the land since 1735 (down in Warren on Route 1, a mile up from the intersection with Route 90). When I asked about the heavenly-scented tree between the house and the farm stand, turns out it was a gift from the US Ambassador to Japan to the family…. in 1865! It isn’t supposed to grow this far north. It is now taller than the 2 story house, and Bellmore has a picture of it beside the house from the late 1800s when it was a bit taller than a man! Way cool! If I get back down there for the raspberries before I head to California, I’ll take a picture of the tree. Mr. Bellmore said he has tried to grow seedlings and cuttings, but they always get killed off, yet the big tree thrives.

as usual… a bit late and behind the curve…what else is new?

Well, for our fourth, we celebrated a tad early by going to a Sea Dogs (minor league baseball in Portland, Maine) game on July 3rd because…as my clever hubby figured out…they were having fireworks! And, the weather was actually a lot better on the 3rd than on the 4th.

I took my camera, and to my amazement tried the “night scenery” setting without a tripod and (after taking nearly 100 shots and deleting over half) ended up with some decent shots and one or two good ones, and some goofs that were actually pretty cool! Imagine what it would be like if I had taken a tripod (I was too tired, rushed and so on this year, but for sure I’ll do that next year!).

Doesn’t this one look like a neon sculpture?

And I liked this one too:

I mentioned in an earlier post about our mini-group, the Frayed Edges, that we are having a group show in the Picker Room at the Camden Public Library (there is month-long show each month ranging from vintage lithographs and etchings to contemporary oils to art photography and more). We wanted to do a single group project, but one that our hectic lives would be able to absorb. We each contributed a photo, and each of us made a small project based on the five photos. I offered a photo I took last summer at the Ringling Museum, in Sarasota:

This photo and one Kathy took, of a brilliant orange beach umbrella, sand, sea and sky, are the two 5″ wide by 7″ tall pieces. The other three photos are also 7 inches tall, but 10 inches wide. That way when we hang them, each row will be of five 10″-tall pieces. So, here are mine, starting with mine:

And here is the one I did from the photo Deborah contributed (photo was taken by her husband Jeff in Central America):

Then I tried an abstract (actually, I did this one first, but love the way it turned out!). I fused up Kathy’s umbrella, then sliced it up into pieces and put it back together:

Hannah’s Flower was a challenge, so I think I’ll save that one for my next post, and show the first attempt, how I saved the first effort, and my second much more successful effort at the 7×10 size. That leaves Kate’s St. Michael’s church in Kiev. Kate’s daughter is adopted from the Ukraine, and she took these photos on the adoption trip. The domes and colors are spectacular in the original photo. All of us honed in on the domes immediately, but in very different ways. I decided to try my hand at foiling with beads:

I found the link to a fascinating post on Joanie San Chirico’s blog, which sent me to Edward Winkleman’s blog. Who you might ask? Honestly, I’m not sure, but it is a fascinating breakdown on the expenses faced by an art gallery. As he and Joanie rightly noted, many people (emerging artists included) are surprised that a gallery’s cut is 50 percent of the sales price, and only 50 percent (60 if you’re lucky, like me! living in not-really-rural Camden) to the artist. Why? well, Winkelman’s explanation is worth reading: click here to open it up in a new window.

When I worked for an interior designer on San Juan Island, Wash. (that was a whole ‘nother set of nightmares, but I learned a TON about high-end home dec sewing, interior design, and business), the designer used to quote the adage that “the cost of doing business is one-third.” That apparently applies across a lot of industries. As well, wholesale in many industries, including quilting, is fifty percent of suggested retail.

So, despite our math-phobias, let’s do the math. If you take a yard of fabric at $10 per yard, you can guesstimate that the wholesale cost was $5 per yard plus shipping/freight/delivery charges. The cost of doing business is 1/3, or $3.33 (one third of $10), which covers rent, utilities, insurance, wages, cash register receipt paper, fees charged by credit card companies, and so on. Then, if like Maine-ly Sewing, the shop is nice and gives you a ten percent discount because you are a member of a guild, that is another dollar.

If you’ve been doing the arithmetic, that is 5 + 3.33 + 1 = 9.33. That leaves all of 67 cents of “profit” for the shopowner. No wonder quilt shop owners and other shop owners work so hard and have such a long road to staying in business.

For me, I’m thrilled to have my sales at Ducktrap Bay Trading Co., a gallery here in Camden, Maine. I may not make a lot (close to minimum wage) when a journal quilt sells, but it SELLS. Which it would not do otherwise (like sitting in storage on my spare bed). The owner and staff work hard (without being pushy or intrusive) to sell all the works (last time I was in a new staff member wanted to ask me about my work and inspiration so he would have more to tell customers!), and pay their bills, so they deserve their cut, too.

And I won’t grump about the price of things in stores as much……especially not quilt stores!

The most recent issue of Quilting Arts magazine, had an article by Jane Dunnewold that was for me a KAPOW light bulb moment! I totally encourage you to pick up a copy of the issue (order it from QA Mag directly, or check your neighboring quilt or book store). She referenced a book called Notan: The Dark-Light principle of Design, which is available at Amazon (hotlink below and now on my wish list!). Basically, the idea is that you cut shapes from the sides of a square, then flip them outwards. Of course, I didn’t do it like she said….

I can’t remember the last time I have been so excited by an article that I had to drop everything was going (including getting things ready to mail my Houston entries!) and try it! Of course, I had to tweak the idea, because I thought immediately how cool it would be to make diamonds with positive/negative wave shapes to screenprint onto cloth. Here’s a first attempt…. the white is the paper, set out onto batik… I LIKE IT!

Looking up Notan: The Dark-Light Principle of Design, of course, let me on a merry journey thanks to Amazon’s “other people who bought this book also bought (fill in blank). That in turn led me to Camden Public Library’s online card catalog, through which I ordered up Abstraction in Art and Nature by Nathan Cabot Hale, a sculptor (forgive me, for I am probably a troglodyte and he must be well known). At first I thought I’d add it to my Amazon wish list, but then decided maybe not… Do any of you have favorite books about learning to work abstractly? I liked the recent articles in Quilting Arts, and would love to read more….
And a note about the BLOGROLL on the left:

Because of the new format, the sidebar area had come to look very cluttered. Even worse, Blogrolling is no longer updating links to show you what is “new” (has new posts), so I have switched to something called Bloglines. A very helpful woman on the QuiltArt list posted about it, and I really like it so far. So, I am switching over all of my links to Bloglines (which sends me an alert when any blog has a new post…yeah!), and leaving only a few in my visible Blogroll. All the other folks on my list are still there, it just won’t appear on screen. So my friends who are on the list, I am not abandoning you, I’m just going underground in a way.

And a last note:

Have been madly making samples for the book: you know those in progress shots in books? What a TON of work to make five different steps, all of which have to be send for professional photography so you can’t make one, take a pic, work on it, take a pic, etc…….. but I’m hoping to take decent pictures of my grid pieces and two new pieces and have them up in the next day or three.