Sheesh….. the week has evaporated yet again! This week started with a glorious Frayed Edges (my mini-group) day, so I’m going to break it into two posts. Then I got swamped when I realized entries for Houston (IQA) are due June 12th, and my quilt isn’t done let alone photographed and forms completed, so I’ve been quilting like a madwoman all week. I finished the quilt (well, except for the hanging sleeve and label, and they don’t have to be done to photo the front) last night, and will put entry in the mail on Monday. In the meantime… I get to share the wonderful day we had on Monday…

Hannah Beattie, the youngest of us, now lives in Harpswell, which is south of Brunswick, Maine, on a peninsula that has to be one of the most beautiful in Maine, and that is saying a LOT. I believe that Hannah must know and be friends with every amazing artist between New Hampshire and the mid-coast…see she’s one of those people that everyone love! So anyway, over the weekend Hannah writes to ask, would we like to go visit Natasha at her home and studio? Heck YES! As you can see f rom the photo above, when you drive up to the house you know you are in for a major treat… I mean, don’t you want shutters like these? I do! And in the vegetable patch to the left of the drive, look at these awesome garden people (which Natasha makes on commission, too)–that’s Kathy, Hannah and (in her arms) Nina:

For those of you who have come to art quilting lately, Natasha was one of the trail blazers, and has been at the forefront of the art quilt movement for longer than she probably wants to remember (and it also means she started young!). Here’s her website…I encourage you to go look and enjoy (and shop?). Anyway, there was plenty of color and creativity in her home… both in her studio and in the other rooms. Here’s Natasha with one of her works in progress…she began with white cloth, used lots of Shiva paintsticks and more:

and her studio (PS…please don’t blame me for the studio lust you’ll feel)

Repetition was a theme which I enjoyed… her yarn baskets:

Pencils and pens:

The pillows for sale on one table: (Kathy bought one!)

The broken-ceramics tiling she did on the woodstove chimney in the living room:

and close up:

Then there is the jewelry for sale (does natasha ever sleep????):

And tho it isn’t repetition in the same way, I LUST after this bathroom mirror:

OK..I also lust for color, and the time to create….

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Doesn’t that piece just make you want to RUN to the studio and play?

And finally, on the way out….

Next post (or maybe the one after), what we did with the rest of our day….

Not so long ago I shared the results of the Coastal Quilters’ Art Quilt Challenge, to take Dwight P’s photo of ropes and buoys and make a 10 by 10 inch art quilt. I decided to crop the photo tightly on the buoys and make a piece with the same values (light and dark areas) as the original photo, but in entirely different colors. I couldn’t decide whether to go with blues or with something wild, so I decided to make two! First, I enlarged the cropped photo to the desired size, then traced the outlines by taping tracing paper over my computer screen and, with a pencil, lightly marking the outlines:

The first is in blues (click to make larger):

The second is in pinks and purples:

After the group quilts have been displayed at the statewide annual show, Maine Quilts (in Augusta the last weekend in July), I’ll mount my two pieces on stretched cloth the way I did with the crane (below) and offer them for sale. (The crane is for sale, too….. write me if you’re interested or go surf the for sale gallery on my website). The instructions on how to mount works this way is included in the Creative Quilting With Beads book for my second project. Hmm… don’t think I’ve shared that one yet, have I? Guess that’s a new blogpost! Anyway, hope you like the style (click for larger view):

Sometimes when you do a “chore” it becomes a pleasure. I love taking ‘Widgeon for walkies… like this photo I shared not too long ago, you can find inspiration anywhere:

When we reached the end of Sweetbriar (a nearby short road), I saw a flit of black and red… a pileated woodpecker! AND I happened to have my camera with me, and he alit on a tree for long enough to get this shot:

And then we turned the corner and the sunlight was glinting off the stone wall in the Fagan’s back yard:

Walkies are fun!

One of the members on one of my e-lists is going through a rough year, recently diagnosed with not one but TWO serious illnesses at the same time. So, another group member is going to put together a snuggly quilt for her, and I made this block. The stitching around it reads: fabric, friends, health, hugs, thread, these things I wish for you, fabric, friends, health, hugs:

Then I FINALLY, after five months, got the squares cut from my BlauViolett dyed cottons and silks so I can do some tests for lightfastness (as in, will it fade a lot or not?) for this dye, procion MX-RX-7 known as BlauViolett. You may (dimly, in your distant memory) recall reading this blogpost about my December dyeing adventures. Well, I didn’t want glue to be a factor in any lightfastness testing, so I cut sorta-square pieces about 3 1/2 inches on a side and stitched them to some stabilizer (a sewing product used to prevent fabric from behaving badly when doing dense stitchery). Here is what the fabrics looked like in December up on my work table:

Here are the stitched up groups. There is a VERY wiggly sheer silk at the top, followed by the cotton (the dye is reputed to be very unstable on cotton exposed to light), silk dupioni, a silk jacquard (with a mystery fiber that is clearly neither silk nor cellulose fiber as it stayed white), and the delectable, want to roll naked in it wear it next to my body sandwashed silk . One source has told me that on silk, the dye is stable and retains its GLORIOUS color, but that on cotton it fades horribly. The two vertical strips on the left are going into the dark. The far left one is inside a manila envelope inside a cupboard, the short strip is on top of the envelope in the cupboard (which is opened fairly regularly but not subject to intense light exposure).

The other four strips are dated with the date they went up on the window. I will, I hope

remember to take them down at one-month intervals. This window faces east-southeast, and gets some of the best sunlight / exposure in our house. We don’t have any windows without the sashings, so this is the best testing spot I can find (the only other option would be pinned to the screen on the back porch, subject to the elements…nah!). At the end of summer we’ll compare the six strips side by side!

I actually had a little time to play in the studio and tidy up. I had not planned to participate in the Coastal Quilters challenge, which I blogged about a few days ago here. But……about a week before the 10 by 10 inch quiltlets were due I thought, hey…. I could actually pull this off, I have a week. I knew what I wanted to do with the photo… of ropes and buoys… how I wanted to zoom in. And I knew I wanted to do a color study changing the colors from yellow-red buoys and multicolored ropes to something else, but couldn’t decide if I wanted to do all blues, or go wild and use pink and coral and purple. So I decided to do both! I didn’t have the facings finished in time, but since I volunteered to do the paperwork and prep stuff for hanging them in Maine Quilts in late July, I was OK.

Here’s how I did it. First, I took the photo (by CQ member Jan’s husband Dwight… you can see their website here) and fiddled around with various cropped versions until I had a composition I liked. Then I enlarged it on the computer and taped tracing paper to the screen, and traced lightly with pencil. I needed to reposition the paper and photo a couple of times since my screen isn’t 10 inches tall to get the drawing / tracing in the photo at the start of this post.

Then I picked fabrics. I kept the values the same–the background is the darkest area, the center of the tops of the buoys is the lightest (except for the white thing at the top… can you tell I’m a transplant to Maine… I don’t know what the parts are called…blushing, blushing, hanging head in embarrassment!). I was thinking teal, but the true blues picked themselves. Then I wanted to go way crazy and use a printed batik for the tops, which led to the purple-pink version! I used Saral or Transdoodle transfer paper between the traced design and the fabric to transfer the markings (like using dressmakers paper to mark darts) and cut out the pieces of pre-fused fabrics.

Finally, after fusing up the compositions, I selected at least six threads per piece and quilted the living daylights out of them! FUN! Last step, a facing since I wanted a clean “no edge” look for these pieces. When they return from being part of the group challenge, I’ll mount them on stretcher bars covered with cotton like I did the crane or white flower: