When:    January 31, 2009 (snow date:  February 7), 12:30

Where:  Jewett Hall, University of Maine at Augusta (just down from the Convention Center where we have Maine Quilts)

What:  Lecture on Journal Quilts and journals for quilters

When Mary Coombs asked me to give the January lecture I said I’d love to, but at the time had only one lecture “on the shelf.”  Since I have already given it several times around the state, I felt I needed to prepare something new for the PTQG.  She suggested the journal quilts, and idea I immediately loved, since I feel the journal quilts have been integral and essential to the success I’ve had in the past few years as a quilter.

I’ll have all of the journal quilts that I made (that aren’t sold…have most of them), plus will do a “slide” (digital) presentation and talk on the journal quilt project, how it began, with quilts by Maria Elkins, whom I think did the best job of anyone throughout the years of the formal journal project in using the process to learn, a variety of journal quilts by various artists from 2007 and 2008, a bit about how to use paper journals to help your own quilting, and ideas about how you can use the journal quilts to learn and grow.

The PTQG meets regularly on a statewide basis (in addition to the many, MANY local guild chapter meetings).  This is one of those meetings, which begins at 9:30.  The business portion of the meeting will take place in the morning, they’ll break about 11:30 for lunch.   People can come as guests as far as I know.  Show and tell follows the lecture.

Hope to see you there… if you are come up and say hi and say you saw this on my blog!

And yet another piece!  Amazing what happens when you finally dig out from under the mountain of accumulated work…all the stuff that piles up while life is happening!  One of my favorites in the new crop of small art quilt pieces is  Birch Pond:

I’ve always loved etchings and woodblock prints (even bought a couple books on woodblock print making, tho I’ll likely never make such a thing…but of course the design ideas and visual techniques can always be applied to different media…like quilts!).  Mary Azarian is one of my favorites, and I got the Shepherd Seed Catalog for years just to see her illustrations.  Alas, I can’t find the latter online….the link for Sheperd’s Seeds automatically switches over to White Flower Farm where there are NO seeds listed…Sob!  Anyway, check out her website…the Farm and Field prints are fancier than what was in the catalog, but in the same vein.

So, looking for something fun and easy to do this summer at Maine Quilts, I was thrilled to see that Laura Wasilowski was teaching her Woodcut Quilts class!   Laura’s website is www.artfabrik.com (with a K…sigh).  As part of the class kit fee, we received some of Laura’s lovely hand dyed fabrics and threads, but of course I had to be me and took my pre-fused stash of batiks (well, a selection). This piece varies somewhat from “true” woodcut quilts because the individual leaves are not edged in black, but I can live with that <grin!>.

Here’s a detail:

The 14×14 inch quilt is mounted on 21×21 stretcher bars covered with dark blue batik cloth, clean finished and ready to hang.  It is available for sale at Ducktrap Bay Trading Company (gallery here in Camden, Me. — click on the New Work link under the Galleries column for more info).

I had fun in the class… it was low key and easy paced (a bit slow for a kind Type-A sort like me who is quite experienced, but that happens to me a bit too often….I’m to ready and raring to go!), I learned new stuff, Laura is a well-prepared and entertaining teacher and best of all, I now know some of her tricks so I can let what I learned percolate and come out in a quilt in the future.  Yeah!  My own woodblock prints without having to carve the wood (not that I’d mind learning that, either, but there aren’t enough hours in a lifetime already!).  Cheers!

On Saturday, October 18th, I was fortunate to be able to teach Hawaiian Quilting by Machine to the Backroads Quilters in Gardiner, Maine.  The Backroads Quilters are a wonderful, active and experienced group of quilters.  Similar to my local chapter, the Coastal Quilters, Backroads is a chapter of the Pine Tree Quilt Guild, Maine’s state-wide guild (which rocks!).

I taught my paper-snowflake variation on the theme of Hawaiian quilting.  It is easier on the hands when cutting, lets you get stems and narrow bits that are equal (or nearly) in size (if you do the traditional fold the cloth into eighths the stems can range from narrow to blobby), and–if you do fusible applique and satin stitch–gives you two blocks from one fused-up square of cloth.  For this class, I did up a new 6-inch block.  Students get two choices of small blocks, turtle or taro plant, plus they can also select one of the five designs from Nourish the Body, Nourish the Soul–you can see that quilt here. Here is the taro block with two colors of satin stitching and assorted outlining stiches:

I always love to see students take my patterns then reinterpret them in their own color choices.  The small blocks are offered because it allows a student to apply the adhesive web, cut the pattern, cut out the motifs, fuse and sew a block in one class.  Other students prefer to dive right in with a full size block, but often don’t get a lot of the satin stitching done during class because the larger blocks take more time to  pre

pare and cut.  Here is a lot of eye candy!

Ann’s block being cut out:

and fused and ready for checking out thread choices:

Nena used a contrasting lavender thread for a nice bold outline on her taro block:

At first, this student wanted to use orange thread, but after doing several stitchouts, decided she liked the soft look of the navy.  By using the navy thread, she “popped” the small sprigged flowers in her print fabric and still gave a subtle framing to the edges of the pattern.  I LOVE this one! (OK..I love ALL of them….)

Here’s how that block looks straight on, before stitching–compare with the upper left pineapple in the photo above:

Another small taro block ready to be stitched…this is reverse applique.  I like to fuse dark on top of light so the lighter fabrics keep their light, clear tones.  Her other block has a navy taro leaf on the aqua print.

Sometimes busy prints can be challenging in Hawaiian quilts, but this one works so well… the Wedgwood  blue  thread picks up the lighter color in the print, yet provides a solid line to separate the print from the background.  AND she managed a few PERFECTLY mitered points!

Another pineapple block…this is the reverse applique…the bright blue is fused onto the white:

Often variegated thread doesn’t work so well for satin stitching unless you WANT a really striped look.  But this thread, Blendables by YLI, is a heavy cotton with longer, and more gradually blended, color changes.  I really like how it stitched out:

I hope you enjoyed the class as much as I did!  Thanks to the ladies of Backroads Quilters, and to Ann and Nena who invited me up to teach and made all the arrangements.

During lunch break from class on that Friday, Jan and I went down to the show floor to see the quilts, and what ribbons I might have won …… teeeheee!   I got lucky this year, and received two first place blue ribbons and, drum roll please, my first ever Judges’ Choice from (usually traditional-loving) Lisa Erlandson (you’ll have to read to the bottom for more!)!  The first of my quilts that I ran across was Nourish; when I walked up all sorts of folks were looking at it closely (way cool!).

Here’s me doing the “Vanna White pose” and explaining to some viewers how I did it….

The next aisle had a wonderful exhibit called A Sense of Place, the annual Art Quilts Maine challenge for the year.  This year there were many entries (some years there are not so many!), and they were all wonderful, and some outstanding.  Of course I loved Kathy and Kate’s!   Kathy’s features her signature bright colors and many beads….as always not one too many, not one too few:

This detail shows more of her fine work:

Kate outdid herself this year.  She went to Italy earlier this year, and was so inspired by Cinque Terra.  She took her time with this quilt (as an overextended mom, we all tend to rush!) and it shows in the quality of design and workmanship.  This may be the best machine quilting she’s done… I totally love the piece:

Anne Walker, the President (aka Queen) of AQM, made this stunning aerial view…. her work is always tops—I wouldn’t mind owning a piece like this one!  The blue binding on the bottom is inspired!:

Across the aisle, the Coastal Quilters challenge hung on the ugly burgundy drapes.  Inspired by the Frayed Edges 5×5 grid (seen here in an older blogpost, and here and here), the chapter chose a photo by Jan’s husband and photographer Dwight P. called Ropes and Buoys.  The challenge was to make a 10x 10 inch quilt using any technique.   Many went for realistic colors….weathered wood and rope and a bright buoy, but some of us went hog wild!

Mine are the two close-ups….last one on the 4th row, first one on the 5th row.

I LOVED that some went traditional in their interpretation, and that others went totally wild.  What is astonishing is that some of the most traditional quilters who had never EVER made an art quilt did some of the most AMAZING piece….major kudos to Karen Martin and Leigh Smith for not only attempting the challenge, but excelling!

This quilt was a round robin made by Roxanne Wells, Rebeccah Hokkanen, Susan Barry and Gail Galloway-Nicholson.   Despite serious medical challenges to them and / or their spouses for at least three of them, they did a wonderful job.  Alas, I somehow only got the picture of this one (not all four) of their challenge quilts.  Of course they are, all 4 of them, part of my awesome local Coastal Quilters chapter.  I’m so glad I’m here! What luck to find so many kindred souls.

As promised, here is Rana O’Connor’s tiger….he is totally, completely amazing.  The tiger himself is ALL THREAD….and then appliqued onto the surface, which is a single batik. Everything else you see is thread–the snake, the tree, everything.  Can you tell she loves thread as much as I do?  Not surprisingly, he took a well-earned blue ribbon!  The quilt is fairly small, maybe 14 inches tall?

Here are several quilts (and sorry, I’m too lazy and rushed to run upstairs and find the show brochure to add who made them… if you know tell me and I’ll update the post, which I’ll try to do later anyway) that I really liked…. first this awesome green NY Beauty:

And this very Maine-ish quilt, complete with loose-flapping flags:

No blog about the show would be complete without one of Jeanne-Marie Robinson’s quilts (she’s also in Coastal Quilters…grin!).  Almost always her quilts feature animals, and most often are brightly colored.  This one is softer, yet is one of my favorites….the handwork (all hand applique and quilting, and lots of embroidery) is stunning:

This charming little quilt was made of one of those fabrics you’d think would turn out, well, a bit tacky, but it SO works, and the beading is just perfect.  I want to track down the maker (I have the info in my notes somewhere) and ask her if I may use it in my lecture on beading on quilts:

Last but not least, here I am doing another “Vanna” showing off my Judges’ choice ribbon for Naiads:

It was a good year!   I actually got to see the show this year, Joshua is well, Paul is well, and Eli is well!  After helping hang the show on Wednesday (see the post from a couple of days ago), I returned Friday morning for a class on “Woodcut Quilts with Laura Wasilowski.”  Jan and I had signed up eons ago, as soon as we could, with the idea of a “moms escape to play.” To see Laura’s work and / or buy her fabric and thread, go here.

To get an idea of the type of pieces, take a look at Laura’s small quilts on the demo-board.  There were no patterns, just your imagination to run wild.  The class kit fee included two lengths of Laura’s hand-dyed fabric (it is a rainbow run of color from one selvage to the other) in bright and a narrower strip in pastel, plus some dyed-to-match perle cotton.

For some reason, I don’t have a picture of my piece (in progress and untouched since class…sigh…), so you’ll get to enjoy Jan’s piece, above.  I really like the bricks…not a whole raft of them, just some to suggest the wall around the door.   As usual, I was disobedient, and brought Misty Fuse instead of Wonder Under (and did just fine thankyewveddymuch), and also brought along my stash of pre-fused batiks (see the flowerpot to the left of Jan’s door!).

There were some awesome pieces…one lady made a giraffe for a granddaughter (sorry I don’t recall her name)….and please remember, these are all “in progress” pieces:

You can see the shading on the pastel hand-dyed in the sky on this piece.

Virginia Morrell of Art Quilts Maine made this awesome and vibrant flower doing very careful fussy cutting…can’t wait to see where it goes:

And Beth Guisely from Coastal Quilters is well on her way to achieving a rooster here:

I’ll be back in a couple of days with one more post about MQ2008!