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Archive for the ‘Exhibiting’ Category

The Quilt Show with … me(OMG!) … is live! Episode 2508

Sunday, October 6th, 2019

Bucket list item: appear on The Quilt Show with Alex Anderson and Ricky Tims: CHECK! Here’s the link to watch if you are a member. If you couldn’t tell, I’m giddy!

Sarah Ann Smith on The Quilt Show https://thequiltshow.com/component/allvideoshare/video/show-2508-sarah-ann-smith
Just took this screen shot as I’m watching my first of two “doing” segments on The Quilt Show….I’m over the moon!

To watch the show, you usually need to be a member of The Quilt Show community, which is an online “TV” show and so much more. Next Sunday, for one week from October 13-20, 2019, or thereabouts, the episode will be FREE to anyone with the code. I’ll post here on my blog, Facebook and Instagram. I might even post my first tweet (Shudder!)…. so stay tuned.

For those who aren’t TQS members, you can see the preview now, at this link.

I am so grateful for this opportunity, so excited, and hope some of you can join me in my classes at International Quilt Festival 2019 in Houston (there are still a few spaces in my Friday class, Tame Fussy Fiddly Threads which includes painting and learning to handle those glitzy threads that really aren’t hard to use once you learn how from me, and my Saturday class on Hawaiian Style appliqué…did you know I love it?)

Join my 3-day workshop playing with paint on cloth at ProChem in Fall River, Mass., in August 2020, to spend time learning what I’m demonstrating in my first segment on The Quilt Show. You can sign up now by going here https://prochemicalanddye.net/workshops/exploring-paint-on-cloth-smith-august-2020.html

And one more time……SQUEEEEE!

A video tour of my solo exhibit

Thursday, August 22nd, 2019

Hi folks…a blogpost that is short in length for once! I took this quick video on Saturday before the Mancuso World Quilt New England Show closed so that those of you who don’t live in the vicinity could enjoy the exhibit. The idea is to show my growth and development as an artist, so the quilts you see at the start are before my style and artistic voice have emerged and refined, all the way up to my most recent big quilt (well, 36″ square) Rose Hip.

Here’s the link to the book I mentioned, The Art of Sarah Ann Smith…so far. I put the book together in 2017 for my Rising Stars exhibit at International Quilt Festival Houston. It has all but the 2018 and 2019 works in it, additional quilts, some tidbits and tips, and a bit about me. It’s available as a softcover book or a pdf.

There is a chance that this exhibit will be traveling in early 2021, so stay tuned. Once I have a signed contract, I’ll share the where and when details!

Boo, J.D. (for Juvenile Delinquent)

Wednesday, August 21st, 2019
Boo, J.D. by Sarah Ann Smith, 2019

Boo’s portrait is the third part of this trio of quilts. I had considered doing a self portrait, Sarah and her muses, with the selfie for my local Coastal Quilters challenge due next May. But then hubby, who has never ever asked me to make an art quilt, said when he saw the ones of Yoda and Widgeon, “you should make one of Boo, too.” Boo, you see, is his Very Special Cat. So I did that instead. Much nicer than a selfie! And it turns out the portrait challenge doesn’t have to be a selfie, and can be a critter–way better!

Just to remind you, here are the three portraits in this series on La Familia Smith (furry edition). Each is a 20″ square and they are debuting at the Janome Institute this week! I made them in thanks for over 15 years as part of their Janome Artisan program. I love their machines and would say all the good things I do even if I weren’t affiliated and paid full MSRP!

I prepared blurbs for Janome to use for each of the quilts, in the “voice” of each of the critters. Here is Boo’s:

Boo, J. D.
 
Emperor Yoda! Hah!  What does he know?  And why do they call me the Juvenile Delinquent?  Can’t they see that I am going to be KING of this realm?  I am young, I am strong, I speak, I jump, I am growing into being the largest and strongest in the realm, not like that tub of lard who is rightfully dubbed His Immensitude.  Stay away from my kibble, tubbo.  The humans love my chirpy voice and sleek, silky fur!  Now I will deign to let my human pet me and feed me my favorite wet food and pet me more.  All others, including the ostensible Chief Minion, be forwarned:  you are subject to attack!”  (Boo is a 10-month old Turkish Van. I am the ostensible Chief Minion.)

When I start a new project, I look usually at photos I have taken as “reference” photos. This time, hubby Paul’s photo was a better shape to fit into a square than what I had, plus Boo loves to sit with his paws hanging over the edge of stuff. I rarely use Photoshop any more to identify areas of light and dark, but I was curious to see what it would do. Meh. I like making the decisions as they are more nuanced than someone else’s software.
Step 1 is working on the collage with my reference images close by. I use Mistyfuse (my preferred fusible by far) and prefuse all my fabric, then cut the shapes I need, usually freehand but sometimes with other techniques that I share in my workshops. At this point the base layers just looks blotchy and blobby. It gets better.
Once the base layer is down, I start adding slivers of fur. Notice two of my favorite tools (and I’m not affiliated, just a fan-girl): Karen Kay Buckley’s purple-handled micro-serrated scissors (here) and Heidi Profetty’s awesomely pointy tweezers (here). The tweezers are new to my process and SO much easier than my old way of fingers, pins, skewer etc. Much easier and more accurate to place than to nudge! I like them so much I sell them in my workshops.
To tie the three quilts together, I took out all the fabric I would use for all three quilts at the start of the first one. The blue ocean-like batik plays a major role in all three: in Widgeon’s face, the background for Yoda, and here as the “bed” in Boo’s cat tree in the living room, and the other fabrics repeat. I liked the dark green in the background to pop Boo’s silhouette, but it was too much and boring as the entire top of the quilt, so I trimmed to have a “halo” of dark (no, that is not a commentary on the cat’s personality LOL!).
I selected assorted greens from my stash of prefused fabrics. I just didn’t like the way these looked–made the whole piece too heavy and dark for a rambunctious kitten.
So the dark greens, other than the “halo,” went away and my much-loved yellow greens (mostly my hand dyes in this set) came in.
The next step, as with Yoda, was adding paint via thermofax screens to refine the fur. Did I mention (another gratuitous self promotion here) that I’ll be teaching a 3-day workshop August 5-7, 2020, at ProChemical and Dye in Fall River, Massachusetts, on using paint on cloth? Sign ups open on October 2nd and I’d love to have you join me. Here’s the link to the Workshops at ProChem–details on the 2020 workshops will post on or about September 3rd. Anyway…. you can see the difference between the right where I have screened to the left where I haven’t, also up on the upper vs. lower parts of his face. I used a temporary mask of painter’s tape to avoid getting paint on parts of the background.
Final phase: quilt it to death! This is the Janome 9450–I began on the 6500 when the Horizon series debuted back in 2003 and every time I think they couldn’t possibly make the machine better, yet they do. This is pretty much my PERFECT MACHINE! I pick more threads than I think I will need for a project. Since I was doing three quilts at once, that was a lot of thread. Luckily, the most labor intensive one was Widgeon because of so many different colors. The quilting on Yoda (a beige cat with some dark) and on Boo (a white cat with just a tiny bit of black on him) was easier in some ways, though finding six shades varying from white to cream was interesting….ended up using a very very pale green for example, which reads as a mostly white/gray for the under layer.
Then the stitching begins! Here I’m putting in the first of three layers of thread used in each area. I teach a workshop on this, too (Thread-Coloring the Garden, but the process is the same for flowers, pets, people, landscapes, etc.). I really love this new open-toe free-motion quilting foot. It was designed for free-motion zigzagging, but it is awesome visibility. I’m not sure but I may possibly like it as well (or even better? is that possible?) than my all-time favorite thin metal open circle foot.
In this photo, I’m up to about the third layer of threads. Compare how it looks to the previous photo. Also, I do minimal stitching on eyes!
An angled shot always shows up the quilting best. I used the same leaf/vine motif on this that I used in the background of Yoda’s quilt to tie things together.

So that’s my process and all three of the quilts. To read the blogpost about Yoda’s quilt: His Immensitude Yoda, Emperor of Minions and all He Surveys, click here for Yoda . To read the blogpost about Widgeon’s quilt: I Love, Therefore I Am, click here for Widgeon. Thanks for coming along on my summer quilting extravaganza!

New England World Quilt Show Exhibit!

Thursday, August 15th, 2019

In a rather astonishing development last May, an earlier inquiry about teaching and exhibiting turned into an invitation to have a solo exhibit, The Art of Sarah Ann Smith … so far, at the Mancuso Brothers World Quilt New England Show tin Springfield, Massachusetts (this is the one that used to be in Manchester, NH). I hope you’ll enjoy this preview peek, if you’re in the vicinity can visit, and on Saturday I hope to post a Facebook Live or other video of the exhibit. I should arrive about noon (it’s a long drive from Maine). Click on this link to get info and directions to the show. If you can’t make the show, my book has a lot of what is there plus lots of other good stuff.

Sarah Ann Smith's solo exhibit at 2019 World Quilt New England
Sarah Ann Smith’s solo exhibit at 2019 World Quilt New England
This exhibit begins in 1998, when I made Happy 80th Birthday Mama. At that point I never thought I’d ever be published, exhibit nationally, teach nationally, have a book and all the zillion other wonderful things since I decided to “make a go of it” in art quilting in 2004. That’s why I’m so proud that this quilt was in Karey Bresenhan’s 2003 I Remember Mama exhibit and book: it taught me that I was good enough to indeed try to make it in this industry.

The exhibit has its roots in my 2017 Rising Stars exhibit at the International Quilt Festival in Houston. I had been invited to submit a proposal for a solo exhibit. Karey liked what I suggested and how I would market it to our mutual benefit, and ended up creating the Rising Stars exhibit (which recurs every year now) to showcase two or more quilters. This exhibit is slightly different, as some of those quilts sold, and this one has new work.

Alms, Kyoto 1996 is on the far left, and started with my photo (taken in 1996 on a trip with my mother) and a workshop with Hollis Chatelain to learn how to dye paint. It was my first quilt ever juried in to Festival/Houston, and it took another six YEARS before I had another quilt juried in to the judged show, though I was lucky to have work in special exhibits in Houston. I think Bijagos Warrior, on the back wall, is one of my best quilts ever. Made in 2004, , it was declined by Houston (Sob, still), but he finally got to hang in Houston in 2017 Rising Stars. It was while working on Bijagos Warrior that I realized my sewing machine wasn’t helping me; I researched and came upon Janome machines. I couldn’t afford a soda fountain cola in those days, so I approached them to see if they had a loaner program. To my utter astonishment Janome America took me on. I have since late 2003 been a part of what is now the Janome Artisan program, and I am forever grateful for their support and sponsorship. Yes, I get free loaners, but I’d say all the wonderful things about their awesome machines if I paid full MSRP!

The exhibit runs in chronological order (though within a given “bay” of quilts they may be slightly out of order so we got a nicer looking display) from 1998 to 2019. Gosh….I just realized this is two DECADES of my work and evolution…and that I can now, with a bit of a gulp, call myself an artist.

The quilt on the left Earth & Turquoise, almost never travels to shows because of the sticks, stones and feathers, but since I drove to deliver and hang the quilts, it was able to go! I’m thrilled! And the back wall, let’s just call that a Mother and Child Reunion. This was the time when I was first invited to be in the Dinner@8 exhibits. See more about them below. During the middle of this century’s first decade, I was learning my craft, refining my voice, improving my technical and design skills.
These quilts range from 2013-2015 or thereabouts. Insalata, the ginormous tomatoes on the back (about the size of a beach ball) is the most recent of this batch, but otherwise these are in order.

The Dinner@8 exhibits were such a phenomenal opportunity and formative experience. For years, I have thought this 10-year run of special exhibits presented one of the best exhibits in Houston, which is saying a lot. To be able to be in them for eight years just amazes me, that I made the cut. But my best work by far was made for these exhibits. The level of excellence rose each year, and like the rising tide that floats all boats, I think ALL of us who were fortunate to be in the exhibits grew immensely in our abilities. Conceived by Jamie Fingal and Leslie Tucker Jenison, they were juried invitationals. That means you were invited to participate–it wasn’t an open call to the public. You then made a quilt to the specific theme and size, entered it, and waited to see if it was accepted. I am so grateful for the chance to be a part of this group of strong women, and feel a bit adrift that the series has come to an end with the 2018 exhibit. BUT, that meant I had to look forward and come up with my own ideas, not be dependent on Jamie and Leslie, and I’m excited to move forward with my own plans.

Amaryllis toured extensively in Australia and New Zealand in Brenda Gael Smith’s Living Colour Textiles exhibit. Eli, Cross Country 2013 is my other son and one of my favorite of his sports. Descended From the Stars on the back wall, is another favorite of my quilts because it covers so much of my life, from my high school to imagery related to my children to calligraphy and more. Peony is on the right.
2017 to 2018: I can’t say that I have achieved mastery–there will always be more to learn and explore. But I think I have finally achieved competence, and certain techniques have become integral to my art: dyeing, painting, fused collage, representational imagery. From left to right: Stand Up, Speak Out; Pink Oyster Mushrooms; Lupine. My work now focuses very much on my work–my days traveling the world as a US Foreign Service Officer (diplomat) are ancient history and I have now spent more time as a quilter and artist than I did as a diplomat!
The Art of Sarah Ann Smith...so far, a solo exhibit at the 2019 World Quilt New England show
And the view from the present to the beginning of my art quilt journey…so far! There’s more coming!

Thanks so much for sticking with me! I’ll post a few more shots after I get to see the exhibit with the show open on Saturday!

Solo Exhibit at World Quilt New England, Aug 15-17, 2019

Saturday, July 20th, 2019

Trying to figure out something delightful to do in mid August? I’d like to invite you to see my solo exhibit of twenty-three art quilts at the Mancuso show, World Quilt New England, in Springfield, Mass. The exhibit will feature many of the artworks that were in my Houston Quilt Festival exhibit in 2017, where I was one of two artists in the debut of the Rising Stars exhibit, but includes new works as well. I plan on being there Saturday afternoon giving informal gallery tours–I hope to see you!

Rose Hip by Sarah Ann Smith, features Artist dyed fabric, commercial batiks, hand dyed fabric by Lisa Walton, screen printing, textile painting, and intense quilting; 36 x 36 inches.

All of the 2017 and earlier works are featured in my Blurb book of the same name, along with bits about my past, other works, and hints and tips about my creative process.

Back and front cover of my book, which is available here. It is available in both print or pdf editions.

Springfield is in central Massachusetts, which makes it a day trip for a whole lot of the Northeast (albeit a long day). Directions to the venue are here. I hope to see you!