It’s time for some summer fun–in this case a lightweight summer jacket that has languished since last summer!  The pattern is the Moss Jacket from Helen’s Closet Patterns and the fabric is this one from Blackbird Fabrics in Canada.  I’ve ordered from Blackbird before and luckily had no issues with US customs.
I love a super light jacket–I don’t care for the feel of 99% of sunscreens, but I burn very quickly.  This type of garment is my solution.  When making a garment, the first thing I do is figure out my fabric layout.  Invariably, fabric is not any of the widths for which yardage is offered on the pattern envelope.  In this case, I think the fabric was 54″ wide, and pattern layouts were generated for the more widely available 44″ and 58-60″!  I bought three yards of the 54″ and figured it would be whatever length I could fit!

The Moss Jacket comes short (high-hip length) or tunic length, as seen here.  The collar can be fold-over, which I chose, or half that width and rests flat.

The first thing I did was to cut the fronts (at the top) and the back (with the white tissue folded back) so the horizontal bands in the plaid match perfectly.

When I cut plaids, I am meticulous about pinning the fabric so that it doesn’t wibble-wobble on the cross-grain… I pin through to make sure it is precisely lined up before placing and cutting my pattern pieces.

Here’s how I double check that the fabric lines up: pin it at the near edge, then fold back and see that the design matches. I like using pattern weights…this little pyramid is a small, rice-filled (I’d maybe use shotgun pellet next time) bag–my free pattern is here! You can find all sorts of goodies including this one on my Resources page (up at the header click on Resources).

My next task, supervised by Yoda, is to determine layout for pattern matching. You all know I LOVE a perfectly matched design! I had already cut the back and the fronts to match horizontally; the folded back is placed on the fabric above to determine where to cut the yoke so the center darker red vertical aligns perfectly.  I then fit the smaller bits in the leftover spaces.  Luckily, I was able to get the collar pieces to align perfectly, too.

This is how I slide the pins in on the edge of a line or motif.  I check both sides to make sure it is even.  In this photo, I am folding over the collar to prepare it to sew down the second side.

This sort of perfect matching makes me giddy–I LOVE watching this happen!

My favorite new presser foot from Janome is the bi-level foot. There is just a bit more room under the left side than the right side of the foot. So far this is giving me the best combination alignment and visibility for edge-stitching.

Here’s the foot in action–the right sides rides OFF the edge; the left side rides ON the fabric, then you set the stitching distance from the edge by adjusting your needle position. I understand that at least some other brands have similar feet. Also notice those pins holding the plaid in alignment.

And here are a few more photos of the finished garment on one of this summer’s rare lovely days:

I have several more clothes projects in the pile, so I’ll be back with more before winter hits!

Hard to believe the ninth and final lesson is here already!  Thank you for following along.  Links to all nine of the posts in this series are now listed at the bottom of each lesson and on my Resources page!  If you remember this down the line, the fastest way to find it is put “Plaid” in the search box at right on the blog OR look for a link to the Plaid Top Tutorials on my Resources page, here.

To recap, we have:

• Lesson 1:   Choosing a Pattern and Starting Tips
• Lesson 2:   Making a Muslin, Fitting and Sleeves
• Lesson 3:   Matching Plaids, Cutting out Your Garment Pieces
• Lesson 4:  Overcast Seams, just like Serged Seams
• Lesson 5:   French Seams
• Lesson 6:  Lapped and Flat-felled Seams
• Lesson 7:  Hong Kong Finish for Seams
• Lesson 8:  Lined Patch Pocket Tutorial
• and today’s Lesson 9:  Hems and Scarf

Please note:  I am affiliated with Janome as a Janome Artisan and am compensated.  However, my reviews are honest and I would say what I say whether affiliated or not.  I’ve also chosen to be affiliated with Janome since 2003 (!!!) because their machines are so good and they are so responsive to the interests and needs of their customers.

Hems!  We are nearing the finish!  For the side seams, I opted to use a flat felled seam on the body, but on the arms instead I sewed the seam, press toward the back and use the overcast edge from Lesson 4.  That means that when you fold the hem up, turn under the raw edge, you would have 3 thicknesses (outside plus two seams) times THREE all stacked up in a big wad.  Ick!  So you can, carefully, clip the seam allowance where the hem folds up and press the seam allowance on the turned-up hem portion the other way to distribute the bulk.

My thread matches so well it is challenging to see, but on the bottom the seam allowance is to the left of the seam and above the bottom edge/fold, the seam allowance is to the right of the seam. The arrow shows where I clipped the seam.  You will also need to finish the raw edge in some way–overcast, Hong Kong finish, hem tape, of just press under 1/4″ (for the quilters, think “like an appliqué”) as I did here.

If you have a free-arm sewing machine, you can choose to remove the extension table and run the sleeve or pants leg around the free-arm.  With a narrow sleeve or a child’s garment, though, that is tricky if not impossible. The old-school way is just as easy and works on everything:  you sew “inside the circle.”  That means just what it says.  You can turn the sleeve inside out and sew on the outside of the garment (if using a twin needle to get parallel stitching lines you’d do this) or, as I have done here, sew the hem on the inside.  I chose that option so I could keep my stitching on the hem (!) and at a consistent distance from the folded hem edge.

I use my various presser feet in many different ways.  The F2 is designed for appliqué and satin stitch, but with the bazillion needle positions and good visibility I use it for many other things. I like to place the folded edge of the hem just to the right of the left arm of the foot, which then acts as a seam guide.  I’ll position the needle so it drops into the hem about 1/8″ to the right.  Then just sew all the way around, overlapping by about 4 stitches.  You can knot and bury the threads or just trim the tails and live dangerously LOL! 

Maybe I shoulda bought a lottery ticket that day…

SCARF:

As luck would have it, I was able to lay out the pattern in a way that left me with a long strip about 12 inches wide.  Because I like the fringed selvage (the edge with the white line), I left that side as it was.  On the other side I straight-stitched a line 1/4″ from the long cut edge using a short stitch length.  Then I unraveled the lengthwise threads up to the straight stitch (which prevents it from unravelling further). I use a pin to tease the threads out and remove.

Then I overlapped the ends and ran two lines of stitching from edge to edge.  Sometimes an infinity scarf looks lovely if you put one twist in it lengthwise, but with the thickness of the flannel, I just kept mine flat. Then I fringed the edges of the seam, also.

Above you can see the overlapped seam and the side of the scarf with the nearly invisible “stop it from fraying more” line stitching. After washing, this frayed bit is likely to curl bit, but I’m fine with that.

And there you have it!  I hope you’ve enjoyed this series of lessons that can be applied to virtually any garment and many home dec projects.   Let me know what you’d like to learn and see here on the blog.  Cheers and thanks, Sarah

Lesson 1:   Choosing a Pattern and Starting Tips

Lesson 2:   Making a Muslin, Fitting and Sleeves

Lesson 3:   Matching Plaids, Cutting out Your Garment Pieces

Lesson 4:  Overcast Seams, just like Serged Seams

Lesson 5:   French Seams

Lesson 6:  Lapped and Flat-felled Seams

Lesson 7:  Hong Kong Finish for Seams

Lesson 8:  Lined Patch Pocket Tutorial

Lesson 9:  Hems and Scarf

Today we move on to another fun technique:  a lined patch pocket.  I kinda made this up along the way (my first photos are not included because I figured out a better way…this is the revised and improved method!). The flannel is SO soft and comfy–in part because the weave is dense but not terribly tight. That means I might be able to wear holes in the bottom of the pockets, so I decided to give them some strength and structure by adding a lining.  The hand-dyed blue was in my stash and worked well enough  I also really liked the frayed selvage edge of the fabric so decided to use that as a decorative element.  I cut the pockets with the  the upper edge of the pocket on the selvage (lengthwise edge of the fabric) instead of the usual orientation.

Here’s what we are doing today–pockets!

Please note:  I am affiliated with Janome as a Janome Artisan and am compensated.  However, my reviews are honest and I would say what I say whether affiliated or not.  I’ve also chosen to be affiliated with Janome since 2003 (!!!) because their machines are so good and they are so responsive to the interests and needs of their customers.

Let’s dive into the details!  First cut out your pocket including either a turn back (flap that will turn toward the garment or, as I did, a flap that will fold down over the front of the pocket.  In the next photo, I’m preparing the cut pocket piece by sewing a basting stitch to make it easier to get a consistent turned-under seam allowance.

Sometimes taking an extra step makes things easier, not harder. This is one of those times. Sew with a basting stitch–I used about a 3.5 stitch length–1/2″ from the raw edge. This leaves 1/8″ between the basting and the turned edge line. The basting won’t show when the pocket is turned right side out, but the stitched line makes is SO much easier to turn accurately!

Using something firm like card stock, index card, or a cereal box, cut a quarter circle. I folded a sorta-square piece of cardstock into quarters, marked a set distance (an inch), then used a round item (think jar, pepper mill base, even (!!) a quilting template) that has a curve shape that  you like. Be sure the curve intersects the distance marks so it curves symmetrically round the corner.

Notice that the top edge, with the fringed selvage, is pin marked where it will fold over to the outside of the pocket.

If your finished pocket is 6×6″ (honestly I’m not sure what size I cut mine, just using this to make the math simple!), you’ll have cut it 5/8″ seam allowance + 6″ + 5/8″ seam allowance = 7 1/4″.  Now, you’ll want to cut your lining smaller so that it is nicely hidden.  That means the lining would be cut at 6×6″ or a perhaps 6″ wide by 6 1/4″ long (to allow you an extra bit to tuck under at the top.  You will sew it to the pocket exterior with 1/4″ seams allowance, NOT 5/8″!

Press under 1/4-1/2″ at the top (see photo). Sew the lining to the exterior of the pocket with 1/4″ seams, right sides together, on the sides and bottom ONLY, but SKIP sewing those fiddly curves at the bottom.

Turn the pocket right sides out and press so that the lining is centered and you see about 3/8″ of the fashion fabric on the edges.

For my fringe-flap, I just tugged it out of the way.  Then I edge-stitched the top (turned under) edge of the lining started about 1/2″ away from the outer edges of the pocket — this allows you some leeway when you deal with hiding that flap. Clarification to caption above:  the turn-down is on the outside and doesn’t cover the lining, but the lining stitching is hidden by / covered by the turned down flap.

The corners are, honestly, a bit of a nuisance, but you can do it!  Just tuck them inside, clip into the seam allowance as needed to facilitate turning and press the daylights out of them.  I have become a fan of–don’t faint–washable glue stick.  It works and is easier than pins, clips and whatnot.  Just use a toothpick or the tip of your seam ripper to dab some between the seam allowances of the lining and fashion fabric to hold them together.  The glue will wash out in the first laundering!  I prefer glue stick to dots of white glue because it is already sorta dry and doesn’t soak through the fabric or require extra drying time.

Here’s the lined and pressed pocket from the front side.

Next I needed to deal with that flap detail.

This is another spot where a dab of washable glue stick between each of the layers can help.

The second line of stitching, above, means that those unstitched rounded corners on the lining are trapped between the two lines of stitching and won’t go anywhere.

And there we go–pretty lined plaid pockets, perfectly matched, ready to use: kleenex, keys, doggie treats!

The next post will be the last in this series with hem finishing and the easy-peasy scarf!  See you then!

Here are the links to all the posts in this series of lessons, techniques that can be applied to virtually any garment and many home dec projects.   Let me know what you’d like to learn and see here on the blog.  Cheers and thanks, Sarah

Lesson 1:   Choosing a Pattern and Starting Tips

Lesson 2:   Making a Muslin, Fitting and Sleeves

Lesson 3:   Matching Plaids, Cutting out Your Garment Pieces

Lesson 4:  Overcast Seams, just like Serged Seams

Lesson 5:   French Seams

Lesson 6:  Lapped and Flat-felled Seams

Lesson 7:  Hong Kong Finish for Seams

Lesson 8:  Lined Patch Pocket Tutorial

Lesson 9:  Hems and Scarf

Hong Kong seams are a thing of beauty–a little extra work but a secret delight!  So even though I didn’t use them in this plaid top, I’m including them with all the seam lessons in this series of technique posts.  I did use them on both my Simplicity S8883  top, full blogpost here, and the Brumby Skirt.   I also used this finish on a jacket I made for my daughter-in-law some years ago that I swear I wish she could wear inside out LOL!

That lime green on the shoulder and princess seams is a Hong Kong finish.

And the Brumby Skirt from Megan Nielsen, inside out! Same lime green (I bought several yards of it, a cotton lawn) for Hong Kong finishes. Such a pretty Pop!

Please note:  I am affiliated with Janome as a Janome Artisan and am compensated.  However, my reviews are honest and I would say what I say whether affiliated or not.  I’ve also chosen to be affiliated with Janome since 2003 (!!!) because their machines are so good and they are so responsive to the interests and needs of their customers.

And here is one of my all time favorite in my life insides of a garment, the jacket for Ashley:

Top left:  front.  Bottom left, back.  Right side:  all those beautifully finished seams.  I had gone looking for a lightweight fabric and found the print and thought Oh YES!  This is a heavily modified pattern…changed it from hip length single breasted to double breasted jacket, Peter Pan collar changed to roll collar, added vents at the bottom rear, a box pleat for movement / ease in the center back…you get the picture.

But aren’t these seams pretty?????   So here is how you do it.  This process is VERY similar to putting a binding on a quilt for those of you who know how to do that, except that the back side–the one between the seam allowance and the body of the garment, is a raw edge and is not turned under.  This minimizes bulk. Because it is cut on the bias it doesn’t pose a fraying problem!

1. 1. We will assume a 5/8″ seam allowance.

    2. To cover 1/4″ on the side of the seam allowance that you see, you will cut a strip on the bias that is about 1″ wide.

    3.  Choose a very lightweight fabric that is not bulky.  Cotton lawn is an excellent choice — it is significantly lighter in weight than quilting cottons, handles well, and is soft against the skin.  You can choose to match colors or, as I did, pick something zingy and pretty! You could also use a super soft jersey knit, and decades ago they used to sell nylon tricot (ick!  felt like plastic) in strips for just this purpose. For garments that won’t be laundered you could also use a fine silk. ***Be sure to pre-shrink / pre-wash any fabric just as you did with your main garment fabric.  You don’t want it to shrink after you’ve completed the garment and have it distort things.

4. Sew the bias to the seam allowance with a 1/4″ seam allowance.  Be careful not to stretch the bias strip.  Trim the ends even with the end of the seam.  If part of the seam will be covered by a hem, and therefore enclosed, you only need to extend the finish to the point where the bottom 1/4 – 1/2 inch will be covered.

5. Press the bias away from the seam.

6. Gently fold the bias around the seam allowance so it snugs up against the raw edge.  Pin or glue-stick in place.

7. Stitch in the ditch with a thread to match the fashion fabric to secure the finish.  If you have cut your strips at 1″, about a scant 1/4″ will extend from the ditch-stitching towards the seam.  You can leave it or trim it down to 1/8″.

8. Press, and stand back and enjoy the beauty.

The first lesson / project for Garment Maker’s Question Time is a shift dress (with or without a waistline seam), something that I would Never, EVER wear.  And I already knew how to do an invisible zipper.  So I bought a pattern for a fitted dress with a waist seam, center back zip and very short sleeves.  I did the muslin / toile (the fitting garment where you figure out your needed alterations) as a dress, then totally hacked the dress into a square (not rounded) neck, longer sleeves, moved the waistline up to empire height, eliminated the center back seam since I could get into the top without a zip because of my modifications, and converted gathers into pleats.  I LOVE this linen (from Fabrics-Store.com linens, I used the IL-19 Softened in Beet) and found the perfect Kaffe Fassett shot cotton plaid (heavier than lawn but lighter than quilting cotton) to be the Hong Kong Finishes.  I like it so much I may use the leftover linen and find some more of the plaid and make a tank with the plaid visible!

Here’s a collage of the construction process.  Apparently I posted about this on social media (circa February 2021) but never did blog about it! oooops.  I am sure I also put it in my newsletter–if you’d like to receive the monthly newsletter, sign up at the bottom of every page or in the right sidebar on my blog!

Here’s another collage that shows the Brumby skirt (I SO want to make one in denim like the pattern, but at a length suitable to my age and legs!), the inside and the pattern cover.  AND, just this week I bought the denim–100 percent cotton denim no less.  Now, to finish Eli’s quilt so I can get some garment making done!

Last but not least, here’s the right side of the Simplicity S8883 top.  You can’t see that it has princess seams–this is one of the patterns that actually has cup sizes built into the pattern—wonderful!  It is made from a Rifle Paper Co. print (a quilting cotton) and I just love wearing it!

Simplicity pattern S8883    

So that’s a wrap up and samples of Hong Kong finish.  I think I will do my denim Brumby with this finish…stay tuned!

Here are the links to all the posts in this series of lessons, techniques that can be applied to virtually any garment and many home dec projects.   Let me know what you’d like to learn and see here on the blog.  Cheers and thanks, Sarah

Lesson 1:   Choosing a Pattern and Starting Tips

Lesson 2:   Making a Muslin, Fitting and Sleeves

Lesson 3:   Matching Plaids, Cutting out Your Garment Pieces

Lesson 4:  Overcast Seams, just like Serged Seams

Lesson 5:   French Seams

Lesson 6:  Lapped and Flat-felled Seams

Lesson 7:  Hong Kong Finish for Seams

Lesson 8:  Lined Patch Pocket Tutorial

Lesson 9:  Hems and Scarf

Lapped and flat-felled seams are two sides of the same coin.  Both are found in ready to wear–the lapped seams I see most often in men’s dress shirts.  Flat-felled seams are found on jeans…they’re that heavy, bulky seam!  The double stitching makes it strong, so it is good for seams that endure strain–like tight jeans!  They can also be used decoratively with contrasting and/or heavy topstitching thread. Let’s start with the ….

Please note:  I am affiliated with Janome as a Janome Artisan and am compensated.  However, my reviews are honest and I would say what I say whether affiliated or not.  I’ve also chosen to be affiliated with Janome since 2003 (!!!) because their machines are so good and they are so responsive to the interests and needs of their customers.

Lapped Seam

The first step is to sew fabric at the designated seam allowance, right sides together, above.

You might wonder why you  need a special foot to do this–you could turn under the seam allowance and, if you are a meticulous person (I am decidedly NO, not matter how hard I try), could sew this neatly.  Well, here’s why:

This is what the seam looks like on the outside when finished:

Next up is the Flat-felled Seam which is sewn on the OUTSIDE of the garment.  Both the seam thread and the topstitching thread will show.

The process is much the same, but you start with the fabric wrong sides together instead of the usual way.

It may help to compare the finished seams:

On the Plaid top, I used a flat-felled seam on both the shoulders and side seams, though with the fluff on the flannel and match of the thread, it’s mighty hard to see that in the photo!  Honestly, it blends so well with the matching on the plaid, I had to feel for the bump of the turned seam allowance.  It’s on the outside, which is how I knew.  Gotta say, that’s pretty fine plaid matching to disguise it that well! And sorry about the cat hair…. I swear I will carry it with me to the great beyond some day!

Here are the links to all the posts in this series of lessons, techniques that can be applied to virtually any garment and many home dec projects.   Let me know what you’d like to learn and see here on the blog.  Cheers and thanks, Sarah

Lesson 1:   Choosing a Pattern and Starting Tips

Lesson 2:   Making a Muslin, Fitting and Sleeves

Lesson 3:   Matching Plaids, Cutting out Your Garment Pieces

Lesson 4:  Overcast Seams, just like Serged Seams

Lesson 5:   French Seams

Lesson 6:  Lapped and Flat-felled Seams

Lesson 7:  Hong Kong Finish for Seams

Lesson 8:  Lined Patch Pocket Tutorial

Lesson 9:  Hems and Scarf