Archive for the ‘Exhibiting’ Category

She persisted/Ocean quilt published in Quiltmania

Tuesday, July 3rd, 2018

My ocean quilt, She persisted in her quest to reach the shore and sing the anthem of the sea, was one of 16 quilts featured in an article on the 2018 Road to California shows (where it won a First Place art quilt ribbon no less). The other quilts in the article are all stupendous, so I am quite blown away and honored to be included.

Thank you so much Martha Sielman, Executive Director of SAQA (Studio Art Quilt Associates) and Quiltmania! Martha emailed a couple days ago asking if I had seen my quilt, She persisted in her quest to reach the shore and sing the anthem of the sea, in Quiltmania. I had no clue and the nearest place that might (?) still have a copy of this issue is over an hour away. So Martha sent me her copy which I’ll now add to my groaning (lucky me!) shelf of published works. Sixteen quilts, all wonderful, widely ranging in style, were published from the Road to California 2018 show. I SO need to go see this show. Maybe I need to apply to teach! Thank you again, Martha!!!

Quiltmania, a French magazine that is also published in English and available in the US

Getting ready for the next quilt….the herald of summer in Maine

Sunday, July 1st, 2018

Before I can start in on the fusing and collaging process, I find that I now need to dye fabric specifically for a project.   While working on my Lilies of the Valley Quilt, I used up most of my good “summer” greens.   My next piece is for Explorations at the New England Quilt Museum (in Lowell, Mass.), a regional SAQA (Studio Art Quilt Associates) show.  I’ve had several ideas I wanted to try for this piece, and really wanted to push myself to do something different and unexpected.  Unfortunately, those ideas are just not wanting to fit into the required vertical orientation and size required!   So I’m going to do a large piece on something I’ve been wanting to do for a while:  Maine’s lupines that bloom in late May and early June and herald the summer.

SAQA members from Massachusetts, Rhode Island, Maine, New Hampshire and Vermont were invited to submit a body of work.  If selected, artists would then make a 30×50″ art quilt featuring a specific technique.  We were advised to submit several techniques, so I suggested dyeing, fused collage and machine quilting/threadwork.   I am delighted that I am one of 24 artists selected!  There will be two exhibits of 12 artists each.  We won’t know whether we will be in the Oct-Dec 2018 exhibit or the Jan-April 2019 exhibit until the works are completed and submitted August 1.  That means I need to work FAST!

I was chosen to showcase fused collage.  The exhibit is about techniques, with in depth information and supplementary materials.  From the acceptance letter:

In the exhibit, your piece will be accompanied by a number of items, including your artist statement, a brief bio, a photo of you in your studio, and materials which explain your technique. Each artist has a 20″ x 50″ area that they can use to explain their process. You can use process photos, sample pieces, written materials, even video presentations if you can figure out how to make it work.

But before I can fuse, I need the right COLORS to fuse.   Some years ago I made some cloth that I gave to my friend Kathy, who used it is a fabulous portrait of her granddaughter.   I thankfully kept notes of which dyes I used, and I call this combination “Kathy’s fabric.”  This time, I decided to make it not as dark—summer meadow greens instead of piney woods greens.

I start by dotting dye on, both navy and basic blue. I literally stick my latex-gloved fingers into the dye and daub it on. MANY classes with Carol Soderlund and many MANY yards of fabric and miles later, I can begin to predict what I will get because I tend to refer to my notes and books from the workshops, then go improv.

Then I add two or three yellows, because not just one will quite do what I want. Sometimes, I do a second cloth, as here, where I have actually mixed some greens instead of just doing yellow on blue.

For dye geeks, most of the time I prefer to paint dye onto cloth, then paint soda-ash/fixer solution on top, but this time I soda-soaked first, then daubed on the color.  When I want significant patterning, it’s soda-soak first.

The photo at the top of this post is the one which began with blue dots, then yellow, then greens.

Once I’ve gotten the color on, the fabric needs to batch so it moves under the table for several hours before washout, sometimes (as this time) overnight. Had to make some of my bright spring greens, too.

Then I decided to try to make a field with lupines in it, but blurry, to use as background at the top of the quilt.  I may have messed this one up…..

Sky at the top–good until I put some plastic over the top to batch it overnight. Apparently SOB there were stray dots of dye that didn’t get washed off properly last dyeing session. SOB.

This is what it looked like about six hours later. I like the way the dye is seeping up into the sky. This is when I covered it. SOB.  And most of those dots got covered up. 

This morning when uncovered. SOB. Random specks of pink in the sky. SOB. Will have to see after washout what remains.  Cover it up with tall lupines perhaps.  SOB.

I also decided to try ice dyeing for the first time, inspired by my friend Jim Vander Noot. I used a magazine holder because it was available to keep the fabric up out of the pooling, dripping dye (instead of a screen). Put another piece of cloth in the bottom of the tub to soak up the drips. I use pure dyes, not mixes which is more typical for ice dyeing, so I kinda winged it on this one. I sprinkled the dyes in the picture below on, then dribbled some yellow dye solution I had already mixed up as well.

Dyes sprinkled on.

Today I washed out….stuff in the washer now.  OH MY I am SOOOOOOO gonna do more ice dyeing…totally hooked!   Hope they look as spectacular washed and dried as they did rinsed out!

Stay tuned for an update.

And…gratuitous cat pic of the new kitten, Zabu (named after the Leapin’ lemur on Zoboomafu which the boys watched when they were little)

Sweetness, to be followed when awake by zooming and cavorting and wreaking kitty havoc.

#saqa, #fabriccollage, #artquilt,#artistsoninstagram, #fusedfabric

#saqaexplorations, #neqmexplorations, #saqa, #neqm, #saqamari

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Pink Oyster Mushrooms for Dinner@8, Celebrating 10 Years

Tuesday, June 26th, 2018

 

Here’s what I wrote on my entry: Beneath the Surface of the Edges of the pink oyster mushrooms, the Space Between the gills forms rhythmic Patterns of shadow and light. My Affinity for fungi and lichen extends to the inspiration I find in the world around me in Maine, even at at the Belfast Farmer’s Market. Dyeing and painting white cloth is part of my artistic voice, my Personal Iconography.

I am over the moon excited that Pink Oyster Mushrooms has been juried in to the 10th and final (SOB) Dinner at Eight exhibit and that I can now share it with you–I made this back in the January to April time frame, and keeping it under wraps has been difficult!  From that website, “Dinner at Eight Artists is pleased to present The Best of Dinner at Eight Artists: Celebrating 10 Years of Exhibitions. Each artist selected a theme from the last 9 years for what will be our last exhibition. Quilt size is 30” wide by 50” high. The exhibit is sponsored by Havel’s Sewing.

“Artists considered the following:

We’ve explored the Edges and the Spaces Between

We examined things Beneath the Surface

We all admit that we have Rituals

We shared our Exquisite Moments

We Reflected upon ourselves and the world around us

We expressed our Affinity for certain things

We’ve noted the many Patterns in our lives

and expressed ourselves through Personal Iconography”

First and foremost:  Yes, oyster mushrooms really can be PINK!   Here’s the photo I took at the Belfast (Maine) Farmer’s Market last September:

Yes, the mushrooms really grew that color of pink!!!!! The tops are the usual brown, and apparently they lose the vibrant color when cooked, but still….Gorgeous!

Here are two detail images.  For this piece, I dyed the background fabric a very pale, warm pink. Then I used Tsukinenko inks mixed with aloe vera gel (the white kind from the organic food shop that is about 98 percent gel, not the green yuck that is barely 60 percent aloe gel from Rite Aid) and painted the browns and pink shadows on the gills.  I used stabilizer underneath and did all the stitching on the curled tops before layering up with batting and backing.  I then quilted the wholecloth top, outlined the brown tops/edges, and added a little more quilting where necessary to prevent buckling on the brown areas.

Detail 1

Detail 2

It has been such an honor to be a part of so many of the Dinner at Eight exhibits.   I am a better artist and a happier person for having met and worked with and become friends with the strong women involved, starting with Jamie Fingal (http://www.jamiefingaldesigns.com) and Leslie Tucker Jenison (http://www.leslietuckerjenison.com).  I am proud beyond belief of the work I have done for these exhibits, which I consider to be the best of everything I have done, and deliriously happy to be included in this final exhibit.  THANK YOU, Jamie, Leslie and all the Dinner@8 artists.

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Inspiration in the Ordinary, links and sites

Saturday, January 27th, 2018

Hi everyone!   Thanks so much to those of you who were able to attend my new lecture, Inspiration in the Ordinary.  Thank you so much to the many guest artists who allowed me to share their work in my lecture.  You’ll find them below, along with links to a couple apps that I mentioned in the lecture as well as website links to two exhibits and several books, including The Art of Sarah Ann Smith…so far.  

Street shots from Lowell, Massachusetts. All images (c) Sarah Ann Smith

Inspiration in the Ordinary                   A lecture by Sarah Ann Smith

 

Guest artists, apps and websites

 

Deborah Boschert

http://deborahsstudio.com

 

Kathy (Kate) Daniels

 

Louisa Enright

http://louisaenright.com

 

Bonnie K Hunter

http://www.quiltville.com

 

Kristin La Flamme

http://kristinlaflamme.com

 

Heather Pregger

http://www.heatherquiltz.com

 

Wendy Caton

http://theconstantquilter.blogspot.com

 

Teri Sontra

Purple Moose Designs  https://www.purplemoosedesigns.com

  • Sandy Toes pattern is here https://www.purplemoosedesigns.com/product/sandy-toes/

 

Timna Tarr

http://www.timnatarr.com

 

Jim Vander Noot

https://www.jimvandernoot.com

https://www.etsy.com/shop/TidewaterStudio?ref=search_shop_redirect

 

Angela Walters

http://www.quiltingismytherapy.com

 

Websites and apps:

 

Pantone  app

Pic-Collage app

PicStitch app

 

The Art of Sarah Ann Smith, so far

http://www.blurb.com/b/8193077-the-art-of-sarah-ann-smith

 

Inspired by the National Parks

http://www.npscentennialquilts.com

https://www.amazon.com/Inspired-National-Parks-Landscapes-Perspectives/dp/0764351192/ref=sr_1_5?ie=UTF8&qid=1445953799&sr=8-5&keywords=inspired+by+the+national+parks

 

Threads of Resistance

http://threadsofresistance.org/home.html

http://threadsofresistance.blogspot.com

 

Here’s a downloadable Inspiration in the Ordinary PDF of the information above.  Thanks again to all my visiting artists!

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Where to find me at Quilt Festival Houston 2017

Thursday, November 2nd, 2017

At the entrance to the Rising Stars exhibit. My work isn’t on the left, Karolyn Blue Lorenz is on the right. Come visit!

The fun has begun with Preview night yesterday.  I will be Doing gallery tours and more.  When I’m not doing what is on this schedule, I will be at the exhibit most of the time but seeing the show some of the time.  Swing by and say hi, take a look at my book of the exhibit ( on sale, link on my website Store page, ships direct from Blurb).  I will also do a Facebook live event at 8:30 or so Houston time, which is 9:30 a.m. East Coast US time!

At RISING STARS

Gallery tours:

10:30 Thursday and Sunday
1:00 Thursday, Friday, Saturday
6:00 Thursday, Friday, Saturday

 

SCHEDULE

Thursday:

9:30 Save Our Stories Quilt Alliance interview

10:30 Gallery Talk

1 Gallery Talk

4 pm ? Bernina booth Q20 meet up

6 Gallery Talk

Friday:

9 Lecture-Katrina Walker, Cotton Chic! (garments in Q cotton)
10-12 Open Studios–Machine Quilting: Work Smarter, Not Harder
1 Gallery Talk
3 Lecture-Deborah Boschert Art Quilt
4 Gilbert Muniz, Wearable Art
6: Gallery Talk

7:30 dinner@8

Saturday:

9 Lecture-Martha Sielman, top 10 trends in art quilting
11:30-Noon Meet the Teacher
1 and Gallery Talk
2 pm ? Bernina booth Q20 meet up
2 Lecture-Deirdre McElroy, the Tifaifai Way
6 Gallery Talk

Sunday:

10:30 Gallery talk

4 Pack up quilts

First visitors Wednesday evening Preview night

On the right, She persisted in her quest to reac h the shore and sing the anthem of the sea, in the judged show