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Archive for the ‘Color’ Category

Cross Pollination

Saturday, February 2nd, 2019

Sometimes you need to do something else. You totally love your main “thing” (in my case it is clearly art quilting), but you need a break. And sometimes, that makes your main “thing” even better. I’ve learned over the years that good design is good design, whether it is landscape, interiors, architecture, photography, painting, sculpture, apparel, the principles are the same. So I have taken online classes in drawing and photography and been enriched.

At least ten years ago, I sat down between Christmas and New Year’s desperate to do something creative. The boys were still pretty young so time was scarce. I grabbed a pile of magazines and started tearing out words and pictures and glued them into my sketchbook. That has become an annual tradition…at least most years. This year Widgeon decided he needed to see if the collage passed inspection. Happily, it merited a wag.

I don’t know if I’ve done it every single year, and some years — like this one — it was done in (late) January instead. But I like reading what words have called me to use them and seeing where my head was in a given moment.

This year, I made sure to add information about whose artwork or photo. As with most years, a lot of my fodder comes from Down East magazine. North by East is a monthly column, and in December they featured work by Ryan T Higgins, a Maine Children’s book author. I must now go to the Library and see what they have of his. I was also stunned to see the “Sarah” quote, obviously about another Sarah. I covered up the “big” before dreams, but otherwise I really liked it.
This page got pretty dense…but I liked the quote at the top (from an ad for something). I also liked the bit on the pink, but it was too much pink, so I covered it up. Using blocks of text upside down or sideways works. And I LOVE torn edges…LOVE LOVE LOVE…that exposed white framing the image or words. I also dug out my circle punches. Have some circles and a few squares.

I’ve also taken a number of outstanding art classes from Val Webb over the years, ranging from birds to children to faeries to animals, using pencil, ink, watercolor, colored pencil…I learn so much, both about materials and tools but more importantly about SEEING. Observing. I’ll never want to be a colored pencil artist, but taking birds in colored pencil with Val taught me about patience and layering. I found I now do that with dyes, with paints on cloth, with thread, in my art quilts. And this year I also took a brilliant course at Sketchbook Skool, Watercolor. I always want more watercolor!

Over the past 8 years or so I have learned about the difference between student grade and artist pigments, that using quality paper makes all the difference in the world, and using pure pigments and mixing your own (just like dyeing fabric!). I decided I needed to get a bit organized and SEE the actual colors painted out from each tube. I had bought some icky (Bienfang) cheap watercolor paper that I will never use for a finished anything, not even a class practice piece. So got out my “tag” punch and did a paint out of every tube I have. Then ordered two more tubes! In search of the perfect pink…..and replacing one teeny tiny tube that is almost done. Each tag has the name, code for the manufacturer, and the universal pigment code (PV 42 for example is Permanent Violet 42). Yes, you can go wwwwwaaaaayyyyyy down the rabbit hole with this stuff!
A good mail and watercolor day. Turns out quilting templates and rulers have lots of uses, of course we all know that! I saw the clamshell cases at Jetpens.com and couldn’t resist. When I went to order, I discovered I had left that awesome washi tape in my cart, so it had to come to me also. And then there are those two tubes of watercolor and some empty half pans. That’s another thing I learned: make your OWN palettes with your favorite colors, use magnetic tape that sticks to the bottom of the pan, put inside a palette or metal tin. And then I used my quilting rulers and circles to mark a grid in my notebook/sketchbook.

I used to have both my to-do-etc notebook and a sketchbook. I never had the one I wanted handy. So I said to heck with the cost, and bought a GOOD sketchbook and use that as my “everything” journal. I write lists, take notes at SAQA (Studio Art Quilt Associates) meetings, suss out ideas for quilts, and sometimes even sketch or paint in it! Now I will start filling in the circles with words, quotes, ideas, images/sketches, may fill the white backgrounds with ink textures…we shall see!

So that’s what I’ve been doing…along with quilting. What about you? And here’s an end of the day/blogpost dog walks photo from yesterday:

Sunset from the bottom of our driveway.

Little changes help: Rose Hip

Wednesday, January 16th, 2019
Not quite done yet, but improved and much closer to done and basting

Better. I finally got a little time in the studio (and the hammering on the roof is more muffled down there–we are having a new, metal roof put on–who knew they could do that in Maine in January?). I had thought the Rosehip top was done when I left it on Sunday evening but, I’m learning I need to let things set a spell, after I looked at it with fresh eyes realized it needed some help. I made a small rose hip quilt (below), and when I saw it next to the big one, I realized the large one looked a bit dead.

My Cherrywood “Vincent” challenge quilt just returned home. Just beneath it, on the left, is the 12″ version. See how cheerful those leaves are? The large one was crying out for some life.
I thought I was going to have to dye more fabric as what I had was either too dark OR too light. Then I looked in my stash and found some fabric Lisa Walton of Australia gave me about ten years (!!!!) ago. I had used a bit of it in a quilt that won my only (so far) ribbon at International Quilt Festival, Houston, but otherwise it was safe. So today I pulled out my Rugosa Rose leaf texture thermofax screen, the paints, and Lisa’s fabric. PERFECT!
I also needed to extend the bottom of the quilt–it will end up square, but I decided it needed more breathing room on the bottom and the stem at the top will just be shorter. Since it is the foreground, a larger motif was suitable. The original colors were plum and caramel…too bright and wrong! So I used ProSilk textile paints to fix.
If you’ve ever wondered what to do with a cutting mat that has vastly exceeded its life expectancy, it makes a good surface for painting!

Becoming a rose hip

Tuesday, January 15th, 2019

Off and on for the past couple of weeks I have been dyeing fabric, drawing or photoshopping images to make thermofax screens, and finally working on collaging the background for the rose hip, the large (36″ square) version. To those of you have landed here from my new newsletter, thank you! To those of you who don’t know about my new newsletter, please go here to the home page and sign up! I will write about mid-month and will never share your info!

When I last checked in with you, I was just getting to this stage–finishing the rose hip on a flat surface.
The next step was dyeing some greens. Kinda looks like pond scum, eh?

While I was at it, I used up the leftover dye for some autumn-y leaf colors for a future project.
Some of the fabrics turned out great–alas, most of these didn’t work for this piece. AND I got smart…I am now adding tags with the pure dyes used in each piece so I have a clue if I ever want to make them again.

Next, working on thermofax screens. This is the photo of a chicken at the Common Ground Fair last September–as soon as I saw the strong light and dark I thought “Thermofax screen!”
And here it is after photoshopping. It made a fabulous fabric, very dark tone on tone, that I’ve used in the background. Alas, I forgot tot akee pics before I cut it up!
I also wanted to make a texture similar to Rugosa rose leaves, so this is my initial sketch, which became a screen.
I tend to work in batches, so while I was making those screens, I made several others. That one on the right, the feathers, is about 20 inches long! The snow is for another future quilt.

These are the transparent paints I mixed, with a little black, to use for the rugosa texture on the rose leaves.
Here’s one of the leaves…..
And the two large leaves, in place. The long one on the left is about 18 inches long. Alas, after looking at it this morning, I have decided those two leaves are too dark and have to go. Back to the dye pots once this post and my newsletter are done! I’ll use the fabric for something else eventually.
LOVED the batik but knew ordering it that it was too high contrast for my process. A little Dye-Na-Flow and ProSilk textile paints fixed that easily: overpaint in green!
And where I am now. I want the quilt to be dramatic, but it feels to dark overall. The smaller version has brighter green leaves and I’ve decided I need to dye something that is midway between the medium-light hand-dyes on my shelf and the dark green used here. Or use some fabric Lisa Walton gave me years ago…I think her bits of green are just right, especially once I add some texture.

So that’s about it for now….thanks for surfing in, share the post, and let others know about the newsletter. I’d love to ramp up my teaching again, and the best way to do that is by showing my work and getting the word out there. Now, off to make cookies for the guys roofing the house in freezing weather, then down to the studio.

Busy busy busy

Saturday, January 5th, 2019

Do you ever have those days where you are trying to cram so much into one day you think your head will explode? Yeah. Today!

Rose Hips, large version, testing leaf fabrics
The best news is that the greens will work! This is my enormous rose hip in progress. The 12″ square “test drive” and demo sample is on the left. The big one will finish 36″ tall, probably square, possibly not.

So far today:

  • Rinse out hand-dyes from yesterday, hand wash
  • Machine wash and dry hand-dyes from yesterday, iron
  • View SAQA Webinar on 3-D artwork considerations
  • Create “artwork” for three simple thermofax screens
  • Add more things to the To Do list as remembered
  • Scan said artwork
  • Manipulate said artwork in Photoshop, sent to printer
  • Eat lunch
  • Send email relating to upcoming The Quilt Show appearance
  • Review email and reply as appropriate
  • Refill RX–call it in
  • Think about booking plane tickets for TQS trip, decide to deal with it later
  • Make another pot of tea — perhaps turn on Father Brown on PBS / recorded
  • Think about making thermofax screens today
  • Think about making stew for supper first instead
  • Decide to blog before dealing the three previous thoughts
Test drive background fabrics for large Rose Hip quilt
These are both the fused or the right side of fabrics I’ll possibly use as background pieces. Some clearly need some over-painting to knock down the high contrast.

So that’s my Saturday…how is yours going? I think I’d prefer a novel with that (decaf) tea right about now, and it’s only 2:12 p.m. I need to “set a spell!”

A sneak preview…Start your Art – Lyric Kinard

Thursday, November 1st, 2018

Art and quilt teacher and friend Lyric Kinard (website and Facebook and Instagram) delighted me recently when she asked if I’d like to be part of a bloghop to launch her new prompts deck of cards “Start Your Art”…of course!  The official bloghop is in about two weeks after International Quilt Festival, but I’ve had a chance to download the pdf and play a bit.

Hot off the press, Lyric Kinard’s Start Your Art deck of cards / prompts is available as an actual deck or a digital download. You can get the deck here at Lyric’s shop.

Then, not long ago, Laurie Russman, of neonkittyquilts on instagram and website, told me about the MegaPhoto app she uses to make “tweaked” photos.

Sitting waiting for my annual physical check-up, I decided to play–a prompt from Lyric’s deck plus MegaPhoto!  Lyric has some suggestions–like set a timer and keep it short–to get you started along with 48 exercises.  I hopped around the set randomly and selected one (and of course I forgot to write which prompt) that I could do on my phone while waiting.

I began with a frequently photographed location on my afternoon dog walks and used one of the MegaPhoto filters to get this image…all sorts of new ideas for quilts are funning (what a hoot, that was meant to be running, but I like the typo!) through my head.

To those of us who have been teaching ourselves art for a while, some of the prompts may be familiar, some are new, but I have to say I totally love having these on my phone where I can take advantage of those moments where you are somewhere without a book–a productive alternative to Facebook!  Even familiar prompts become new and are worth doing again. Then I tried another filter on the same photo–what a difference in mood!

Another filter in MegaPhoto –just look it up in your App Store. I believe there is a free version, but you can get rid of the ads and add a few extras for about $2.99.  

I tend to be pretty literal in my artwork, so many of Lyric’s prompts that require one to work in abstracts will be a good push for me.  This may be my favorite of my Mega Photo filters I used on this photo:

Love the prismatic, fish-eye look to this photo. I can see playing around with this type of composition and fracturing in an art quilt….maybe over winter? Or even…hmmm…printed onto cloth, then paint on the cloth, then quilt….hmmm….

See, that’s what happens with prompts:  they get the creative juices going.  They let you get out of your own way and try something that isn’t in your “usual wheel-house aka creative safe spot.”  I’ll do a proper review of the deck in mid-November when it’s my turn, but just wanted to let you know what I’m doing now that the boxes of stuff are shipped to Houston, it’s not yet time to pack clothes, and I’m noodling around with play time!

So I can heartily recommend Lyric’s Start Your Art.  I’ll play around with it more and check back with another review for the bloghop in mid-November.  Here’s the link again to this deck of cards: