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Archive for the ‘Mancuso quilt shows’ Category

A video tour of my solo exhibit

Thursday, August 22nd, 2019

Hi folks…a blogpost that is short in length for once! I took this quick video on Saturday before the Mancuso World Quilt New England Show closed so that those of you who don’t live in the vicinity could enjoy the exhibit. The idea is to show my growth and development as an artist, so the quilts you see at the start are before my style and artistic voice have emerged and refined, all the way up to my most recent big quilt (well, 36″ square) Rose Hip.

Here’s the link to the book I mentioned, The Art of Sarah Ann Smith…so far. I put the book together in 2017 for my Rising Stars exhibit at International Quilt Festival Houston. It has all but the 2018 and 2019 works in it, additional quilts, some tidbits and tips, and a bit about me. It’s available as a softcover book or a pdf.

There is a chance that this exhibit will be traveling in early 2021, so stay tuned. Once I have a signed contract, I’ll share the where and when details!

New England World Quilt Show Exhibit!

Thursday, August 15th, 2019

In a rather astonishing development last May, an earlier inquiry about teaching and exhibiting turned into an invitation to have a solo exhibit, The Art of Sarah Ann Smith … so far, at the Mancuso Brothers World Quilt New England Show tin Springfield, Massachusetts (this is the one that used to be in Manchester, NH). I hope you’ll enjoy this preview peek, if you’re in the vicinity can visit, and on Saturday I hope to post a Facebook Live or other video of the exhibit. I should arrive about noon (it’s a long drive from Maine). Click on this link to get info and directions to the show. If you can’t make the show, my book has a lot of what is there plus lots of other good stuff.

Sarah Ann Smith's solo exhibit at 2019 World Quilt New England
Sarah Ann Smith’s solo exhibit at 2019 World Quilt New England
This exhibit begins in 1998, when I made Happy 80th Birthday Mama. At that point I never thought I’d ever be published, exhibit nationally, teach nationally, have a book and all the zillion other wonderful things since I decided to “make a go of it” in art quilting in 2004. That’s why I’m so proud that this quilt was in Karey Bresenhan’s 2003 I Remember Mama exhibit and book: it taught me that I was good enough to indeed try to make it in this industry.

The exhibit has its roots in my 2017 Rising Stars exhibit at the International Quilt Festival in Houston. I had been invited to submit a proposal for a solo exhibit. Karey liked what I suggested and how I would market it to our mutual benefit, and ended up creating the Rising Stars exhibit (which recurs every year now) to showcase two or more quilters. This exhibit is slightly different, as some of those quilts sold, and this one has new work.

Alms, Kyoto 1996 is on the far left, and started with my photo (taken in 1996 on a trip with my mother) and a workshop with Hollis Chatelain to learn how to dye paint. It was my first quilt ever juried in to Festival/Houston, and it took another six YEARS before I had another quilt juried in to the judged show, though I was lucky to have work in special exhibits in Houston. I think Bijagos Warrior, on the back wall, is one of my best quilts ever. Made in 2004, , it was declined by Houston (Sob, still), but he finally got to hang in Houston in 2017 Rising Stars. It was while working on Bijagos Warrior that I realized my sewing machine wasn’t helping me; I researched and came upon Janome machines. I couldn’t afford a soda fountain cola in those days, so I approached them to see if they had a loaner program. To my utter astonishment Janome America took me on. I have since late 2003 been a part of what is now the Janome Artisan program, and I am forever grateful for their support and sponsorship. Yes, I get free loaners, but I’d say all the wonderful things about their awesome machines if I paid full MSRP!

The exhibit runs in chronological order (though within a given “bay” of quilts they may be slightly out of order so we got a nicer looking display) from 1998 to 2019. Gosh….I just realized this is two DECADES of my work and evolution…and that I can now, with a bit of a gulp, call myself an artist.

The quilt on the left Earth & Turquoise, almost never travels to shows because of the sticks, stones and feathers, but since I drove to deliver and hang the quilts, it was able to go! I’m thrilled! And the back wall, let’s just call that a Mother and Child Reunion. This was the time when I was first invited to be in the Dinner@8 exhibits. See more about them below. During the middle of this century’s first decade, I was learning my craft, refining my voice, improving my technical and design skills.
These quilts range from 2013-2015 or thereabouts. Insalata, the ginormous tomatoes on the back (about the size of a beach ball) is the most recent of this batch, but otherwise these are in order.

The Dinner@8 exhibits were such a phenomenal opportunity and formative experience. For years, I have thought this 10-year run of special exhibits presented one of the best exhibits in Houston, which is saying a lot. To be able to be in them for eight years just amazes me, that I made the cut. But my best work by far was made for these exhibits. The level of excellence rose each year, and like the rising tide that floats all boats, I think ALL of us who were fortunate to be in the exhibits grew immensely in our abilities. Conceived by Jamie Fingal and Leslie Tucker Jenison, they were juried invitationals. That means you were invited to participate–it wasn’t an open call to the public. You then made a quilt to the specific theme and size, entered it, and waited to see if it was accepted. I am so grateful for the chance to be a part of this group of strong women, and feel a bit adrift that the series has come to an end with the 2018 exhibit. BUT, that meant I had to look forward and come up with my own ideas, not be dependent on Jamie and Leslie, and I’m excited to move forward with my own plans.

Amaryllis toured extensively in Australia and New Zealand in Brenda Gael Smith’s Living Colour Textiles exhibit. Eli, Cross Country 2013 is my other son and one of my favorite of his sports. Descended From the Stars on the back wall, is another favorite of my quilts because it covers so much of my life, from my high school to imagery related to my children to calligraphy and more. Peony is on the right.
2017 to 2018: I can’t say that I have achieved mastery–there will always be more to learn and explore. But I think I have finally achieved competence, and certain techniques have become integral to my art: dyeing, painting, fused collage, representational imagery. From left to right: Stand Up, Speak Out; Pink Oyster Mushrooms; Lupine. My work now focuses very much on my work–my days traveling the world as a US Foreign Service Officer (diplomat) are ancient history and I have now spent more time as a quilter and artist than I did as a diplomat!
The Art of Sarah Ann Smith...so far, a solo exhibit at the 2019 World Quilt New England show
And the view from the present to the beginning of my art quilt journey…so far! There’s more coming!

Thanks so much for sticking with me! I’ll post a few more shots after I get to see the exhibit with the show open on Saturday!