Back in 2013 I did a post on this subject, and decided it was high time to update it! So here you go. There is a downloadable PDF for you to enjoy; it’s also listed on my Resources page.

Sharing is a good thing, so today I want to share some of my favorite things: products that I use and recommend.  If you discover a link is no longer working, please let me know by leaving a comment or using the Contact Me page. Since this list is quite long, here is what you’ll find below, my stuff first (sorry) then alphabetical order:

• Threadwork Unraveled, my book about all things thread
• Art Quilt Design from Photo to Threadwork video workshop
• The Art of Sarah Ann Smith, so far
• Big Design Wall
• Clover seam ripper
• Clover needle threader
• Famore Cutlery Bent-tip tweezers
• Heidi Proffetty’s insanely sharp tweezers
• Janome M7 Continental Sewing Machine
• Karen Kay Buckley’s Scissors
• Mistyfuse Adhesive Web
• Mistyfuse Goddess Sheets
• Mistyfuse Transdoodle 
• Panasonic Titanium Non-stick Iron
• Running with Scissors bag and byAnnie’s patterns
• Textile Paints
• Val Webb, art teacher extraordinaire
• Valerie Hearder—jumbo non-stick press sheeting
• Wool Felt ironing pad

Threadwork Unraveled by me, Sarah Ann Smith

My book is about all things thread.  You’ll learn everything you need to know about thread, from how it is made to what will make your life easier, and your quilting better!  The book is organized in three sections:  The Basics, Applique, and Quilting, and is designed to be a reference book you’ll come back to again and again.  You’ll learn how needles, tension, your workspace, sewing machine, stabilizers, and other tools all help you in using all those wonderful threads now available.  I’ll help you understand how and why certain tools and notions work best and when another option is a better choice.  Click here to read more and to order.  Now out of print, it is still a valuable reference tool.  I have a number of new copies and you may be able to find it online / used elsewhere.

Art Quilt Design from Photo to Threadwork 

The complete cover of my video workshop, back when it was a dvd, Art Quilt Design from Photo to Threadwork with Fabric Collage and Machine Quilting.  Order the download from Quilting Arts here.  https://www.interweave.com/product/art-quilt-design-from-photo-to-threadwork-video-download-2/  

Big Design Wall

There are a ton of different ways to get your own large design wall.  When we moved into this house, my studio was a grim, mostly unfinished basement space.  I did a series of blogposts in 2011 as I transformed it into my dream studio (well, except for moving it upstairs).  Here is the first of the posts… just pop “state of the studio” into the search box.   I designed my space and had my carpenter make a storage area by installing “closet doors” made of two hollow-core doors framed with 1x lumber.  We nested 1” rigid foam insulation into each of the 48” wide doors.  Due to low ceilings, they are a bit under 7 feet tall.  If you don’t have space for a permanent design wall, just a 48” wide piece of rigid insulation—perhaps trimmed to 72” tall—works.  You can stash it behind a door or under a bed.  Trust me, you’ll LOVE having it.  

By Annie’s Stiletto

I’d never really liked stilettos until I met this one.  The grippy texture on the metal point is what clinched it, but the “ironing” flat end and the comfortable grip help, and the two flat sides to the grip area prevent it from rolling off the table—what a concept! Recently I thought I’d somehow lost mine in the studio and almost ordered another.  For once, I found it before I hit Place Order! 

Clover Seam Ripper and Clover Needle Threader

Seam Ripper:  Sharp.  Narrow tip.  Comfortable handle.  Little rubbery bit to grip.  What more can you ask? 

Needle Threader:  I received this as a gift when I lectured for a local area guild.  I didn’t use it for years.  WHY NOT?  It really works.  Has a place to hold the needle that somehow magically turns the needle so the eye is in the correct direction.  Has a thread cutter.  Drape the thread as indicated, push down on the lever and presto, threaded needle!  

Famore Cutlery Bent-Tip Tweezers

I received these as a gift in a teacher goodie bag at International Quilt Festival Houston.   They are AMAZING!   They GRIP.  The have             this bent tip that allows you to use them to slide under a stitch like a seam ripper and pop a stitch.  When you have little pesky bits of thread, they grab and pull them out…they are so sharp they just pinch down tight and WORK. 

Heidi Proffetty Tweezers—wicked sharp! wicked precise!

For years, I used the tip of my scissors, fingers, a skewer or a pin to coax and nudge itty bitty bits of fabric into place on my collaged art quilts.  Then my friend and colleague Heidi Proffetty came up with a better mousetrap:  some ridiculously fine, SHARP, POINTY tweezers to place those little bitty bits into place (she does mosaic quilts and does a lot of fiddly work).  I don’t know how I managed without them!   

Janome M7 Continental Sewing Machine

Astonishingly, I have been affiliated with Janome since 2003.  I am a Janome Artisan, and proud to be associated with them.  Even with that, I’d say all the wonderful things I say about Janome machines if I weren’t.  There is a reason why I have chosen Janomes for my sewing.  Since the 6500 in 2003, with each new machine they send me, I keep thinking they couldn’t get better.  But they do.  The 6600 all those years ago was a giant leap forward, and the M7 is perhaps even more of a qualitative leap into excellence.  The machine is huge, sturdy, easy to use, and performs flawlessly.  And the harp space—that is a 104” x 104” quilt in there!

It started in 2003 when I was frustrated with my then-machine’s balkiness using assorted fun threads.  I wanted to decide what threads to use, not have my machine dictate what I could use because the machine would otherwise crab at me (for example, on that other-brand-machine, it didn’t like it when I used Superior Threads 40-wt poly in the needle and 60-wt  Bottom Line in the Bobbin; ALL the Janomes I have used  handle that with ease).  A huge, Huge, HUGE Thank You to Janome America for their long-term support of me!  I think I’ll go hug my Janome right now!

I have started making a few videos of me using my beloved machine to help you learn and posted them to my YouTube channel, here.  Hope you enjoy! https://www.youtube.com/user/SmithQuilts/videos  

Karen Kay Buckley’s scissors

Honestly, I love and use all of them!  They are well worth the not- expensive price, and will likely soon become YOUR favorites, too. You can find these on Karen Kay Buckley’s website as well as at many shops and online.  The two on the left are “regular” scissors.  The four on the right are the micro-serrated scissors with a non-stick coating (the black ones).  The precision in cutting with the micro-serrated scissors allows amazing control and is key to creating my work. The Purple handles are the first ones and still the first scissors I reach for.  The curved tip on the little red ones is nifty, and I also use the plain (pink and orange) fairly often.  

Mistyfuse Adhesive Web 

I am a complete fan of Mistyfuse products.  I LOVE this fusible web!  It leaves such a light, soft hand, never “expires”, doesn’t gunk up the needle EVER, and works really well.   I also like that it does NOT come packaged with release paper (which in other brands either comes loose too easily, or sticks, or whatever); you use baking parchment or a non-stick press sheet (next item) which is less wasteful than all that release paper, and once you see how to use Mistyfuse, it is infinitely easier!   For most projects you would want either the white or the Ultraviolet; the latter is best for light colored fabrics.  The black has lots of fun uses. 

Mistyfuse Goddess Sheets

Goddess Sheets are non-stick press sheets.  You could use Reynolds Baking Parchment, but these sheets won’t wrinkle and wear out or tear like Baking Parchment.  I’ve been using my press sheets for YEARS–the only wear and tear is where I accidentally sliced off a sliver with my rotary cutter!   I prefer the largest sheets; the Fat Goddess is so named because it allows you to fuse up an entire Fat Quarter (18×22 inches) of fabric without having to move the sheet.  The Holy Cow sheet is 36 x 48 inches!

Mistyfuse Transdoodle Transfer sheets and

Saral Transfer Paper in a roll

To transfer designs, I use Transdoodle or trace; but you could use a light box.  If the fabric is light enough , I can trace by placing the fabric over the design, OR I layer things up with the fabric on the bottom, Transdoodle Transfer paper in the middle, and the pattern on top.  These sheets last a LONG time, can be used over and over and over again.   Available in white, it has a heavier chalk load and last longer than Saral.    Saral is a transfer paper available in art supply stores and online and is available in sheets like Transdoodle and in rolls.  Sometimes you just want a long roll of white for a large design or motif.  You can find Saral  here at Dick Blick among other places..  I will note one caution:  if  like me you forget to test for removability, whenever you use ANYTHING yellow, TEST!  It doesn’t like to let go of some fabrics!  I stick to just white or blue.

Panasonic Non-Stick Titanium Coated Iron

I have had several of these over the years—one fell to the cement floor one time too many (I filed off the broken tip and kept using it tho!).  The other I used so much I wore off (after multiple years) the finish on the sole plate!   Oh how I LOVE LOVE LOVE this iron! I think iron manufacturers think non-stick means doesn’t stick to clean fabric.  These you can melt fusible onto them directly and wipe it clean with a paper towel!  No more iron cleaner fumes!  

The key word appears to be Titanium–-other non-stick irons don’t work the same way!  There are several models available at the moment on Amazon, and in various wattages…I’m going to order the 1800 as the one I have now is 1200.  In 2020 I tested various other irons including one that is “titanium” but none worked nearly as well as the Panasonics have over the years.  For the price of four or five tubes of iron cleaner, you get an iron you can wipe clean!   Mo’ bettah!  Put “Panasonic Titanium Non-stick Iron” into the Amazon search box for a current listing.

Running with Scissors bag and byAnnie’s patterns

Initially I made this as a “travel” case for teaching on the road.  In March 2020.  When the world screeched into a parallel universe with the arrival of the COVID pandemic.  As I type, it has never been on the road.  It has also never been put away.  I LOVE this bag:  it stays open on my worktable and is so easy to use!  I enlarged the size about 1” in both directions so I could fit a 9×12” cutting mat inside the outside pockets (or corrugated plastic) so that I can stand it up without having to make and use the companion bag.  This is not a fast project, but the instructions, as I have learned from other byAnnie patterns, are brilliant.  Take it one step at a time, use the top-quality products from byAnnie (not affiliated, just a fan-girl), and you’ll LOVE it. https://www.byannie.com/running-with-scissors

Superior Threads

There are many brilliant threads out there now, that is one of the things that prompted me to write my book:  so that folks could understand how to use them.  Since I teach, I try to be fair, honest, and give all companies an equal chance.  There are a number of companies that make threads I use, respect and like:  Superior Threads, Aurifil, Madeira, Isacord and others.   But Superior is far and away the best at striving to educate the public.   I highly recommend the Education section of the Superior Threads website.   As well, they make brilliant quality threads, stand behind their products, and have great customer service.   When I switched from quilting with only cottons to using a wide range of threads (thanks to my Janome’s ability to do so without a grump), I decided to build my stash to “one of each please”–the thread equivalent of the BIG box of crayons!  I did so 10 or 12 spools at a time, and having a wide range makes it so much easier for me to do my thread-coloring.

Textile Paint 

You could spend years having fun with surface design, textile paints, drawing materials and dyes.   My DVD just mentions the use of transparent Textile Paints.

There are many, Many, MANY types of textile paints including opaque, transparent, metallic and so on.  You’ll find different ways to use them, too. All of the major brands work but have different properties.  Some are creamier, more like sour cream that is well stirred, but others are more like a dense yogurt, almost spreadable Which to pick depends on your personal preferences and what you intend to do with the paint:  direct paint, stencil, screen print.  Yeah, I know.  Helpful as mud LOL!   

My favorites now and which I sell on my website are ProChemical & Dye’s ProFAB and ProSilk paints.  The ProFAB are sour cream consistency and great for stamping, screen printing (my fave) and direct painting.  The ProSilk can, despite their name, be used well on cotton.  They are an ink-like consistency and you can almost use them in a watercolor-y way.  You can see my custom kits on my website store, here. Or click on the photo which is a hotlink to the item.

Val Webb, art teacher extraordinaire

In late 2012 I took Val’s first online class.  I have no idea how I learned about her, but I am so glad I did.  I have learned SO MUCH from her.  I have taken other online classes, but the most important thing in any representational art form is learning to see, and that I what she has taught me.  My first workshop, I could tell something was maybe a bit amiss, but not what.  Over various workshops over the years (several pictured at right, that’s Val’s art), I’ve grown to where I can study and compare, using tips and tricks and techniques.  For example, I am not a fan of the waxiness of colored pencils, but learning the slow, repetitive nature of shading with them has taught me how to layer dyes and textile paints to create what I want in my artwork.  If you’d like to see some of the blogposts I’ve done over the years about my work in her classes—the vulture is one of my favorites–click here.  The skills of seeing and thinking translate directly for me.  After a couple-year break for busy life, I am now signed up for my 8^th class with her.  So I encourage you to check out Val’s site and consider her classes.  https://valwebb.wordpress.com

Valerie Hearder non-stick pressing sheets, ginormous

Some years back, after a good teaching year, I finally indulged:  not one but TWO VAST non-stick pressing sheets, which I ordered from art quilter Valerie Hearder, who lives in the Canadian Maritimes.  Val says “I sell the wide teflon by the yard and can sell any length.  Check out www.valeriehearder.com.  I have 18” wide and I also have 37” by any length. Note that my prices are in Canadian $ which is a big saving for Americans.  In the pre-COVID days I had no trouble ordering my two 36/7 x 72” sheets.  One lives on my Big Board (a 22×60” ironing surface) and the other on my design wall.  When I do Really Big quilts, I can pin both up on my design wall (see above!).  Expensive, but if you do a ton of fusing and tend to work big, worth it.

Wool Felt Ironing Pad

When I was a kid, ironing boards came with a real wool felt pad under the cloth.  Things ironed beautifully.  Then things went to polyester and synthetic foam and, well, yuck.  The quilting world recently rediscovered the joy of a nice wool press surface.  As usual, if you stick the word quilt on the product, the price doubles, triples or more.  So I did a little sleuthing.  I knew of a felt manufacturer so I went to see if they had the wool pads.  THEY DO.  And they will sell to the public.  It helps if you get a bunch of friends together and do a group order.  Their ½” wool felt is 72” wide and is sold by the yard.  Some friends from my local guild and I got together and did a group order for 2 yards.  Rather than me try to cut the thick felt with a linoleum knife (and end up hospitalized), I paid the modest fee to have them cut the pads.  One woman and I each wanted a 72” x 22” wide piece each.  The rest we had cut into pieces 14 x 18”.  Each yard cut that way yielded one large and three smaller pieces.  You can have it cut into whatever size works.  We ordered the F-7 Gray ½” thick felt.  Shipping added to the cost, but I think the 14×18” pieces ran about $33 including cutting and shipping.  Current prices for about the same size are a bit lower than two years ago, and are roughly $40, and for the large ones, my 22×72 cost me about $98, while the current prices for 20×60 are around $112 on Amazon.  https://www.sutherlandfelt.com/felt/pressed-wool-felt/

I was absolutely delighted when Create Whimsy wrote to ask if I’d like to do a Spotlight interview with them–so many people I admire have interviews that you can still see and read. It was even more fun when the Editor, Chardel Blaine, realized that I had taught at a shop she worked at–Quiltworks Northwest in Bellevue, Washington–and we had met about 15 YEARS ago!

Here’s the link to my interview… I hope you enjoy reading the flotsam and jetsam of my life and mind. I opened up a half dozen interviews to review and prepare which led me to a new artist I admire, and I’m planning on opening another half dozen for lunchtime reading. Thank you Chardel and Create Whimsy!

For just ONE WEEK  from October 13-20, viewers anywhere with the not-so-secret code will be able to see my episode, No. 2508, on The Quilt Show with Ricky Tims and Alex Anderson, will be able to see the episode for free!    Just use this code:  {  http://thequiltshow.com/watch/show-list/video/latest/show-2508-sarah-ann-smith?artist_coupon=25081013  }  from the 13th to the 20th–I so hope you enjoy it!   Free Viewing time starts at 12:00:01 a.m. Sunday October 13, 2019!  
I will confess–I was mightily relieved and happy when I saw it on the 6th when it went live for members of The Quilt Show.   It looks great, I didn’t look or sound like a total dork, and I packed in a lot of information!

Here’s that special link again… it will ONLY work from midnight a.m. October 13 through October 20, 2019. It means anyone can watch the episode, not just TQS members. But I gotta say, I have been around a long time, know a lot, and yet I LEARN a lot from watching The Quilt Show. I’m proud and pleased to now be a part of–as they put it–The TQS Family. Thank you Ricky, Alex, Justin, John, Shelly, Lilo and all the gang!

The sconces in our house have made me crazy for years. The shades were made to fit on the old rounded incandescent bulbs…the ones you can’t find any more. The wires didn’t fit well on any of the smaller bulbs that suited the size of the shades and the fixtures–they were always tilting and crooked. And the “old West” look was SO not me! It was Candy Glendenning of Candied Fabrics who got me on the right track. Last year, Candy posted some lamps and shades she made using her wonderful indigo shibori fabric and blogged about them here and here. So I plotted and thought about it. I knew I wanted white, green paint mixed to my favorite shade, my own thermofax screens, and NOT black.

Here are the final shades, then I’ll share the process:

First thing I needed to do was see if I could spray paint the fixtures. Before we moved into the house, one had been damaged and removed (but kept in the basement). I bought some Rustoleum in Satin Nickel and it worked! I didn’t even have to sand!

I had planned on using a cotton-linen blend for the shades, but when I went to Fiddlehead Artisan Supply (quilt and art shop to die for and only a half hour away!) they were temporarily out of the blend, so I bought some coarser weave pure linen to try. Then I started searching out stuff to make new shades, starting with Candy’s source, I Like That Lamp website. I ordered the styrene–the rigid stuff to which you adhere the fabric–and glue from that site, but her rings only go down to 8″, and I wanted a 6″ for my sconces in the hallways. I found some 6″ size here, on Etsy.

Next, I needed to see how the linen would print. Using my existing printing board, the prints were blobby–the surface had too much squish in it for the somewhat more open weave of the linen (as compared to quilting cottons). So I made a new printing board with less padding, and learned that using paper towels under the linen did not affect the quality of the print and prevented less of the ink from soaking in to my new board.

Some good news: in August 2020 I will be teaching a 3-day surface design workshop at ProChemical and Dye in Fall River, Mass. (about an hour or 90 minutes south of Boston, minutes from Rhode Island) and we will cover the thermofax and paint technique.

The whole thing worked SO WELL that I am thinking I would like to make a set of seasonal shades for the floor lamp in the living room…one for Christmas/Winter, another for Spring, Summer and Autumn. I need to do some patterning as this lamp looks best with an angled shade, not a drum shade, and they are harder to make. I need to learn if I can do it with standard 44″ wide fabric given the flare on the shade. Stay tuned for more house fix-ups! Hope you’ve enjoyed this detour from the usual art quilts and family life.

For many years now I have been so lucky to be affiliated with Janome America. As a Janome Artisan for over 15 years I have been thrilled to be able to sew on some of the best machines in the world. When they asked if I would make something special for this year’s Dealer Convention (later this month) I was thrilled to say yes! I ended up making not one, not two, but THREE insanely densely quilted 20 x 20 inch quilts…in about seven weeks!

Here’s what I wrote as my official “blurb” about Yoda’s quilt:

“At last my superiority, dignity and rank have been recognized appropriately!  The Chief Minion has done an acceptable job at capturing my likeness and the essence of my wonderfulness.  I have given her permission to scritch my chin.   She has also captured the spirit of my Beloved, the Dog, who is my one true love.  For this, the Chief Minion may pet my tummy.  The Usurper shall be dealt with appropriately for thinking that he stands a chance—he is so foolish that he does not understand an Emperor always outranks a King.  I shall seek out my Beloved for his love, comfort and as a comrade in fur.”  (Yoda is about 5 years old, Himalayan from the shelter.)

I started out with the idea of two quilts: Yoda and our pug as my muses, then for a local group challenge next year added a self-portrait. Luckily, I veered off and ditched the idea of the selfie and did out other cat, Boo. I’ll share the process for each of these quilts over the next few days just in time for the start of the convention.

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The fusing process–as always using Mistyfuse which is BY FAR my favorite and only fusible!–began in early July. I was so worried about getting finished in time actually took Widgeon’s quilt with me while on a teaching trip, took my iron, fused stash and worked on the hotel room ironing board!

Check back in a couple days for the story about Widgeon’s quilt, then a couple days after that for Boo’s quilt. See you soon!