Archive for the ‘Machine applique’ Category

Registration is open–Teaching at IQF Houston 2018

Monday, July 16th, 2018

Interested in trying your hand at art quilts? Not sure where to start? This class has proved a perennial favorite at IQF Houston (and elsewhere)–sign up soon!  

Yes, registration is OPEN for classes for International Quilt Festival Houston 2018, including my four classes.  Over the next week, I’ll recap my four classes (well, three full day classes and the Machine Quilting Forum).  I hope to see some of you  in those classes!

On Tuesday, the day between Quilt Market (open to the trade only) and Quilt Festival (open to anyone who pays admission), I’ll be teaching Birch Pond Seasons.  The wonderful thing about this workshop is that you can bring a photo of your own favorite pond or hills and morph my pattern into your special place!   The class is always full or almost full–I’m hoping that with it scheduled on Tuesday I’ll be able to entice some Market-goers to stay over for a workshop.

Here’s the summer version:

Summer version

And autumn:

Autumn at Birch Pond

You’ll learn basics of fusing, working from a pattern without having to cut a bazillion pattern pieces, working a bit more free-form and improvisationally, how to “strip fuse,” fusing easy-melt fabrics like synthetic sheers, fabric selection, and time-permitting in the afternoon we’ll talk about quilting.  The class includes a kit fee that covers handouts, pattern sheet, a full package of white Mistyfuse, and a few tidbits.  You bring a range of fabrics but not a ton of any one fabric (maybe a fat quarter for sky and half that for the pond)…a range of fabrics is more important than a lot of any one thing.

Here is a blogpost about students taking this class some years ago.  This post will give you a feel for the class.

If you click here to get to my classes page, scroll down to Birch Pond Seasons class and you can click on the link for the PDF Class supply list, too.

Sign up before it fills!  If you have questions, just leave a comment or contact me via the Contact page (link up top).  Here’s the link to IQF enrollment   again.  See you there!

Miriam Coffey, Janome Educator, at the Janome Education Summit 2018 Post #5

Monday, July 9th, 2018

Several years back I had the great good fortune to have Miriam as the educator in one of the classes I taught in Houston.  It was fun to see her again at the Summit, and a jaw-dropping experience when we got to see some of the goodies she has made.  As she put it, she’s not a bows and teddy bears sort, but she DOES to machine embroidery on her Janome embroidery machine. I don’t do hearts and bows either, so I love how her entire approach–totally in keeping with her personality–is fresh and fun and inspiring.

Miriam brought show and tell, and it’s a miracle none of us tried to sneak home some of her goodies, except we wouldn’t do that to her! This sewing items case (could easily be an iPad cover etc), she used the embroidery module to create fabric, then cut the stitched fabric designs apart to use in patchwork. All those green bits were solid / plain fabric until she decorated them with embroidery.

Miriam must have been sitting under a vent because she was wrapped in this snuggle throw. It was made from flannel on one side, the Cuddle fleece (see earlier post) on the other, then free-motion quilted using fuzzy yarn and the couching foot. Let me just say I loved it so much I have already ordered fleece which is waiting for me in my workroom!

And another one of those throws. WANT!

Here’s a close up of a sample: Miriam hooped the fabric, embroidered it with a sashiko pattern (I think using a twin needle)

Lookit how modern the tumbling blocks pattern become hen using cloth that Miriam “made” by embroidering a simple solid.  With a little imagination, it would be possible to achieve some of this effect just using the decorative stitches on most machines.

A case Miriam made…same idea!

This is part of a wall hanging Miriam made using programmed designs. But I want to try to re-create that cross-cut of tree bark and tree rings just using the variable zigzag feature on my 9440 and free-motion stitching.

And a sample of a honeycomb programmed stitch (done on the embroidery module) on top of pieced squares.   It would be a fuss, but you could do this (probably not as perfectly!) using careful marking and a satin stitch, but obviously lots easier when it is a programmed design on the 15000 that you hoop and hit “start.”   It’s almost enough to convince me to try embroidery LOL!

Anyway, Miriam was so much fun to have in class…helpful, professional, capable, and obviously has a lot of creativity and skill to teach and share.  Thanks for schlepping ALL those things to share with us, Miriam!

Inspiration in the Ordinary, links and sites

Saturday, January 27th, 2018

Hi everyone!   Thanks so much to those of you who were able to attend my new lecture, Inspiration in the Ordinary.  Thank you so much to the many guest artists who allowed me to share their work in my lecture.  You’ll find them below, along with links to a couple apps that I mentioned in the lecture as well as website links to two exhibits and several books, including The Art of Sarah Ann Smith…so far.  

Street shots from Lowell, Massachusetts. All images (c) Sarah Ann Smith

Inspiration in the Ordinary                   A lecture by Sarah Ann Smith

 

Guest artists, apps and websites

 

Deborah Boschert

http://deborahsstudio.com

 

Kathy (Kate) Daniels

 

Louisa Enright

http://louisaenright.com

 

Bonnie K Hunter

http://www.quiltville.com

 

Kristin La Flamme

http://kristinlaflamme.com

 

Heather Pregger

http://www.heatherquiltz.com

 

Wendy Caton

http://theconstantquilter.blogspot.com

 

Teri Sontra

Purple Moose Designs  https://www.purplemoosedesigns.com

  • Sandy Toes pattern is here https://www.purplemoosedesigns.com/product/sandy-toes/

 

Timna Tarr

http://www.timnatarr.com

 

Jim Vander Noot

https://www.jimvandernoot.com

https://www.etsy.com/shop/TidewaterStudio?ref=search_shop_redirect

 

Angela Walters

http://www.quiltingismytherapy.com

 

Websites and apps:

 

Pantone  app

Pic-Collage app

PicStitch app

 

The Art of Sarah Ann Smith, so far

http://www.blurb.com/b/8193077-the-art-of-sarah-ann-smith

 

Inspired by the National Parks

http://www.npscentennialquilts.com

https://www.amazon.com/Inspired-National-Parks-Landscapes-Perspectives/dp/0764351192/ref=sr_1_5?ie=UTF8&qid=1445953799&sr=8-5&keywords=inspired+by+the+national+parks

 

Threads of Resistance

http://threadsofresistance.org/home.html

http://threadsofresistance.blogspot.com

 

Here’s a downloadable Inspiration in the Ordinary PDF of the information above.  Thanks again to all my visiting artists!

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My book reviewed in MQU!

Friday, December 29th, 2017

What with the holidays, I hadn’t had time to sit down and savor the January/February issue of Machine Quilting Unlimited magazine yet.  Then a copy arrived today in the mail in an envelope–which usually means it is a complementary copy because you’re in a magazine.  So I went looking: SQUEEE!  Diane Rusin Doran reviewed several books, including my book of the quilts featured in the Rising Stars Exhibit in Houston (and will also be at International Quilt Festival in Chicago) and other work to illustrate my development as an artist.  To order The Art of Sarah Ann Smith…so far go to my store page and follow the link to Blurb or go directly to Blurb.  If you’d like an autograph, the books are print-on-demand and ship directly to you, so if you send me a SASE (email me via my contact page to get my snail mail address) I’ll send you a personalized, autographed label and sticker to put in your book.

What a delightful way to close out 2017–a lovely review (and the first of the bunch reviewed) in the Jan-Feb 2018 issue of MQU.  You’ll have to check the issue to read the entire review and see the other great books mentioned.  You can order individual issues and subscribe here, and MQU is also available at Barnes & Noble (yeah!).  

 

Thank you Diane and MQU for the shout out and great review.  It is always a privilege to be included in MQU!  I hope folks will now have time to sit and savor some inspiration and tips as winter sets in–at least today in Maine we got above zero–crazy cold even for Maine!

This is the issue with the review and lots of other eye candy.

The two page spread with reviews blurred–to respect MQU’s copyright. Please find a copy of the magazine (including at Barnes and Noble!).

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Speak Up, Speak Out

Thursday, April 27th, 2017

Emerging briefly from the production tunnel to share my latest piece which, thankfully, I CAN share despite the fact I’ve entered it in the Threads of Resistance Call for Entries (Deadline in about 2-3 days)!  As many of you who have known me for a while know, I haven’t usually been politically involved or spoken out.  This is, in part, the legacy of being a federal employee, when you were not allowed to be political (there were ways you could do it, but it was such a fuss that it was easier just to NOT).   However, the last election cycle aggravated me so much I began making political posts and comments on Facebook and getting involved.   Even though I didn’t really have the time, when a group of art quilters got together with this exhibit concept and called for entries, I knew I wanted to try to make a piece.

Speak Up, Speak Out © Sarah Ann Smith 2017. Although the Women’s March imagery has become ubiquitous since the March, I decided to proceed with my concept because it was my experience.

It began during one of the debates last autumn (2016).  The then-Republican-candidate (I *refuse* to use his name) kept saying “Make America Great Again,” as if it weren’t great already!   I will be the first to say that we are an imperfect union, this great nation of ours, but that is part of why we are a great nation….or were and must recover from the collective idiocy currently gripping the country.  I started sketching during the debate and came up with two ideas for art quilts, one about Maine, one about our nation.  The latter was to have a border of hands, holding hands, and phrases and words that represented the US, but the center wasn’t yet clear to me.

With my soon-to-be daughter-in-law Ashley G., I traveled to the Women’s March on Washington on an overnight bus (overnight going and returning…LONG nights sitting up!).   I bought a cheap spiral notebook and asked riders on the bus, if they wished, to trace their hands so I could use them as the border in this piece.  Every hand traced is here (one twice, because I needed one more hand to make things fit properly).

At the March, I took many many photos and as the day wore on I knew that being in this sea of humanity, most in some sort of pink hat or cat ears (reference to the-one-who-shall-not-be-named joking that he would grab a woman by the pussy–slimeball! that’s sexual assault you jerk!) I had found my image for the center of the quilt.  The images of women and men marching, protesting peacefully (not a single arrest!), has since become ubiquitous.  So much so that I considered NOT doing this view because it has been seen.  But I decided that since I conceived of the quilt before the march and finalized during the day of the March as the images had barely first been seen on the internet, I decided that since it was also “my” March, I would proceed.

This photo became my starting point–it is the only photo I didn’t take (since I’m in it..someone on the street offered to snap pics for us):

Some of the ladies from the bus. We are on East Capitol Street heading toward the Capitol. Mainers were to wear blaze / hunter’s orange. I’m on the far right standing next to Ashley, who has her orange scarf on, and we’re wearing the hats I made us.  There is an odd aberration in the photo, but so it goes.  I printed this photo on the label.

Usually when you see photos of protest marches, so many of the signs are manufactured, a printed graphic done by someone professional (ish).  What impressed me about this March is that almost all–upwards of 95 percent–of the signs were homemade and many were clever and/or inspiring.   I selected my favorite ones and used them.  One of the signs in the quilt is the actual sign that I made and wore on my jacket during the March.

Left side of the quilt. I loved the sign calling for a return to civility, courtesy, charity and compassion.

In the sky above the marchers, surrounding the capitol dome, I quilted the Preamble to the US Constitution on the left.   Brief signs/slogans are under the hands at the top.  On the right I quilted the First Amendment’s four freedoms of speech, religion, assembly, and right to redress the government for grievances (which is what we were doing!  Democracy living and in action!), as well as more slogans and thoughts.

There were three huge signs in the shape of cats, maybe 4 feet tall, so I appropriated one of them to use.

Center left. I LOVED the quote attributed to Supreme Court Justice Ruth Bader Ginsberg (I think I am falling in love with that woman!) and made sure she really did say it before including “Better bitch than mouse” as one of the signs.

By the way, I used Fabrico felt tip pens and Pitt Artist pens (brush and bullet tip) for the signs.

When I graduated from Georgetown University (in DC) in 1979, a t-shirt was popular that said “A woman’s place is in the House, and in the Senate.”  At the time, no woman had been elected (or maybe just one or two…I’m thinking Margaret Chase Smith and Nancy Landon) to the Senate that had not gotten there by taking her late husband’s seat.  It was still common to be told that a woman’s place was in the home and the kitchen, not the office.  Now I’ve said “A Woman’s place is in the House, the Senate, the Supreme Court and the Oval Office!”

Center of the quilt. I was really pleased at how the dome turned out. I used my photo as my guide and sketched out the pattern, cut the shape (as usual I am using Mistyfuse on fabric and raw edge collage; the dome is a rare case of me using a print fabric instead of a batik. The peach-yellow hand on the left is my dyed fabric, the salmon-pink-purple on the right is Laura Wasilowski’s, from a fat quarter from a class I took with her.  The fabrics in the signs are mostly my hand-dyes.

The coat hanger sign is a combination of two such signs that I saw.   I loathe the idea of abortions. But when I was in my 20s, I was a US visa officer.   I was processing the paperwork for a British man’s visa based on his marriage to a US citizen.  When you do that, you need to establish that the marriage is legal and valid, so you need to see if there were any prior marriages and, if so, that they ended legally.  He was a widower.  To break the tedium, I used to look at cause of deaths when these cases came across my desk.  His first wife died of septicemia (blood poisoning) from a self-induced abortion (because it was illegal in the UK at that time). Ever since, I have stood for freedom of choice because there will ALWAYS be women who are that desperate, no matter how awful I or others believe abortion to be.  Moving on…back to the quilt.

Center right. I loved the take on the Don’t Tread on Me flag from revolutionary war times that turned the snake into a uterus and says Don’t Tread On Me (on left, on Laura Wasilowski’s fabric).  The big pink sign with Michelle Obama’s mantra is what I wore at the January 21, 2017 March on Washington.  That’s my DIL Ashley on the left in this photo, me on the right. I modified a sign carried by a Vermonter to read (in the sky writing) One Maine snowflake in a storm.

Center bottom right. A bit sharper photo.  In the bottom left, under the copyright, you can see a “ribbon.”  The center woman I think of as “Everywoman.”  Then there is Ashley (DIL) in braids, and me on the far right.  Ashley’s hand is the purple one at her right shoulder, mine is the blue one next to Ashley, one in from the corner.

Some generous unknown-to-me person who couldn’t go to DC made and gave away these ribbons to those from Maine who marched. It was done in the Mainer’s blaze/hunter orange. That was pretty bright for the front of my quilt, and I didn’t want it to distract from the imagery. So I scanned the ribbon into the computer, then in Photoshop darkened the color so that it would work visually on the front. THANK YOU whoever made these!

Far right. My friend Gail Galloway-Nicholson used to be the Curator for the Supreme Court so is as familiar with Capitol Hill as I am, if not more so from having worked there for a good bit of  her career..  I worked for a US Congressman for two years, and we also lived just two blocks behind the capitol (yes, I got to see our old house).  She asked me to carry her name in my pocket since she couldn’t go to the March. I did, and added the names of more friends (some I’ve only known via the internet and quilty stuff).  Thank you all for being there with me!   I love knowing you and that you wanted to be there in spirit and on the cloth!

So that is all the details, well, most of them, of what went into this quilt.  Don’t know if it will get juried in–I know there is some awesome art being made for this that doesn’t use the ubiquitous image–but I am glad I made it!

And I have decided to get involved volunteering for my Town of Hope, Maine.  I decided that one needs to put your time where your mouth is, and as the saying goes, all politics is local.   Here’s to giving back to my adopted-shoulda-been-born-here home state of Maine!