Wow…. it’s hard to believe that the time is here… I can now take pre-orders (here) for my book–and yes, I’ll ship outside the US!  AQS worked like whirling dervishes I think; I had the page layout version of the manuscript to edit over Labor Day weekend, and they still got it to the printers who will have it ready in the nick of time to have at Quilt Market in Houston starting October 10th!  I’ll be at Market working to promote the book before I start teaching.  If you’d like to pre-order a copy, read on!

PRE-ORDER My book on understanding and using thread on the surface of a quilt which is now available!

You’ll learn everything you need to know about thread, from how it is made to what will make your life easier, and your quilting better!  You’ll learn how needles, tension, your workspace, sewing machine, stabilizers, and other tools all help you in using all those wonderful threads now available.  I’ll help you understand how and why certain tools and notions work best and when another option is a better choice.  And there are fun projects, from a quick and easy needle-keeper to decorative-stitch leaf appliques, free-motion quilting with fancy-fiddly threads, and a leaf-printed table-runner.  I hope you enjoy it as much as I enjoyed writing it!

Please let me know if you would like me to autograph or add a dedication in the comments area of your order.

Please note that books will not ship until LATE OCTOBER.  The will be hot off the press in mid-October, when I am teaching at Quilt Festival in Texas.  I’ll need to get home, receive the books and process the orders (hopefully finding a little time to sleep, eat, and say hi to the family, too! )  Books will be sent in a Flat Rate Priority Mail envelope.

Price:  Book 28.95 +  US Delivery  5.00 =  33.95; prices for first class mail delivery to Canada ($11 in postage) and the Rest of the World ($13 in postage) are slightly higher due to postage.  Please make sure when you order you:

1. select the correct shipping (US, Canada, Rest of World)
2. put down correct snail mail and e-mail addresses
3. let me know if you’d like me to dedicate the book (for example:  to Denyse, Happy Quilting, Sarah); if there is no  note, I’ll just sign it on the title page.

Thanks…I can’t wait to actually hold a copy!

I request the pleasure of your company in a totally uninhibited, majorly deliriously insanely happy snoopy dance…… (cue the drums and trumpets):  MY BOOK COVER IS OUT!

Yes, folks…. it is really gonna happen!   The major editorial work is yet to be done, but the projected publication date is Fall 2009!

The book covers using thread by machine on the surface of the quilt, so it touches on applique, free-motion stitching (I can’t bring myself to call it embroidery) and quilting, plus lots of tips and tidbits and good stuff–choosing threads, understanding your machine’s tension and all that.  The book is also written so that both art and traditional quilters can use it and find inspiration and technique.

I was surprised at the quilts AQS selected for the cover, but understand why:  both of these teaching samples showcase the stitching, and the photography is simply outstanding.  (And the one on the left is in a class I’ll be teaching in Houston in October about using Fiddly, Fussy Threads!) And I really love the dangling thread on the “d” … after all, quilters come with threads attached!

Much closer to actual release date, I’ll have information here about how/when to order (yes, I will be selling it from my store page….but that’s still a few lifetimes away…like October or November).  Hmmm…timely for Christmas gift giving???? Heh heh…..and now, back to jumping and flailing wildly (and making my kids grateful I’m doing this inside the house and not  in public LOL!)…let’s CELEBRATE!

Quilting teacher extraordinaire Jan Krentz recommended this book to me back in April; I bought it not too long after that, and re-sized the photos for blogging back in September… give you an idea how swamped I’ve been? Anyway, Nick Kelsh has written numerous books; after getting how to Photograph your Family from interlibrary loan (this book wasn’t available), I decided to order this one from Amazon since the price was modest (and it’s a business expense!  self-education for teaching composition and design!; alas, I just checked and something crazy has happened to the price…like over $50 each!  Look for it in a library or used book store, or give it a wait and see if they re-print it and it is once again about $16.

Well, the book applies to quilting as well as photography, and in a nutshell his recommendations are:

–don’t use the flash if you can possibly avoid it, and

–crop!

The latter, of course, is the part that best applies to quilting, but the book in itself is about composition and design, albeit in an oblique way.  Kelsh is a professional photographer, but he set himself a challenge:  to use his wife’s pocket digital camera to shoot ALL the photos in this book, thereby proving that even with a decent but not exorbitantly expensive camera one can, with a trained eye (including self-taught) and practice, take great pictures.

Note:  all photos are clickable for a larger view!

Kelsh shows a wide range of typical sorts of photos, using what the average Jane might snap, and then how to improve the photo (remember the mantra:  CROP!):

In this picture, on the left you have the typical shot taken from just up the path, with the subjects hard to see due to the dappled light from the shadows.  In the photo at right, Kelsh moved the subjects to where they are all in the same light (not dappled) and radically changed his position (up a rock or a tree I think) so he is shooting down on them.  Better!

This page shows another lesson I learned at least 25 years ago:  take LOTS of pictures, and you’ll end up with a gem or two (or nine).  In this example, the photo on the left has a small bit of sweet baby’s face, and lots of playpen and wall.  In the many photos on the right, you have almost ALL face… and a wide range of a sweet baby being a sweet baby in all their goofiness.  With digitals, we are blessed… it used to be financial agony deciding whether or not to snap the shutter, using up expensive film and more expensive developing.  Now if the shot is lousy, just delete!  So get yourself a large capacity card, and snap at will!

In this example, he shows us how to take someone’s portrait…without them in it.  If you changed the glasses on this one, and the pen, it could have been my dad!

The book is easy to read, and it doesn’t delve into serious discussions of design, composition and whatnot, but it still manages to convey the essentials of composition and design.   If you can get a hold of a copy for a reasonable price, it is worth it, or check your library or interlibrary loan options.

Bottom line:  if you take digital pictures, enter quilt shows, want to print photos onto fabric, want to print photos from your printer at home, want to design quilts on the computer, or learn to manipulate photos, or learn to use your photo editing software more effectively, want to know how to get the color in the photo to look like it does in real life, and THEN want the print to have the same colors…. BUY THIS BOOK!  This book will be an essential reference tool in my library, I can tell already.  It is not a sit down and drool over the pictures book, but it is a book you will use again and again and again!

The caveat up front: Gloria is the one person I wanted to design my website, and she and Derry did a fantabulous job.  That probably makes me slightly biased, but as anyone on  the QuiltArt e-list knows, Gloria’s knowledge (and generous sharing of that information) on the list are such that most of us have an e-mail folder entitled “good stuff from Gloria”!

The subtitle to this information-packed book is “the quilt maker’s must-have guide to images, files and more!”.  I couldn’t agree more….   for both MAC and PC uses, Digital Essentials is written by Gloria Hansen, who is not only an award-winning quilter (major ribbons at both AQS and Houston in the past year alone!), but also an award-winning website designer with her partner Derry Thompson of Gloderworks, and a top-notch photographer. In just browsing the book when it first arrived, I learned stuff, was impressed with how well laid-out the book is, and how Gloria makes a seemingly complex subject understandable.   Digital Essentials is published by the Electric Quilt Company, ISBN 1-893824-64-0.  The book is available by mid-September from Gloria here, from Amazon, or ask your local quilt shop to stock it!

At first I intended to review this book in one fell swoop.  But….. There is SO much in the book, and as always I am so pressed for time, that I thought I’d do a synopsis of what is in the book, then later on work my way through a couple of the chapters that teach things I really want to know, and share the results with you as I can get the time to do the work.

The book is in four major sections:

1. The Fundamentals
2. Working with Images
3. Saving for the Web
4. Reference

Start at the beginning:

Let’s say it right up front:  computer lingo and camera lingo can be really daunting.  But I realized it is the same situation quilters face when dealing with art terminology.   I tell students in my “If you can write your ABCs, You can Draw” class, folks are intimidated by the vocabulary of art:  composition, complementary colors, tangents, value.  But it is just words.  We can all learn what they mean.   When we started quilting we probably didn’t know Log Cabin meant a block, not a building, and Baltimore Album was a style of quilting form the mid 1800s, not a photo album about Maryland!

And that’s how Gloria begins:  by explaining what all those not-really-daunting words mean.  Best of all, she uses pictures and pictures of drop-down screens from commonly used picture software to illustrate.  The book’s layout and color-blocking help organize the text, making it easy for you to scan and find what you need, as well.

Especially helpful are the red ovals on the screen shots which help you know WHERE on your screen to look!

Getting the color right…from real life to captured image to computer screen to print out… is key.  In Chapter 5, Gloria breaks down what to do into a step-by-step process.  I can tell that this isn’t something I want to do late at night when my biorhythms are at their worst, but I can also tell that if I simply take it one step at a time, I can do this…and there is no way I could have figured it out on my own (well, at least in this century).

The next two sections — images and the web:

I’ve learned some of the things in these sections by doing, by using Gloria’s help to me individually and to the QuiltArt list over the past four years.  But already I have learned there are different ways to crop things that may make my life simpler and faster (more time to quilt, or sleep! is a good thing).  As I have time to work with the book, I’ll come back to these topics.

Resources:

OH how I LOVE a book with a good index…. this one is four FULL pages, which means I can find what I want quickly, instead of having to flip through many pages….

There is a Reference Guide with commonly asked questions…and the pages on which to find the answers!

There is a comparison of Photoshop, Photoshop Elements, and Paint Shop Pro, and also a glossary.  Let’s face it…we can read the definitions but they don’t always imprint (at least on my brain).  Having this mini-dictionary in the back is eminently helpful.

The last test:

I’ll challenge myself right here, in print.  I want to understand a few things.  Let’s see if I can find the answers in the book….

1.  What are layers and how can I use them?

2.  Can I manage to create a somewhat kaleidescopic image on my Mac laptop using Photoshop elements?

3.  How can I (easily?) watermark the photos I post to my website and blog?

4.  How do I get the colors of my photos to be the same as the actual cloth, so that entries accurately reflect the quilt?

5.  When I download photos from my camera to the laptop, why do they come out at 72 dpi and HUGE size (about 35×42 inches)?  I shoot at maximum resolution.  Can I adjust either the camera or the software so they display at 300 dpi and smaller size?

6.  What is Unsharp Mask????? And why do I need to use (or not use) it?

I’ll work through these questions over the next couple of months (I hope), and I’ll share my results.

For the past month or so I’ve been enjoying the Lark publication Masters:  Art Quilts (subtitled Major Works by Leading Artists).   This book is one in a series of fine arts and crafts such as Porcelain, Beadweaving, Gemstones, Glass Beads and others (forthcoming) on Wood Turning and Gold.  This series is a nearly square 9×8 inches, and hefty…the shortest is 300 pages, with the Art Quilt volume the heftiest at 416 pages. (Note: all photos in this post are clickable to see them a bit larger–scroll down for LOTS of great review pics.)

How author and curator  Martha Sielman, executive director of Studio Art Quilt Associates (SAQA ) and an art quilter herself, managed to whittle her selections down to a mere 40 of the many, MANY outstanding art quilters working today I do not know.  What I can say is that she did a smashing job of selecting a representative sampling:  from some of our trailblazing artists to some newcomers who deserve to be included in the top tier, from abstract to highly representational, from those who work exclusively with fabric and thread to those whose quilts are nearly encrusted with embellishments, and from around the world, Martha has included something for everyone’s taste, and introduces us to some quilters we may not have known–well, even though I read voraciously and troll for news of the art quilting world outside the United States, there were some artists that were new to me.  The artists (in the order in which they are presented in the book) are:

• Jane Sassaman
• Michael A. Cummings
• Ita Ziv
• Cher Cartwright
• Noriko Endo
• Deidre Scherer
• Carolyn L. Mazloomi
• Hollis Chatelain
• Linda Colsh
• Charlotte Yde
• Joan Schulze
• Judith Content
• Kyoung Ae Cho
• Jette Clover
• Eszter Bornemisza
• Pauline Burbidge
• Yvonne Porcella
• M. Joan Lintault
• Katie Pasquini Masopust
• Nancy N. Erickson
• Susan Shie
• Caryl Bryer Fallert
• Jeanette Gilks
• Jane Burch Cochran
• Pamela Allen
• Therese May
• John W. Lefelhocz
• Miriam Nathan-Roberts
• Jenny Hearn
• Terrie Hancock Mangat
• Wendy Huhn
• B.J. Adams
• Inge Mardal and Steen Hougs
• Chiaki Dosho
• Inge Hueber
• Michael James
• Velda E. Newman
• Anne Woringer
• Clare Plug
• Elizabeth Brimelow

The book begins with a brief Introduction by Martha Sielman, and is followed by profiles of the artists.    Forty art quilters are included, each with 10 pages.  Each “chapter” begins with an introduction written by Martha and a detail photo on the left-hand page, while the full quilt is showed as large as can fit on the page on the right.  Each photo has the title, year it is made (which allows one to see progression in the artists’ work and style), size, and a brief summary of techniques.  On the subsequent pages, full-shot photos of an representative sample of that artists’ quilts are accompanied by quotations from the artists that give insight to their style, goals and personality.

With only a few exceptions, the photography is outstanding, showing even the stitching detail.  For those not familiar with taking photographs of quilts, it is challenging (to say the least!), so the ability to see this level of detail throughout the book is a rare treat.  Here are some of my favorites, beginning with one of my quilting idols, Hollis Chatelain:

I had not known of the work of Michael Cummings:

or Kyoung Ae Cho before, but I am certainly glad I do now….time to go surf the internet, eh?

and a photo of another of her pieces:

Ita Ziv of Israel uses highly unconventional materials, like the bags you get while shopping!

Charlotte Yde’s name was familiar, but I got to see some new works:

I love her bold use of color, her often monochromatic quilts, and in these pieces the repeated shield or banner shapes:

Jenny Hearn’s work reflects her South African heritage though it is not always obvious.  There is a rich complexity to the visual texture:

and another piece (by the way…sorry about the flash glare!)

Inge Mardal and Steen Hougs’ quilts always stop me in my tracks when I see them in a show.  They are very large….often between 5×5 or 6×6 feet!   They are densely quilted, and glorious:

I honestly don’t know how Martha managed to restrain herself to a mere forty art quilters….  each and every chapter is a feast for the eyes.  I also don’t know how Lark managed to publish such a sumptuous coffee-table book for only 24.95.  If you purchase this book from SAQA store, part of the proceeds will go to support the efforts of the Studio Art Quilt Associates promote our art form.   It is also available here at Amazon.com. Like The Art Quilt by Michael Kile and Penny McMorris, this book encapsulates the best of the best at a specific point in time.  I expect that this book, too, will become a classic and a valuable reference.  It’s also just a joy to sit down and savor.