So much has happened in the past 2 1/2 weeks: International Quilt Market, International Quilt Festival, and a whopper of a cold, a lovely weekend with my older son and DIL, and some home improvements. So I’ll start at the beginning…with one detour: I sold a quilt at Festival after all! I’ll post on that in a few days (I shared on FB), but first let’s start with Market. And read to the end for the big surprise!
I arrived on Sunday of Quilt Market–usually I fly in on Tuesday or Monday and begin teaching the next day. It was wonderful–so much less stress about finding my boxes of stuff shipped and making sure everything was there and organized for each day of classes! Then, following my roommate’s example, I planned to see all the quilts BEFORE Festival when I wasn’t tired from teaching. Well…instead I got sidetracked by the lure of Market. I had SO MUCH FUN visiting the booths. One of the first was Michael Miller Fabrics.
While in the booth, I was mulling over how to bump up attendance for a workshop, and have finally conceded that I have to offer half day classes with complete kits. I have always loved the hand of the Michael Miller Cotton Couture solids, so I was brainstorming in the booth. Since it was late on Monday, the final day of Market, it was quiet and two staffers came to chat. I asked about purchasing fabric wholesale to use in kits, which led to a wonderful and productive conversation.
First I spotted this eye candy…don’t you just want to dive in face first? It is a box of one fat quarter of all 214 — yes TWO HUNDRED FOURTEEN — of the Cotton Couture colors. And they were having a giveaway…fill out the form, and if you got all the answers in the quiz (fun stuff about Michael Miller Fabrics) the winner would be drawn from those with correct answers. Of course I filled it out with what I already knew…I googled up their website and found some answers I didn’t know, and with paper in hand, asked a staffer if I could ask Michael’s favorite dessert–luckily I had guessed the correct answer. Turned it in, and moved on.Can you believe this is that glorious soft Minky fabric???? I had to walk up to 12 inches away and indeed it is…looks like indigo shibori on cotton! I so want some of this…I need an alternative to my wintry sofa throws. I’d make a top, quilt it on the thinnest cotton, the back with this and bind. LOVE IT! They also had this really cool teaching tool for new quilters to learn color. I don’t teach that sort of class, locally or on the road, but it’s a brilliant idea for a shop.
Can you tell I spent a lot of time in the booth…today’s post will be all Michael Miller, then I’ll do another about the rest of Market soon!
The quilting on Modern Quilts enchants me–perhaps what I like best about this fresh approach to quilting. Not to mention these are SO my colors. And yes, I am a member of Mt. Battie Modern Quilt Guild and the MQG itself!
Well, after I got home, and spent several days first doing bookkeeping (ugh ugh UGH and may I say UGH) and then feeling sick….I got laryngitis on about Tuesday on my first class day. By Weds. I was feeling worse. By Thursday I could barely squeak—ladies in the audience at the Machine Quilting Forum were dropping cough drops on my table! Then it morphed into a sinus infection. I soldiered on through my last class Saturday, but was honestly glad it has lightly attended. I wouldn’t have had the energy for a full 24 and it was a FUN group of students as it was. So when I got home, I went into chair-potato/get well mode.
Then I got an email from Michael Miller: I WON THE 214 FAT QUARTERS!!!!!! They arrived about two days ago. I mean, first I sell a quilt and THEN I WIN THESE????!!!!! I need to go buy a lottery ticket.
Yes, I am HAPPY! I just can’t believe it…I never EVER win stuff…so what a boon! And yes, there is a quilt coming! 214 fat quarters…over 53 yards!!!!!!!!THANK YOU to Michael Miller Fabrics…you ROCK. I am so thrilled to have this bounty. I’m already planning a quilt called 214…and one that isn’t too complex, one where I can have FUN and get it done and revel in color!
This post has gone on long enough, so I’ll break here and carry on with the REST of International Quilt Market in my next post. But yes, Thank you to Michael Miller–stay tuned for what I do with these!
Those of you who have surfed into my blog over the past two weeks or so will have noticed a completely new look to my site. Thanks to Derry Thompson of GloDerWorks and inspiration from several top art quilters with great sites, I think Derry and I have come up with a gorgeous new site–my first complete makeover since creating the site in 2004. I am responsible for (guilty!) the visuals, and Derry has done all the brilliant work behind the scenes to bring my vision for my site to life.
I still have a LOT of work on my end: thanks to the vast changes in the internet since 2004, I pretty much need to re-do ALL of my photos for larger size and crisper photos. Thankfully, I have a better camera, a tripod, lighting, and better skills at both photos and Photoshop so the image looks most like the real quilt. But I didn’t want to wait for months before sharing the “New Look” with all of you. Stay tuned as I update one gallery at a time.
Here is the Nature Gallery: just click on an image. That will open a filmstrip that allows you to scroll through larger images. One more click will then take you to details about each artwork.
Some of my favorite new things:
The clean look
The colors (I gave Derry a specific palette of colors)
The font (Josefin Slab and Josefin Sans)–now updating all handouts etc, too!
The multiple ways to navigate the images: gallery, filmstrip, arrows on the sides
The FOLLOW social media buttons (square) at top right
The SHARE social media buttons (rounded)
The BIG IMAGES!
This is the filmstrip view–thumbnails at a glance (love the way Derry made them top justified–makes it so neat and nice!), click on the image you want or use the arrow to scroll in either direction.
My inspiration came from many sites:
Jane Dunnewold‘s clean look to her site is a breath of fresh air. I love the font, but decided to go my own route. My green is similar to hers…one that I use in much of my art
Hollis Chatelain’s Gallery layout is wonderful, not to mention that she has been an inspiration to me for nigh on to two decades now.
Sue Benner’s crisp, clean site with crisp, clean color makes my heart go thumpety thump. I love the photos of her on her About page, down on the floor with the iron (been there, do that). I thought about an entire page for my Instagram feed, as on her Connect page, but opted for just the most recent IG image at the footer of everything but the blog.
Deidre Adams way of watermarking consistently on her images–more PhotoShop work for me but worth it!
And many thanks to Holly Knott for creating the SVG file for my signature, which is used in the header as well as on labeling (my paint kits for example). Someday I will learn Illustrator and InDesign, but Holly’s prices are so reasonable and she was so fast (same afternoon!) it would’ve been crazy not to use her skills. Holly has a brilliant page about photographing your quilts, Shoot That Quilt, and also designs websites.
Look at the detail you can see! Scroll down to see the info (see image below)And lower down on the individual artwork page
Endless thanks to the long hard work Derry put in creating this site so that it is JUST PERFECT, beautiful, and works well. I am pretty much an “I do it all myself” business….except I made a smart decision in 2003: to go with Gloria Hansen and Derry Thompson to design and host my site. I have learned so much since 2003, a lot from these two. I never have to worry if a glitch happens, Derry fixes it. I actually scold him for answering late at night and on weekends: dude, you need to take some time off! Hoisting a pint to you!
Thanks for looking and reading this far….I hope you enjoy the new site!
From old to fabulous! Look what a little spray paint, thermofax screens and textile paint, linen and ingenuity can do! Yes, those are the SAME fixtures!
The sconces in our house have made me crazy for years. The shades were made to fit on the old rounded incandescent bulbs…the ones you can’t find any more. The wires didn’t fit well on any of the smaller bulbs that suited the size of the shades and the fixtures–they were always tilting and crooked. And the “old West” look was SO not me! It was Candy Glendenning of Candied Fabrics who got me on the right track. Last year, Candy posted some lamps and shades she made using her wonderful indigo shibori fabric and blogged about them here and here. So I plotted and thought about it. I knew I wanted white, green paint mixed to my favorite shade, my own thermofax screens, and NOT black.
Here are the final shades, then I’ll share the process:
Left to right: Queen Anne’s Lace, Birches, Grasses, and Milkweed
First thing I needed to do was see if I could spray paint the fixtures. Before we moved into the house, one had been damaged and removed (but kept in the basement). I bought some Rustoleum in Satin Nickel and it worked! I didn’t even have to sand!
I was delighted at how good the fixtures looked as Not Black. Once they were on the ground, I also realized I could turn the fixtures upside down and that fluted frill on the bottom looked sort of like a Japanese temple roof line. Sort of. But at least better than as a candle holder!
I had planned on using a cotton-linen blend for the shades, but when I went to Fiddlehead Artisan Supply (quilt and art shop to die for and only a half hour away!) they were temporarily out of the blend, so I bought some coarser weave pure linen to try. Then I started searching out stuff to make new shades, starting with Candy’s source, I Like That Lamp website. I ordered the styrene–the rigid stuff to which you adhere the fabric–and glue from that site, but her rings only go down to 8″, and I wanted a 6″ for my sconces in the hallways. I found some 6″ size here, on Etsy.
Next, I needed to see how the linen would print. Using my existing printing board, the prints were blobby–the surface had too much squish in it for the somewhat more open weave of the linen (as compared to quilting cottons). So I made a new printing board with less padding, and learned that using paper towels under the linen did not affect the quality of the print and prevented less of the ink from soaking in to my new board.
Mess-making in process. I used ProChemical and Dye Opaque and Transparent textile paints. I sell some sets in my store (just scroll down) plus you can buy larger quantities and more colors directly from ProChem. The screen/design for grasses is new and I can tell I will use it often. I cut my linen into lengths from selvage to selvage, then marked how long I needed with a pin. If I goofed, I could keep printing and avoid an oops spot. The Milkweed thermofax screens used in the upper left piece I had already made, but the others are new. All are drawn, not a manipulated photo (which is another process I use). So far I am only selling the milkweed screens (here), but if anyone is interested in the others let me know.At least in my universe, printing always involves an oops and some “letting it go”, but I did end up re-doing the grasses because I had printed them too high on the strip–the bottom of the blades of grass needed to be at the bottom edge of the lamp. I also made some real mistakes on the Queen Anne’s lace, so re-did them, too. But I will use the not-bad parts of those for something else!I Like That Lamp website has some excellent tutorials. Instead of using binder clips, I used Wonder Clips the same way and they worked beautifully. I did have some fuss and bother getting the glue to hold as I wrapped the edges around the wire rings, probably because the glue oozed out between the weave. However, once set, you’d never know. They look well done if I do say so myself.Because my fixtures are OLD, and I didn’t want to have them as candles with the ring sliding down around the tube to rest on the metal, I needed to get creative with how I would suspend the shades. Wire!It’s not the prettiest solution, but it works. And it doesn’t show, best of all. Because the wire fitter is recessed down below the top of the shade, the wires that hold the shade to the fixture are hidden (unless you are really, really tall). Those tails were wrapped around the spider-legs of the ring. The Queen Anne’s Lace is in our bedroom.The birch trees are in the back part of the hallway, in the “Rogue’s Gallery” (aka family photo wall) The milkweed is in the front portion of the hallway, with Eli’s middle school art project underneath and a pour painting by my friend Deidre Murphy on the right.The simplest is perhaps my favorite and is the sconce we see from the living room, the waving grasses. When we first moved into the house there were shrubs that grew up and blocked the view out the windows at the far end–not great. But in the afternoon light they cast lovely shadows on that wall, which inspired me to make this shade.
Some good news: in August 2020 I will be teaching a 3-day surface design workshop at ProChemical and Dye in Fall River, Mass. (about an hour or 90 minutes south of Boston, minutes from Rhode Island) and we will cover the thermofax and paint technique.
The whole thing worked SO WELL that I am thinking I would like to make a set of seasonal shades for the floor lamp in the living room…one for Christmas/Winter, another for Spring, Summer and Autumn. I need to do some patterning as this lamp looks best with an angled shade, not a drum shade, and they are harder to make. I need to learn if I can do it with standard 44″ wide fabric given the flare on the shade. Stay tuned for more house fix-ups! Hope you’ve enjoyed this detour from the usual art quilts and family life.
I’m thrilled, touched and honored to be quoted in the Centennial Issue of Quilting Arts magazine! First though, CONGRATULATIONS to founding editor and publisher Pokey Bolton for starting a classic, congratulations to current editor Vivika Hansen DeNegre and the entire QA team (including alumni members among others Kristine Lundblad, Cate Coulacos Prato, and Helen Gregory) at QA for what you have collectively created and given to all of us. The two-page spread on pages 86-87 of all 100 magazine covers gives me goosebumps: it is still on my dream bucket list to make the cover of QA — I came close once, was one of the top two choices, so I will strive! It’s good to reach for the stars–even if you don’t ever make it, you’ll enjoy the journey.
The current issue of Quilting Arts magazine, issue #100!
When QA began, I was living on San Juan Island off the coast of Washington state. I was in King’s, one of the two main grocery stores on the island, and by mainland standards a pretty small store. It was the only store on the island to stock magazines, which I was browsing. I picked up Issue Number 2 of something called Quilting Arts, and the rest is history! I ordered issue #1 so I have every. single. issue!
A while back editor Vivika Hansen deNegre wrote many of us who have contributed to the magazine over the years (I KNOW… Me???? How lucky am I to have been published so many times?) to ask for quotes that might or might not be used. I was THRILLED when she said it looked like my quote would make it into the magazine, and indeed it did. Check it out on page 55!
I’ve blurred out most of the page…you’ll have to find a real copy, but left my bit un-blurred. But honestly, go find a copy and enjoy the whole thing!
When I got home, before I had even read the entire issue, I picked up the phone to subscribe. That was the first time I ever spoke to Pokey, and learned that she had attended San Domenico School in grade school, my beloved Alma Mater, and grew up in Marin County, California, where I did! She’s a good bit younger than I am, but what fun–and when I won a second prize at International Quilt Festival Houston in the Art Quilts Miniature category, it was sponsored by QA and Pokey presented the prize to me. What memories.
So THANK YOU QUILTING ARTS, and you betcha I’m shouting. Thank you for the opportunities you have given to me, including my own video workshop! (available here as a download), the opportunities and inspiration and learning you have given to legions. Here’s to issue #200!
Always more to learn. And Omahi’s absolutely right about equipment vs. imagination (link in caption). Sometimes the true creativity comes from figuring out how to make your vision come to like with the materials and skills you already have . . . No excuses! Plus, the Guy has good Photoshop skills with fire!
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