Archive for the ‘Mistyfuse’ Category

International Quilt Festival #2: Collage the Garden, Wednesday and Preview night

Thursday, November 22nd, 2018

First off, Happy US Thanksgiving to one all around the world–this was written ahead and scheduled to post because (a) not everyone is in the US and (b) sometimes we need some R&R from the feasting and festivities!

My second full day at International Quilt Festival 2018 I got to teach one of my “Quilting the Garden” workshops, Collage the Garden.  Along with Thread-Coloring the Garden, the two classes can be combined into a two-to-five day workshop–any guilds or retreats out there interested????   My students were, of course, brilliant!    They had a choice of either the tiger lily or water lily in the class–I love when students take my patterns and projects and completely make them their own.   Like yesterday’s post, I’ll have TONS of pictures including some from Preview night on the show floor. Taught students how to pattern, how to use my favorite Mistyfuse, how to get the fabric to do some of the work for you!

These are the two class samples…you can see how well the students did!  One had a *very* hard time letting go from the traditional quilty-applique “thou must do it thus and so exactly” but she finally threw caution to the winds and did a great job–so proud of her!

and here you can see the actual student work:

Way to go!

Learning how to pattern

fabulous fabric choice….let the fabric do a bunch of the work for you. The placements of the darks is spot on.

and the water lily–love how she went deeper darker in the center with reference photo right there to guide her choices

students hard at play!

an ochre/yellow version

Flower nearly complete

And auditioning a background

Another great fabric choice, and love how the trees fabric changes once cut up and placed into the background

WOW!

The students were wonderful—LOVED having a FULL Class…the collective energy helped everyone!

Then there was preview night…drum roll:  gotta love that little red dot indicating my Autumn on Blueberry Lane sold…AND it was hanging next to my dear friend Deborah Boschert’s ladders and trees quilt, which ALSO sold!

Mine on left, Deborah Boshert’s ladders on right…and both sold!

Love it when I spot someone looking closely at my work, this time it is the Pink Oyster Mushrooms quilt

And part of the Power of Women exhibit….my Lilies of the valley is on the bottom tier on the right side. LOVED this particular part of the exhibit!

I’ll be back with more on Festival 2018 in the coming days!

International Quilt Festival #1: Tuesday, Birch Pond Seasons

Wednesday, November 21st, 2018

Tuesday Morning looking at the George R. Brown Convention center from my hotel room, ready for the first day of teaching!

Before any more time elapses, it is time to blog about a wonderful International Quilt Festival 2018.   Since I have a billion photos, I’ll just insert images with little verbiage.   On Tuesday, I taught my Birch Pond Seasons class–because it was the day between Market and Festival, the class was smaller but that meant students had plenty of space to spread out and work, which is great for this class.  I love what my students did!   If you put Birch Pond Seasons in the search box for this blog, you can find one or two other posts about previous classes.

My stuff up on the foam core at the f front and students composing their quilts! The two class samples are on the right hand board, a summer and an autumn version.

Love how Cathryn Sullivan of Pipe Creek, TX, cut the ridge line with the shape of trees–her ridge is closer to the viewer than the hills in my quilts. See below for this quilt as she worked on it more.

And Kathryn’s piece with the closer hills and “woods behind the pond” added. LOVE the silhouette of the treetops!

I love when students use fabrics that aren’t in my wheelhouse and make it their own

The sky fabric was inspired! Love that she used purple for the distant hill. See her progress in the next photos.

She had this great watery fabric for the pond, but it just didn’t sit well for either of us

The brilliant students near her helped her trouble shoot with what fabric she had and they picked this one for the pond

Once the ground/foliage near the pond was in, it worked so much better — ponds reflect the color in the sky so it fit perfectly. The blue was great as water, just not in this composition where it kinda screamed. Mo Bettah!

More great water…this student had a gentle, subdued palette that spoke to her–and amazing blue batik for the water

Another version!

And one more

And towards the end of the day with more trees and ground blocked in

LOVED the fabrics for the sky!

Work in progress!

At some point during the day, friend Luana Rubin (half of the creative team with her hubby who founded eQuilter) popped in for a quick photo:

With Luana Rubin

Then, it was a quick dash to pack up, haul the suitcase and stuff back to my room, then go to the Awards ceremony and cheer on the winners, especially my quilty friends! 

Neroli Henderson, The Eternity Spiral, 

Heidi Profetty’s heart-warming mosaic quilt

Sue Bleiweiss, Graffiti 2

Jenny Bowker’s moving and astounding work

Andrea Brokenshire won one of the top eight awards and did what I’d do if I ever get so lucky–happy-danced her way up the stairs!

And Patty Kennedy-Zafred, SAQA member, blazing new ground for IQA with her Silent Canary

CONGRATS to everyone who entered, whether you got in or not…here’s to inspiring works!

Teaching at IQF Houston 2018: Collage the Garden

Friday, August 3rd, 2018

Interested in trying your hand at art quilts? Not sure where to start? This class has proved a perennial favorite at IQF Houston (and elsewhere)–sign up soon!

Yes, registration is OPEN for classes for International Quilt Festival Houston 2018, including my four classes.  I’ll recap my four classes (well, three full day classes and the Machine Quilting Forum). My first class, Birch Pond Season,  is already covered here.  Today, I’ll share about Collage the Garden, one of my newest classes and proving to be one of the most popular.  I hope to see some of you in it!

This workshop is all about how I –and now YOU– can create imagery from a photograph to create your own fused, collaged art quilt.  In Houston, this workshop is offered as a one-day class.  I’ll provide photos to teach you how to use a photo to map out your shapes and values, then you will start (and maybe finish?) creating the pink water lily or the orange tiger lily.  For this outing in Houston, you will be bringing and fusing up your own fabrics (or bring them pre-fused–I prefer Mistyfuse and will have it available in class–it has the lightest weight and softest hand of any of the fusibles).  This is a no-sewing class, but we will talk about how to quilt your fused artwork when you get home.

Collage the Garden: I’ll teach you “how did she do that” so that you can create your own art from your own photos

Detail of the Pink Water Lily

Here’s the Tiger Lily option fused in batiks

And the tiger lily done in hand-dyes….it’s the same but different. What fabrics will you choose?

You can see the supply list here.

Click on this link to sign up for Class 339 and spend Wednesday playing with me!   Class ends at five–just in time for IQA member preview opening at 5 (and general public preview at 7).

In other venues, a guild can book this workshop over to two or three days to allow students to bring in their own photographs and begin work on their own artwork with Sarah to help guide them.  The workshop can be booked in conjunction with Quilting the Garden:  Thread-Coloring the Flower to create a three-to-five day workshop.

SaveSave

SaveSave

SaveSave

SaveSave

Lupines: the quilting begins!

Sunday, July 22nd, 2018

Ever so slightly ahead of schedule, I have begun quilting on the Lupines. Luckily (and one reason I chose this imagery) this will be easy quilting.  And yes, once again, I LOVE MY BERNINA Q20.  Crazy expensive and worth Every. Single. Penny.   Lots and LOTS of pennies.

This morning I finished basting the Lupines quilt.  I decided to try something I haven’t done before:  a double batt.   I definitely wanted to use wool, but I haven’t been able to find a source for my favorite Matilda’s Own Wool-poly blend batt in the US recently, and I’m hoarding my last batt.   So I used  Quilters’ Dream Wool which is much fluffier; I fused my top to that.

BUT I was concerned about distortion because of the fluffiness–it just didn’t feel like it would hang well and be stable.  Dreamy (pun intended) in a bed, lap or snuggle quilt, but by itself on a densely quilted wall quilt?  Not so much.  So I took the only cotton batting I had, Quilters Dream Select, and layered that underneath the wool.  If I had had Request, the thinnest, I would have used that instead.  Finally, spray basted the backing and safety pinned intermittently.  I am using up long lengths of print fabric in my stash when they suit the quilt–time to move them along.  Will have to dye something to match for facings and hanging sleeve.

I also selected thread yesterday afternoon and this morning.

When I choose thread for a quilt, I “test drive” it by drizzling on the surface. If it works, it goes in the shallow box. I probably won’t use all of these, but will use most of them–about half the solid greens and almost all of the rest. And I added a medium purple this morning and will likely not use the dark purple in the box at all.

Things I have learned so far:

  • Painting a nonwoven is a good thing.  But if that nonwoven is Pellon 65 heavyweight interfacing, it is somewhat like using construction paper.  Will do the non woven thing again, but will look for something softer yet still dense (so no shadow through).
  • Mistyfuse is by far my fusible of choice.  But it behaves differently on the interfacing than it does on cloth.  If I fuse this particular interfacing again, I will use TWO layers of Mistyfuse–it is plenty fine and easy to stitch, and it will help this painted interfacing stick better–see photo.

Because of the difference (in porosity maybe?) between fabric and interfacing, my fusible isn’t sticking quite as well as usual. So I have re-fused various spots, and in a couple of cases tucked snippets of Mistyfuse under the stubborn lifting petals. I found, luckily, that if I am careful I can still quilt those lifting petals because the interfacing doesn’t wobble around like fabric.

And to my astonishment, I quilted almost five of the six purple lupines today.  I have a couple of the tops where I will use pale lilac or cream unstitched as of this evening, but I am definitely farther along than I thought I would be.

Quilting in progress…done on the right, not done on the left. Using just one purple thread to stitch down the petals/quilt down the petals is working out OK despite the value changes from petal to petal.

That means the “after Eli goes back to college” period may be less frantic than I had feared. YIPPEE!  Barring catastrophe, I will be one and able to take photos and submit then ON TIME.  Stay tuned!

 

SaveSave

SaveSaveSaveSave

Registration is open–Teaching at IQF Houston 2018

Monday, July 16th, 2018

Interested in trying your hand at art quilts? Not sure where to start? This class has proved a perennial favorite at IQF Houston (and elsewhere)–sign up soon!  

Yes, registration is OPEN for classes for International Quilt Festival Houston 2018, including my four classes.  Over the next week, I’ll recap my four classes (well, three full day classes and the Machine Quilting Forum).  I hope to see some of you  in those classes!

On Tuesday, the day between Quilt Market (open to the trade only) and Quilt Festival (open to anyone who pays admission), I’ll be teaching Birch Pond Seasons.  The wonderful thing about this workshop is that you can bring a photo of your own favorite pond or hills and morph my pattern into your special place!   The class is always full or almost full–I’m hoping that with it scheduled on Tuesday I’ll be able to entice some Market-goers to stay over for a workshop.

Here’s the summer version:

Summer version

And autumn:

Autumn at Birch Pond

You’ll learn basics of fusing, working from a pattern without having to cut a bazillion pattern pieces, working a bit more free-form and improvisationally, how to “strip fuse,” fusing easy-melt fabrics like synthetic sheers, fabric selection, and time-permitting in the afternoon we’ll talk about quilting.  The class includes a kit fee that covers handouts, pattern sheet, a full package of white Mistyfuse, and a few tidbits.  You bring a range of fabrics but not a ton of any one fabric (maybe a fat quarter for sky and half that for the pond)…a range of fabrics is more important than a lot of any one thing.

Here is a blogpost about students taking this class some years ago.  This post will give you a feel for the class.

If you click here to get to my classes page, scroll down to Birch Pond Seasons class and you can click on the link for the PDF Class supply list, too.

Sign up before it fills!  If you have questions, just leave a comment or contact me via the Contact page (link up top).  Here’s the link to IQF enrollment   again.  See you there!