So I actually did see things besides the productive visit in the Michael Miller booth (previous post). The Martha Negley quilt and fabrics were across the avenue in the Free Spirit booth:

So that is part 2… I think I’ll save the rest for a third and final post about Market. And no, I didn’t really get to see many of the quilts at all–I was having way too much fun doing Market!

So much has happened in the past 2 1/2 weeks: International Quilt Market, International Quilt Festival, and a whopper of a cold, a lovely weekend with my older son and DIL, and some home improvements. So I’ll start at the beginning…with one detour: I sold a quilt at Festival after all! I’ll post on that in a few days (I shared on FB), but first let’s start with Market. And read to the end for the big surprise!

I arrived on Sunday of Quilt Market–usually I fly in on Tuesday or Monday and begin teaching the next day. It was wonderful–so much less stress about finding my boxes of stuff shipped and making sure everything was there and organized for each day of classes! Then, following my roommate’s example, I planned to see all the quilts BEFORE Festival when I wasn’t tired from teaching. Well…instead I got sidetracked by the lure of Market. I had SO MUCH FUN visiting the booths. One of the first was Michael Miller Fabrics.

While in the booth, I was mulling over how to bump up attendance for a workshop, and have finally conceded that I have to offer half day classes with complete kits. I have always loved the hand of the Michael Miller Cotton Couture solids, so I was brainstorming in the booth. Since it was late on Monday, the final day of Market, it was quiet and two staffers came to chat. I asked about purchasing fabric wholesale to use in kits, which led to a wonderful and productive conversation.

Can you tell I spent a lot of time in the booth…today’s post will be all Michael Miller, then I’ll do another about the rest of Market soon!

Well, after I got home, and spent several days first doing bookkeeping (ugh ugh UGH and may I say UGH) and then feeling sick….I got laryngitis on about Tuesday on my first class day. By Weds. I was feeling worse. By Thursday I could barely squeak—ladies in the audience at the Machine Quilting Forum were dropping cough drops on my table! Then it morphed into a sinus infection. I soldiered on through my last class Saturday, but was honestly glad it has lightly attended. I wouldn’t have had the energy for a full 24 and it was a FUN group of students as it was. So when I got home, I went into chair-potato/get well mode.

Then I got an email from Michael Miller: I WON THE 214 FAT QUARTERS!!!!!! They arrived about two days ago. I mean, first I sell a quilt and THEN I WIN THESE????!!!!! I need to go buy a lottery ticket.

This post has gone on long enough, so I’ll break here and carry on with the REST of International Quilt Market in my next post. But yes, Thank you to Michael Miller–stay tuned for what I do with these!

I’m a bit gobsmacked to realize I have five, yes FIVE…5….5!!!!, quilts on display in Houston this year! If you are there, I hope you get to see them up close and personal…after all, we know what a world of difference it makes. If you’re not in Houston, here’s what I’ll have on display:

All of these quilts except the one of my husband and son are available for sale…. I’ve got my fingers crossed in hopes that the magic red dot will appear on the signage for one of them in Houston!

Tomorrow I will start the trek to Houston: driving to Portland to say with older son and DIL (sleeping on the sofa) so I can catch an early flight out of Portland. For the first time EVER, I’ll be leaving from an airport where I can check two suitcases. Our little local airports have tiny planes (9 seaters) where you can only have one large bag per person. What a difference this makes in going: fewer boxes to ship. Now I just have to hope they arrive without any detours. I’ll be back in about 2 weeks with pictures and reports about all my classes, friends and the fun that is Quilt Festival.

Most of you know me as an art quilter, but did you know I also love Hawaiian Appliqué, especially by machine? Well I’m teaching that very class in Houston on Saturday, and I’d love you to join me. Best of all, you can translate what you learn in the class into traditional, modern and art quilts. A screen shot of the full class description is below. Click HERE to see the class listing and follow the links to sign up!

In a rather astonishing development last May, an earlier inquiry about teaching and exhibiting turned into an invitation to have a solo exhibit, The Art of Sarah Ann Smith … so far, at the Mancuso Brothers World Quilt New England Show tin Springfield, Massachusetts (this is the one that used to be in Manchester, NH). I hope you’ll enjoy this preview peek, if you’re in the vicinity can visit, and on Saturday I hope to post a Facebook Live or other video of the exhibit. I should arrive about noon (it’s a long drive from Maine). Click on this link to get info and directions to the show. If you can’t make the show, my book has a lot of what is there plus lots of other good stuff.

The exhibit has its roots in my 2017 Rising Stars exhibit at the International Quilt Festival in Houston. I had been invited to submit a proposal for a solo exhibit. Karey liked what I suggested and how I would market it to our mutual benefit, and ended up creating the Rising Stars exhibit (which recurs every year now) to showcase two or more quilters. This exhibit is slightly different, as some of those quilts sold, and this one has new work.

The exhibit runs in chronological order (though within a given “bay” of quilts they may be slightly out of order so we got a nicer looking display) from 1998 to 2019. Gosh….I just realized this is two DECADES of my work and evolution…and that I can now, with a bit of a gulp, call myself an artist.

The Dinner@8 exhibits were such a phenomenal opportunity and formative experience. For years, I have thought this 10-year run of special exhibits presented one of the best exhibits in Houston, which is saying a lot. To be able to be in them for eight years just amazes me, that I made the cut. But my best work by far was made for these exhibits. The level of excellence rose each year, and like the rising tide that floats all boats, I think ALL of us who were fortunate to be in the exhibits grew immensely in our abilities. Conceived by Jamie Fingal and Leslie Tucker Jenison, they were juried invitationals. That means you were invited to participate–it wasn’t an open call to the public. You then made a quilt to the specific theme and size, entered it, and waited to see if it was accepted. I am so grateful for the chance to be a part of this group of strong women, and feel a bit adrift that the series has come to an end with the 2018 exhibit. BUT, that meant I had to look forward and come up with my own ideas, not be dependent on Jamie and Leslie, and I’m excited to move forward with my own plans.

Thanks so much for sticking with me! I’ll post a few more shots after I get to see the exhibit with the show open on Saturday!