Archive for the ‘Maine’ Category

Visions Online Spring Exhibit

Thursday, April 4th, 2019

I’m delighted to share that my Lilies of the Valley quilt has been juried in to the Visions Art Museum online exhibit “Spring.”

Lilies of the Valley, 36 x 36 inches. As always, there is dense quilting to bring the quilt to life. This work is has been juried into the SAQA Connecting Our Natural Worlds exhibit, and is available for sale. However, the quilt cannot be delivered to the purchaser until the end of the SAQA exhibit in 2022.

I love the delicate fluted cups of the tiny flowers near our front porch, the shades of green as the leaves curve around the delicate stalks. And later in autumn the flowers become vibrant red and orange berries to add little glints of surprising color to the fading landscape.

Sarah Ann Smith's Lilies of the Valley art quilt features small white flowers against a field of green
Detail, Lilies of the Valley

The quilt uses my own hand-dyed fabrics extensively along with commercial batiks and cotton sateen.
I encourage you to visit the online exhibit and enjoy!

Photo Challenge, early April

Wednesday, April 3rd, 2019
In 72 hours I’ll be in The Quilt Show studio, prepping to tape on Saturday. That meant do this week’s photo for my weekly photo challenge/critique group quick! My first thought was found letters, so I took a quick jaunt two miles to Hope Corner, the seat of town government (it’s ok to giggle). In the panorama, you can see the road to my house on the left, the Pinchbeck’s home, bagpipe business (Pinchbeck Pipes) and Sweetland Center (school, events)–black and red buildings, Hope General Store (big gray building in the center) which has been in pretty much continuous operation since 1832, the Town Office (tan building mostly obscured by the General Store), on the right barely spy out a red barn for Hope Orchards (you-pick mostly), and Benjamin Leavitt’s metalworks. I have often said a town in Maine is where two roads interset and there are at least two buildings. We have more than two!

The caption sums it up–I’ve been BUSY, so I am actually looking forward to sitting in an airport and on a plane! I’m also really excited about the opportunity of being on The Quilt Show. I’ve got samples and step-outs prepped: when you demo something you have to make a zillion versions of it, one for each stage of the process since there isn’t time to do the work while being filmed. I’ve even thought to the week after when I have a teaching job in Portland and another the following week in Massachusetts. I’ve got about five big events this year, and three of them are between April 4 and 18! Sheesh!

But I’m happy excited, the income from teaching will pay for the cost of the trip to Colorado–airfare, hotel, Uber to and from here and there, seeing some internet friends, meals, and shipping two boxes. Since I live in Maine and take Cape Air from here to Boston, we are limited to just ONE full-size suitcase per passenger. There are only 9 seats plus the pilot’s on the plane, and cargo is in the nose cone, small carry-on items go in the wings of the plane, and there is a netted area behind the last seat. That meant an expensive FedEx of long/large quilts and a flat rate box of goodies to give to the audience. But I’m READY! I’ll share pics on Facebook and Instagram and blog when I’m home and have had a brief collapse LOL!

Solo Exhibit at World Quilt Show New England

Monday, March 18th, 2019

I’m thrilled to share that I will have a solo exhibit of my work, The Art of Sarah Ann Smith … so far, at the Mancuso Quilt show, World Quilt New England, from August 15 to 17, 2019, in Springfield, Massachusetts! Now that it is listed here on their special exhibits page, it is official!

Most of the quilts on display will be those that were in my Rising Stars exhibit in Houston in Fall 2017, except those that are sold or are in a touring exhibit. This exhibit will also have at least one or two new works (to be determined). I’m pleased that I will be able to help hang the exhibit. I may be able to stay over night or come down on the 17th to be at the exhibit and give gallery tours. Stay tuned for more info as we approach August.

If you’d like a sneak peek, you can check it out in my book of the same name, The Art of Sarah Ann Smith … so far on Blurb. The book is available as a hard copy or PDF.

I hope you’ll get to see my quilts and that I might even get to meet some of you at the show!

Cross Pollination

Saturday, February 2nd, 2019

Sometimes you need to do something else. You totally love your main “thing” (in my case it is clearly art quilting), but you need a break. And sometimes, that makes your main “thing” even better. I’ve learned over the years that good design is good design, whether it is landscape, interiors, architecture, photography, painting, sculpture, apparel, the principles are the same. So I have taken online classes in drawing and photography and been enriched.

At least ten years ago, I sat down between Christmas and New Year’s desperate to do something creative. The boys were still pretty young so time was scarce. I grabbed a pile of magazines and started tearing out words and pictures and glued them into my sketchbook. That has become an annual tradition…at least most years. This year Widgeon decided he needed to see if the collage passed inspection. Happily, it merited a wag.

I don’t know if I’ve done it every single year, and some years — like this one — it was done in (late) January instead. But I like reading what words have called me to use them and seeing where my head was in a given moment.

This year, I made sure to add information about whose artwork or photo. As with most years, a lot of my fodder comes from Down East magazine. North by East is a monthly column, and in December they featured work by Ryan T Higgins, a Maine Children’s book author. I must now go to the Library and see what they have of his. I was also stunned to see the “Sarah” quote, obviously about another Sarah. I covered up the “big” before dreams, but otherwise I really liked it.
This page got pretty dense…but I liked the quote at the top (from an ad for something). I also liked the bit on the pink, but it was too much pink, so I covered it up. Using blocks of text upside down or sideways works. And I LOVE torn edges…LOVE LOVE LOVE…that exposed white framing the image or words. I also dug out my circle punches. Have some circles and a few squares.

I’ve also taken a number of outstanding art classes from Val Webb over the years, ranging from birds to children to faeries to animals, using pencil, ink, watercolor, colored pencil…I learn so much, both about materials and tools but more importantly about SEEING. Observing. I’ll never want to be a colored pencil artist, but taking birds in colored pencil with Val taught me about patience and layering. I found I now do that with dyes, with paints on cloth, with thread, in my art quilts. And this year I also took a brilliant course at Sketchbook Skool, Watercolor. I always want more watercolor!

Over the past 8 years or so I have learned about the difference between student grade and artist pigments, that using quality paper makes all the difference in the world, and using pure pigments and mixing your own (just like dyeing fabric!). I decided I needed to get a bit organized and SEE the actual colors painted out from each tube. I had bought some icky (Bienfang) cheap watercolor paper that I will never use for a finished anything, not even a class practice piece. So got out my “tag” punch and did a paint out of every tube I have. Then ordered two more tubes! In search of the perfect pink…..and replacing one teeny tiny tube that is almost done. Each tag has the name, code for the manufacturer, and the universal pigment code (PV 42 for example is Permanent Violet 42). Yes, you can go wwwwwaaaaayyyyyy down the rabbit hole with this stuff!
A good mail and watercolor day. Turns out quilting templates and rulers have lots of uses, of course we all know that! I saw the clamshell cases at Jetpens.com and couldn’t resist. When I went to order, I discovered I had left that awesome washi tape in my cart, so it had to come to me also. And then there are those two tubes of watercolor and some empty half pans. That’s another thing I learned: make your OWN palettes with your favorite colors, use magnetic tape that sticks to the bottom of the pan, put inside a palette or metal tin. And then I used my quilting rulers and circles to mark a grid in my notebook/sketchbook.

I used to have both my to-do-etc notebook and a sketchbook. I never had the one I wanted handy. So I said to heck with the cost, and bought a GOOD sketchbook and use that as my “everything” journal. I write lists, take notes at SAQA (Studio Art Quilt Associates) meetings, suss out ideas for quilts, and sometimes even sketch or paint in it! Now I will start filling in the circles with words, quotes, ideas, images/sketches, may fill the white backgrounds with ink textures…we shall see!

So that’s what I’ve been doing…along with quilting. What about you? And here’s an end of the day/blogpost dog walks photo from yesterday:

Sunset from the bottom of our driveway.

Moments, Hours, Days, Autumn, a Book of Hours

Sunday, December 23rd, 2018

Happy Solstice to one and all…at last the days no longer get shorter! To celebrate and as a Christmas gift (whether you celebrate it or not, it’s a gift of the season) to one and all, I thought I’d share a video I recently uploaded and just shared with those on my Newsletter List. (To sign up for the newsletter, go to my home page and fill in the blanks—about once a month I’ll pop in with this ‘n that.)

Those who follow me on Facebook (here) will recognize this pond and view which is down the driveway and onto Ludwig Road, between two neighbors’ houses.

Recently, I’ve been taking some journaling and watercolor classes. Then, the Mid Coast (Maine) Book Arts group had an exhibit at the Camden Public Library. I was inspired by a book of hours on display, so BFF Kathy D. and I decided to make our own small accordion books. Below the still photo you’ll see my a video tour of the book, which I have titled “moments hours days autumn” to chronicle my life this past Autumn.

Beginning at 3:11 a.m. through to my evening ritual of sitting in my chair near my hubby’s chair, with the dog and a pile of books. You can see still shots of each page in my new Mixed Media gallery.

The left page is a quote, some by me, most by someone else. The right page is a watercolor, 5 x 5 inches. I figured I would mess things up, so it was better to do each separately, then glue them to the accordion “base” pages. On the back, I painted a single LONG (80 inches!) view that runs from winter to spring, summer and fall, back to winter, with the sky running from night, through morning, noon and afternoon, back to night. I used a dip pen and acrylic ink to write Strider’s Poem, by J.R.R. Tolkien, which has been a favorite since high school and whose meaning goes far beyond the Lord of the Rings saga.

I used Daniel Smith Watercolors, Stonehenge Aqua 140 lb. watercolor paper, Yes! paste glue, and both acrylic and fountain pen inks and a dip pen for all the lettering. The cover is made from my own hand-dyed fabric fused to mat-board from Kathy with Mistyfuse.

Here’s to hoping you all have friends (which can include family!) and joy around you throughout your lives, not just this season. I hope you enjoy my first ever made-by-me book. I think I will do more! Let me know what you think, and what you’d like to see in my new Newsletter. (And to sound like a broken record, sorry, sign up here.) MERRY MISTLETOE!