My video about my online and in person teaching debuted this evening at Global Quilt Connection, an amazing resource that allows you to meet the teachers. I hope you’ll enjoy it and think of having me teach for you, online and in person. There are five sessions, and the day following each of the five, ALL of the presentations are available to view at your convenience. Find the links here.
Full details on my workshops are available here, and a sample contract with price info is there too.
I am in awe of the teachers who presented tonight at Global Quilt Connection. I’m thrilled that so many teachers have moved online because now *I* can take classes that have heretofore not been available to me. Hope you enjoy my video! Do write if you are interested… I can customize classes, break a full day into to half-day sessions and more.
Good tools (AccuQuiltGO!), good fabric (Michael Miller Fabrics), good thread (Aurifil), good machine (Janome Continental M7), and some experience, and you can do a lot! This return to my quilty roots just makes me happy!
Over the course of the year I’ve shared progress on this quilt:
First, there was learning to use the AccuQuiltGO! which I blogged about here. It was a different block, but the easy applies.
Then there is the PIECING of CURVES: see the blogpost here or go directly to the video on my YouTube Channel here.
Now there is the quilting video (that covers a couple other things), embedded below and share-able on my YouTube Channel here.
Full disclosure: I have proudly been a Janome Artisan since 2003, and this year am a Michael Miller Fabrics Brand Ambassador for 2020. MMF provided the fabric and we were given, as part of being a brand ambassador, an AccuQuiltGo and several dies. To my surprise I enjoyed the process so much I have purchased both the Winding Ways and Crossed Canoe dies. Stay tuned for more!
This is the die that I purchased to make the Winding Ways, which has always been one of my favorite traditional blocks. Click this link to see a blogpost of using the AccuQuiltGO (for another block, but it’s the exact same process) including a video.I found this design somewhere on the internet and printed it out to mess around with a design for a future quilt! Stay tuned for a WANDERING Winding Ways! Using a grid like this can help you plan out fun color fades and settings.
Next came machine quilting. I worked on that a while back–I did end up teaching for the Mancuso Online Quiltfest in August and will do a Threadcoloring the Garden workshop in October! More info on that soon! In this video I’m practicing making a video, demonstrating at the machine, and it just happens to be walking foot quilting (fast! easy!) on my beloved Janome M7. Even if I had paid full price instead of being a Janome Artisan I’d rave about this machine’s wonderfulness! Their new slogan, Reliability by Design, is really true!
Then, the hand quilting and the finishing!
I haven’t done any hand stitching in a thousand years, but nearly two years ago I bought matching green thread from aurifil in piecing/light quilting weight and a heavier 12-wt that is about the size of a light perle cotton or 6-strands of floss. I LOVE IT…and it went so fast! I can remember clearly sitting on the porch in early summer, something to watch on the iPad, stitching away.
I just love how an angled shot shows the texture and dimension. I was surprised at how quickly the hand stitching went. I used the same green color of thread on the green parts for machine quilting as the green in the heavyweight Aurifil thread.
I wanted to repeat the orange batik in the center on the edges, but using it as the binding was too much. I instead inserted a tiny stitched down “reveal” that is a scant 1/8″ just inside the white binding. Can I also put in a plug for Michael Miller’s Cotton Couture solids? The quality of the base cloth is SO GOOD! And the consistency in color / dye lots over the years is really amazing. I dye fabric and know how hard it is to get perfect matches from batch to batch and it does.
Last but not least, those skinny inserts and perfect corners.
I taught the half day version of my bindings workshop at the Mancuso Online Quiltfest in June and may do so again in the new year. I am scheduled to teach and have an exhibit of my work at the Mid-Atlantic Quiltfest in Virginia in February, but at this point who knows if it will be in person or online! I promise I will teach the bindings (full or half day) again in the new year online, just need to figure out when. My students in June had GREAT results online so it works online too!
Anyway, I hope you’ve enjoyed my 2020 detour back to my quilty roots. Coming soon, a new art quilt!
My daughter-in-law Ashley is my “daughter by another mother.” She is crafty and smart and nice and boy did I get lucky! (Well, my son Joshua was smart too….) Anyway, she was interested in sewing, so for a few years we worked on small projects together. She liked it so much we decided to SPLURGE two years ago and give her a combined Birthday and Graduation from College with Honors with a Teaching degree (yup, popping proud): her very first sewing machine, the Janome M7200. What with moving, starting her teaching career, lack of space in the first apartment in Portland, she just finished her first solo garment, the Sorbetto top, and I am SO impressed! She has every reason to be proud!
Here she is on a HOT summer’s day in Portland (Maine) showing her beautiful work, all done on her Janome M7200 (pic below, keep reading!). The pattern is free online at Collette patterns, https://www.seamwork.com/catalog/sorbetto. LOOK at that PERFECT edge stitching!!!!! I couldn’t have done better myself. There are many specialty feet, but I go old-school as I get best results that way: use a zipper foot, carefully position the needle in the “U” shape, and then keep the edge of the foot exactly on the edge of the fold. She ROCKED IT!And the hem….. without so much as a prompt or suggestion from me, she realized that it’s delightful to align the stripes on the inside and she did it! I’m “one of those people” sometimes, I think the backs and insides need to be just as lovely as the fronts/outsides!
Our sewing garments journey began before graduation, when Ashley said she’d like to make her own dress for graduation. She picked a pattern with (!!!!) fitted bodice, set-in sleeves and an invisible zipper! We sewed in my studio on the Janome 9450 I was using at that time (I’m a Janome Artisan and have been on the loan program for 16 years now!). I’d do the first half of something to show her, then she’d do the second half, including a complete set-in sleeve perfectly done on her own! From the start, she showed an inclination to make my heart go thumpity-thump: do it WELL with care and attention to detail. Here’s Ashley modeling the dress in our yard just before and then at graduation:
Too cute for words!Graduation day 2018Back in May 2018…. The SPLURGE once-in-a-decade gift for combined birthday and college graduation: a Janome M7200. Thanks a bazillion to Dave LaValley at Bittersweet Fabrics in Boscawen, NH, for recommending this machine. I told him my budget, and that I wanted a machine that will do well by Ashley for a decade for garments, home dec, crafts and maybe someday even quilting. He steered me to this one, which I had thought was more than I could afford, because it is such a well made, sturdy and durable machine, AND made it fit our budget! Dave, we’ve got a budding lifelong sewist in the family! If any of you ever get to Vermont Quilt Festival, you MUST go to the awards ceremony. In honor of his mom, who opened the shop 50 or so years ago, he GIVES a small Janome to EVERY first-time-youth entrant in the show!!!!!! The kids get up on stage… I remember one 4-year old–the machine came up above her knees! Everyone goes armed with hankies! THANK YOU DAVE!
Thank you Joshua from bringing Ashley into our family. Thank you Ashley for being you! Thank you Sue for being my co-mother-in-law and raising such awesome girls! And thank you Ashley for letting me share and brag on you!
My new Queen Anne’s Lace top. I screen printed my custom designs onto Cotton Couture solids (courtesy of Michael Miller Fabrics), this color is “Luna.” In the summer of 2020 I saw Print Pattern Sew by Jen Hewitt somewhere online and ordered it immediately. It’s FAB! is available many places including Amazon . DO check out Jen’s site, here. Of course it took until April to start playing and until now to post. For the workshop and this post I wanted to use a pattern currently available that is similar to two vintage (circa mid 1980s) patterns that I still make over and over because I love them so much. There are LOTS of great photos and step outs in the book.Table of ContentsSince my favorite patterns are decades out of print, I selected this one for this project in case anyone wants to buy the book for further instruction. It comes with the pattern included.
I’ve been developing some new classes using paint on cloth and I thought as part of being a Michael Miller Brand Ambassador and a Janome Artisan what better thing to do than combine all these things I love in one! Some of you may remember this post from when I did a DIY improvement to my hall sconces; one of the lampshades was Queen Anne’s Lace screen printed on linen. I used the thermofax screens I made for that again for this top.
Step one is testing various mixes of color to get just what I wanted. You can see a colorful little plastic “flat not-a-spoon”–that is a make-up paddle, available in packages on Amazon for about $5 for 100 (more than a lifetime supply). They are great for getting into small paint jars. I used to use some Gelato spoons a shop gave me, but the flat paddles are better for scraping off (and not wasting) excess paint). The paints I used are ProFAB Transparent paints from ProChemical and Dye, but most textile paints will work. These have a particularly soft hand to them. Starter kits are a great and cost-effective way to try them out (I have a pair of kits available here; also available in just one or the other types of paint).LABEL what you use, what base paints are in the mix. I can promise you, with three yellows and three blues in 15 minutes I will forget which one is which! I keep these test-scraps for future reference. I used freezer paper to make stencils for the stems. I could have made a thermofax screen, but the mesh is expensive and Freezer Paper is cheap. I used a thermofax screen of grasses I had used for my lampshade for the bottom of the garment. I cut oversized pike for the front, back, and what I thought would be a trim for the sleeves. I later decided to leave the cuff/bottom of the sleeves plain. I used the grass screen to decorate the “facing” piece. Instead of putting the facing on the inside of the garment, I turned it to the outside as a decorative element. Ooops! Sometimes goobers happen. Any unwanted random little smudges of paint are quickly wet and scraped away. Or you just live with them.The printing was done in four steps: 1. Print stems over freezer paper stencil and let dry. I ended up adding another flower later on, so had to add another stem as seen here. 2. Print grass with thermofax screen. Let dry. 3. The thermofax screen for the Queen Anne’s Lace was made from my pen and ink drawing. My lampshades were all green on white linen. For this blouse, I wanted the flowers to be white, so I **carefully** screen printed the stems through the screen (seen above left) and let them dry. 4. Then I went back in with a creamy white (mixed from white with a dab of yellow) to do the flowers. This is the point where you pray you don’t mess up!When mixing light colors, start with a larger amount of the lightest color and put in just the TINY-est touch of color…it takes surprisingly little yellow to turn that glob of white into a softer white or barely-green. After purchasing the multicolored make up paddles, I discovered these square cornered white ones. They are great for applying small amounts of paint carefully through a thermofax screen and for getting into the bottom edges of the ProChem jars.Once I had the front and back printed, I pinned them together and tried them on. The grasses on the bottom looked sparse, wimpy. And I wanted the shirt a bit shorter. So I went back in with the same screen, offsetting it so the same shapes weren’t repeated too closely, and did a second layer higher up. I didn’t care if the printing didn’t follow all the way up what would become the hem on the inside. And that way I could just use the same screen instead of making another one.For the “facing” on the outside, I cut the outer edge of the interfacing very carefully so I could iron the seam allowance over it and create a lovely, smooth outside curve.If you are new to garment making, be SURE to clip your curves well so that the facing turns and lies nice and flat.My favorite way to get a perfect edge stitch is old school: using the zipper foot!Place the edge of the zipper foot against the edge where you want to stitch. In this case I need to use the left side of the foot. Move the needle so that it drops a few threads away from the folded edge. I use a fingernail or thumbnail as an edge guide and don’t sew too quickly. There are indeed “edge feet” for this purpose, but I find that the blades can bend or not be as precise as I want them to be (not to mention visibility isn’t as good as doing it this way). I’d already completed the top when I took this shot, so you can see how perfectly my Janome M7 stitched!For the hem, I decided I would use a blind hem stitch instead of hand-sewing it. The blind hem stitch I selected is for woven cloth, with straight stitches in between the zigs (#18…on the yellow part of the screen you can see that stitch 19 is a blind hem stitch for knits). Over on the white, it shows the settings and to use the G foot which I am holding up It has an “ice skating blade” (i.e. guide) in the middle.You can see the metal guide in the center of the foot. As above, I set up this photo after the garment is complete, which is why you see stitching at th bottom of the image. To prepare for blind hem stitching, you fold the hem up with the raw edge pressed to it will be inside the hem. You then fold back the outside of the garment so that the soon-to-be-hidden part of the hem is barely visible, about 1/8″. The body of the garment folds away to the left. The straight stitching on the hem is done with the needle in the curvy part of the “blade” where it stitches on the inside of the hem. The flat part of the blade snugs up against the folded back fabric, and the “Zig” part of the stitch takes a little nibble of the outside of the garment. My thread matched the Luna Cotton Couture perfectly. It is challenging to see those tiny hem stitches on the right side of the garment.Back viewSide view–I love how the design goes all the way around. I hope you’ve enjoyed this mini tutorial! Thanks again to Janome for their 16+ years of sponsorship and to Michael Miller for having me as a Brand Ambassador this year!
When I arrived in Maine 16 years ago today, to move into our house in Camden (we moved from there to neighboring hope in 2011), I did not know that after 46 years of wandering the globe and living on four continents, I had finally found what I always wanted: HOME!
After the storm, just a couple of days ago, from our front porch
Maine has become my muse and my soul’s home. Within two years, I made this quilt which flowed out of me effortlessly. In such a short time, I had become Maine’s and Maine had become my heart’s true home.
A Sense of Place: The Wall
When I grew up on the West Coast, everyone said that the West Coast was friendly, open, welcoming, made up of newcomers. Yet as a 6 year old arriving from Argentina, it wasn’t. The leader of the Brownie troupe wouldn’t let me join because we hadn’t lived in California long enough. Children told me I wasn’t a Californian and never would be because I wasn’t born there. Quests for better schooling let my mother to move me from school to school: Bayside, Central, Grenada, Del Mar and finally San Domenico all in the time from January of First grade to the start of 7th grade. I didn’t belong and never did. From College until age 46, I moved. And moved. And moved. All work, but still. No place to feel HOME.
Yet when I moved to Maine, where there was supposedly the vaunted “Yankee reserve,” I was welcomed with open arms even though I am indeed “from away.” Long time Mainers and others from away welcomed me equally. Quilters welcomed me and gave me a home. I began my quilt art and teaching career here. And this year, I was honored, humbled and thrilled to learn that one of my quilts will hang at the Bicentennial Exhibit to celebrate Maine’s 200th anniversary of Statehood at the Maine State Museum in August as one of Maine’s contemporary quilts. Everything has, of course, been delayed by COVID, but there will also be a book and I’m in it, with thanks to Laurie LaBar, head of Textiles (and other things) at the Museum. Did you know where I live was part of two states (sort of)? The District Of Maine was part of the Massachusetts Bay Colony when the colonies became the first 13 states in the Union in 1776. In 1820, as part of the Missouri Compromise, Maine became a separate state.
Over the past few years I have been making work inspired by the world around me, including Lupines.Rose Hip, by Sarah Ann Smith (c) 2019. 36″ square. One of my favorite quilts, in part because it is of my beloved Maine, but also because I’ve been able to meld my personal hand dyes, a hand dye by Lisa Walton, fabrics printed and over-painted by me, to create a cohesive image.My beloved apple tree, on the lower part of our driveway. This WILL become a quilt! A big one.
My goal is to make an exhibit’s worth of quilts celebrating the world around me. Guess I’d better stop blogging and get back to the studio. I am forever grateful to be here with my husband, two sons Joshua and Eli, my third-child-by-another-mother DIL Ashley, and all the various critters past and present and future that share our lives.
From dog walkies this week. Always the world changes and is the same. It inspires me, it fills me with joy and awe and hope.
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