Archive for the ‘Teaching / Classes’ Category

International Quilt Market and Festival, Monday/Tuesday

Friday, December 12th, 2014
SWOON! This year was the 40th anniversary (the ruby anniversary) of the International Quilt Festival, and the 35th Anniversary of the (wholesale, to the trade) International Quilt Market.

SWOON! This year was the 40th anniversary (the ruby anniversary) of the International Quilt Festival, and the 35th Anniversary of the (wholesale, to the trade) International Quilt Market.

This year absolutely was the biggest and best Festival I’ve seen, with true exhibits (not just husband’s lounge and charitable booths) all the way to the far wall.   And at the main doors, this display inspired by the phenomenal red and white exhibit in New York city a couple years ago.

One of the best things this year didn’t happen to me, but to Barb Black.  Barb greets all the teachers in the Teacher’s Room when you arrive, gives you your schedule, room assignments, paperwork, marching orders, goodie bag, solves problems and is just generally wonderful to us.   Well, Barb made a red and white quilt.   And HER QUILT was selected to be the theme quilt for this year’s show, on the entrance signage, banners in downtown Houston, on the show bag, and on display front and center right as you walked in.  I could SWEAR I took photos, but I can’t find them, so you’ll just have to enjoy her quilt on my bag (and I KNOW I took pics from the back side to see the quilting!).  I tell you, there were teachers all over the planet whooping it up because “OUR Barb” was on the bag!

Barb Black's beautiful red and white quilt on the 40th Anniversary International Quilt Festival show bag.  GO BARB!

Barb Black’s beautiful red and white quilt on the 40th Anniversary International Quilt Festival show bag. GO BARB!

And just for fun, here’s a peek into the teacher’s room.  The whole back wall is FILLED with boxes the teachers ship from all over the world to the Teacher’s Room with kit supplies, things to sell, handouts, you name it.  The area is organized alphabetically, so the first thing you do after checking in with  Barb is go find your boxes!

Teacher boxes

Teacher boxes…my stuff was at the far end.  I can tell this is early in the week because the boxes are still shut!

On Monday, I taught my intro class Let’s Machine Quilt.

The students were stupendous.  Here are some samples of the work the students did in class, and most professed to be rank beginners.  I thought they did a great job!

The students were stupendous. Here are some samples of the work the students did in class, and most professed to be rank beginners. I thought they did a great job!

Here's the class hard at work, with my samples up on the foam core boards at the front.

Here’s the class hard at work, with my samples up on the foam core boards at the front.

More student work--you really can write your own name!

More student work–you really can write your own name!

And yet another sample.

And yet another sample.

This year I wasn't in a Janome room, but was in Bernina instead (no idea why).  We had a WONDERFUL Bernina helper, the nice lady in the tray hair and dark top.

This year I wasn’t in a Janome room, but was in Bernina instead (no idea why). We had a WONDERFUL Bernina helper, the nice lady in the tray hair and dark top at showing how to thread the machine.

This is a fun exercise...quilting along a line and the other one no one ever believes will work, but does:  "driving" through the intersections.

This is a fun exercise…quilting along a line and the other one no one ever believes will work, but does: “driving” through the intersections.

On Tuesday, I gave an 11 am lecture, How Did She do That?  This talk is essentially a digital trunk show with some live quilts, telling folks “how I did that.”  I love giving it, and change it up at pretty much each venue.   Since Tuesday is the day AFTER Market ends and the day before Festival begins, most folks are traveling or in classes during that time so the crowd was small, but it went well.  Since my talk was the middle of the day, I couldn’t head out to museum-hop or shop in Houston, so I attended Pam Holliday’s lecture, which was just before mine.

Pam Holliday's quilt of her cat

Pam Holliday’s quilt of her cat

And this GLORIOUS quilt based on Pam's photography (she's an amazing photographer, too).  Shot taken during her lecture.

And this GLORIOUS quilt based on Pam’s photography (she’s an amazing photographer, too). Shot taken during her lecture.

And of course you run into friends:

With Luana Rubin of eQuilter, whom I first met at Festival in 2003!

With Luana Rubin of eQuilter, whom I first met at Festival in 2003!  Luana always looks so lovely!

I discovered that I needed something for my Wednesday class, so after my talk I walked up to a RiteAid a half mile or so away.  On the way back I spotted this and had to take a picture:

Inspiration is everywhere....

Inspiration is everywhere….got any idea what it is?

A wall inside an office-building!

The lobby

The lobby–the grain,m the texture of the stone reminded me of the froth on waves.

Next post will cover my Birch Pond Seasons class, which I’ll be teaching next at Maine Quilts 2015 here in Maine !

 

The Purple Moose Quilt Retreat

Wednesday, October 29th, 2014
At the Snowy Owl Inn, Waterville Valley, NH, in the heart of the White Mountains at peak leaf season

At the Snowy Owl Inn, Waterville Valley, NH, in the heart of the White Mountains at peak leaf season

Most quilt teaching jobs are in the standard Grange or church basement, a basic rectangular box, often in a basement.  You reach it by going to an airport (ugh), flying to another airport (ugh), connecting to a third (or heaven forefend a fourth) airport.  Frequently with long layovers in loud seating areas with expensive coffee and stale food.   The quilters are always fun, but the getting there, not so much.  This time was GLORIOUSLY different!   I drove 5 hours from my home in Maine to the White Mountains in NH where Terri Sontra, of Purple Moose Designs, held her first (hopefully annual and then semi-annual) retreat.  Terri has been looking for the right venue for several years and finally found the Snowy Owl Inn nestled in the heart of the mountains.

The Snowy Owl Inn, Waterville Valley, NH

The Snowy Owl Inn, Waterville Valley, NH

I can tell you right now, I want to go back as a participant and just sew and play at a retreat–been far too long since I’ve been on one, Terri wants to do things RIGHT, the lodge owners were incredibly wonderful…well, anyone wanna come play?

Balinese Garden table runner (c) Sarah Ann Smith

Balinese Garden table runner (c) Sarah Ann Smith  (Pattern available here)

Terri selected my Balinese Garden pattern for the Saturday teaching portion of the retreat.  We all arrived Friday afternoon in time for dinner.  Class, which was optional for the participants, was Saturday, but pretty much everyone ended up doing a bit of something I was teaching–FUN!  Saturday evening Alison Bolt came  and gave a humorous talk.  Sunday was more sewing–Terri invited me to stay the weekend (which happened to be the long holiday weekend AND peak color in New England for the leaf-peepers) but I needed to return home (fooey!), then folks went home Monday.  Like I said, I wanna come back as the not-teacher, too!  Several of the ladies went for walks in the woods nearby, and one took a free guided hour-long hike Sunday morning (put on by the town/center).

The students did fabulous work with my pattern–I love it when folks cut loose!  So I’ll salt in photos of what they did throughout this post.

Love the soft, spring colors in this.

Love the soft, spring colors in this.

What’s awesome is how she did it…

Ann wasn't feeling well and packed in a hurry to head to the retreat after work.  She tossed in this multicolored batik ad made all her leaves and flowers from it!

Ann wasn’t feeling well and packed in a hurry to head to the retreat after work. She tossed in this multicolored batik and made all her leaves and flowers from it!  That’s called making your fabric work for you!

Terri had some laudable (and achieved) goals for the retreat:  beautiful location, reasonable lodging fees, good and plentiful food on site (the Inn doesn’t normally run a restaurant full time, but they fixed meals for us and we snarfed), a FULL table per person, and the lighting in the room was REALLY good–no one needed to bring the usual array of extra lamps.  We had participants from Massachusetts, Maine, NH and Vermont.

As you can see, we had lots of room.  Terri had her booth stuff (she vends at quilt shows) set up at the entry with all sorts of useful goodies (including a great selection of needles and batiks, yes I bought some!).  I had the other end for my samples etc.  Each student had an entire table to use, and there were elevated cutting stations and ironing boards in the center.

As you can see, we had lots of room. Terri had her booth stuff (she vends at quilt shows) set up at the entry with all sorts of useful goodies (including a great selection of needles and batiks, yes I bought some!). I had the other end for my samples etc. Each student had an entire table to use, and there were elevated cutting stations and ironing boards in the center.  And in the lower left, the table with the drawings/prizes.  The swag bags for participants were to die for wonderful, too!  Even Alison (the lecture) and I got our own name tags and mugs!  Thank you, Terri!

Didn't this table runner turn out amazing?  When class broke for dinner on Saturday, she had maybe three flowers put together.  Came in the next morning and she had this DONE plus (see next photo)

Didn’t this table runner turn out amazing? When class broke for dinner on Saturday, she had maybe three flowers put together. Came in the next morning and she had this DONE plus (see next photo).   She even got some sleep, but she stayed up WELL past my bedtime!

She had these extra leaves to practice on as I suggested, since you play with thread colors and stitches on your machine  With a "spare to practice" you don't have to pick stuff out!

She had these extra leaves to practice on as I suggested, since you play with thread colors and stitches on your machine With a “spare to practice” you don’t have to pick stuff out!

Here's

Here’s a cheerful sample.  What I love is seeing students take fabrics I’d never think to use and come up with something they love!  Very cottage-y!

Love her blues.  Starr worked on several projects on Saturday, so glad she got so much done.

Love her blues. Starr worked on several projects on Saturday, so glad she got so much done.

The female half of the owners got to take the class, and I'm so annoyed I didn't get a photo of the finished top--I thought I had.  It turned out GREAT!

The female half of the Snowy Owl Inn owners got to take the class, and I’m so annoyed I didn’t get a photo of the finished top–I thought I had. It turned out GREAT!  Here it is in progress.

I love for how this student brought fabric that echoes my pattern and is using my process to enhance the fabric.

I love for how this student brought fabric that echoes my pattern and is using my process to enhance the fabric.  She is relatively new to sewing, but has a great eye and good design sense.

This student has a quilt/bedspread she made and wants to make a wall hanging to go in the bedroom.  She brought the fabric used in the quilt, so we figured out how to use some of that fabric in the top.

This student has a quilt/bedspread she made and wants to make a wall hanging to go in the bedroom. She brought the fabric used in the quilt, so we figured out how to use some of that fabric in the top.

She brought out the fabric to show her neighbor-table-mate, and we both said  BORDERS!  Make it bigger, use it as a border.  Isn't this FAN-flippin'-TASTIC?!!!!  I so want pics when it is quilted.  She bought some gold thread to use. Swoon!

She brought out the fabric to show her neighbor-table-mate, and we both said BORDERS! Make it bigger, use it as a border. Isn’t this FAN-flippin’-TASTIC?!!!! I so want pics when it is quilted. She bought some gold thread to use. Swoon!

Next year, Terri has Ami Simms booked.   I may not do the project/class, but I want to go and laugh!  If Eli’s cross-country season runs the same, I could leave after the meet on Friday, be in NH by bedtime, and spend the weekend…..hmmmmm……..

Anyway, if you are looking for a great getaway retreat, I can say hands-down Terri’s was great.  Now, can I really escape for a play weekend?  Since I began teaching a decade ago (a DECADE?  Already?!!!!!????) I haven’t gone away to play at quilting, feeling that I am gone enough.  But I’m taking next year off of teaching to be home for Eli’s senior year and sports.  So…..if I wait until after that week’s meet is over…….Terri, when do you start taking deposits?

 

 

Quilt Festival Houston 2014: where to find me and my work

Sunday, October 26th, 2014

It’s that wonderful time of the year again, Festival!  When you say “Festival” to a dedicated quilter, they know there is only ONE Festival that counts, the Big One In Houston.  Same thing–if you say Houston, we all know what that means–FUN, Friends, Quilts, all under one enormous roof.   I’m teaching again this year and will have four quilts in the exhibit area, plus two small pieces in a booth.  Read on!

Learn to make the painted fabrics in this project in my mini-Whimsy class at IQF-International Quilt Festival Fall 2014.

Learn to make the painted fabrics in this project in my mini-Whimsy class at IQF-International Quilt Festival Fall 2014.  See Thursday and Friday October 30 and 31.

Sunday, Oct. 26:  Travel from Maine to Texas.  Provided all goes well, I will not only have time to check in to the Teachers’ Room, find my shipped items and get ready for my first class on Monday, I’ll be able to get to the International Quilt Market show (already have my credentials!) to visit some friends who will be there only for Market.

Nourish the Body, Nourish the Soul, in the 500 Traditional Quilts exhibit. (c) Sarah Ann Smith.

Nourish the Body, Nourish the Soul, in the 500 Traditional Quilts exhibit. (c) Sarah Ann Smith.

Monday, Oct. 27:  I’m teaching Let’s Machine Quilt, my intro to Machine Quilting class.  Class runs from 9-5, with a two hour lunch break which I plan to spend on the show floor making more contacts at market.  When online registration closed, I think there were a couple spots left in this class.  If you’re interested, sign up at registration at Market.

Insalata, (c) Sarah Ann Smith 2014.  First major presentation in public at lecture, Tuesday, How Did She Do That?

Insalata, (c) Sarah Ann Smith 2014. First major presentation in public at lecture, Tuesday, How Did She Do That?

Tuesday, Oct. 28:  I’ll be giving my lecture, How Did She Do That?  It is a virtual trunk show of what I do and how I do it, supplemented with at least half a dozen real live quilts.   These lectures are in HUGE rooms so there is always room for more people.  I’m hoping to attend the lecture before me at 10.  Then at noon, I’ll be going to the luncheon and lecture (as will be many of the folks in my lecture).  Tuesday is the day the Market-only booths pack up and depart and the Festival-only booths arrive and begin setting up.  So I figure either the lecture will be full or empty (with folks having chosen to go off into the city or busy with booth set-up/take-down).  DO come–it’s so much more fun to talk to a room with people in it!

Haleakala Sunrise, (c) 2004 Sarah Ann Smith.  In the 500 Traditional Quilts exhibit.

Haleakala Sunrise, (c) 2004 Sarah Ann Smith. In the 500 Traditional Quilts exhibit.

Wednesday, Oct. 29:  Teaching Birch Pond Seasons, my third year in a row for this intro to art quilting and fused collage.  This is a no-sewing class and I’m thrilled to report it filled during online enrollment!  It’s my third year in a row teaching this class at Houston–so glad it works well for so many.  I encourage students to do their own thing–no copy-the-teacher stuff in my classes!

And some art cloth--this is SO not my typical, but I could see playing with surface design, a lot, to make more fabrics to use in my more typical style.  I wanted to have something totally "not me" though so that students get to try both representational and not!

And some art cloth–this is SO not my typical, but I could see playing with surface design, a lot, to make more fabrics to use in my more typical style. I wanted to have something totally “not me” though so that students get to try both representational and not!

Thursday, Oct. 30:  One of six presenters at Machine Quilting Forum (sold out) from 9-Noon.   Attending the lecture and teacher appreciation luncheon Noon to 2.  From 5-6 I will be teaching a mini-Whimsy Class at the Fiber on a Whim Booth, #144.  For more info, see  here and  here and here   There is no advance sign up–the first 8 people in line get in.  All supplies are provided by me.

In progress shot from The Nest, (c) 2014 Sarah Ann Smith.

In progress shot from The Nest, (c) 2014 Sarah Ann Smith, part of Sarah’s Whimsy Class.

Friday, Oct. 31:  From 11-Noon I’ll be teaching my mini-Whimsy Class (see Oct. 30 info and links).  Then from 5:30 to 7, I’ll be “on duty” in the Inspired by the Beatles exhibit.  In the evening, I’ll be enjoying diner the company of the marvelous artists in the Dinner@8 group.

Two of Us (c) 2013 Sarah Ann Smith.  Inspired by the Beatles challenge and exhibit.

Two of Us (c) 2013 Sarah Ann Smith. Inspired by the Beatles challenge and exhibit.

Saturday, Nov. 1:  almost first thing, I’ll be in the Machine Quilting Unlimited booth for an interview (who me?)!  I’ve written for them quite a bit back in 2008-9 and over the past 16 months.  This is one of the best magazines out there, especially if you love machine quilting, whether traditional, contemporary, modern, art….it’s a keeper!   Then I’m officially “OFF DUTY” and get to race around and see everything and everyone.

I’ve shared photos of my works on display throughout this post, but here they are in a list:

500 Traditional Quilts exhibit:

  • Nourish the Body, Nourish the Soul
  • Haleakala Sunrise

Dinner@8 Reflections exhibit:

  • Eli, Cross-Country 2013

Inspired by the Beatles exhibit:

  • Two of Us (blogpost here)

Fiber on a Whim booth #144

  • The Nest
  • White-Gray-Black-Red-Gold artcloth

See you in HOUSTON!  WOOOOOOHOOOOOO!!!!!

 

 

Intentional Printing by Lynn Krawczyk and giveaway!

Thursday, October 16th, 2014

The drawing is concluded.  Any comments left now (after 5 pm Saturday) will be appreciated but won’t be in the drawing.  The lucky winner (chosen by a random number generator on the internet) is comment number 16, Sylvia!  I’ll email you directly.

Sometimes the right book comes along at the right time.  For me, Intentional Printing by Lynn Krawczyk was that book. Lynn is funny (love her Facebook posts), creative and has been able in her book to get me (and hopefully you) to just “fling some paint” and have fun making cloth you will actually USE.  So I’m going to tell you a bit about her book.  Then I’m going to send you over to her website and blog:  if you’d like to win a copy of her book, comment here by 5 pm East Coast Time on Saturday, October 18th (that’s SOON), and tell me something that you liked about her website and/or blog.   Here’s her site, Smudged Textiles Studio and her blog.  Read on!

Lynn Krawczyk's Intentional Printing

Lynn Krawczyk’s Intentional Printing.  Here’s a link to Lynn’s website page about her book, complete with a fun video of her telling you about the book and showing her printed cloth.

For years now I’ve been buying books about dyeing fabric and surface design, yet I do precious little (almost no) surface design in my own work.  So WHY do I keep buying the books?  There must be some deep desire to make my own cloth in a way that goes beyond dyeing fabric.  Many of the books I’ve purchased are intimidating:  so much to do, so many options, too many supplies, too much set up and clean up time.

With Lynn’s book, which is about paint (not dye),  all of a sudden I got up and started DOING.  No fuss, perhaps some mess (the fun kind), and productive work that has got me to develop a whole new workshop that combines the best parts of a class I used to teach (and eliminated because I hated teaching the other parts of the class) with Lynn’s approach to paint on cloth.

Lynn discovered that the pieces she made just didn’t quite work, didn’t fit what she wanted to do.  So she figured out how she could work to create pieces she wanted to use, was inspired to use, while keeping the spontaneity of the process intact.   The chapters of the book are:

  • Introduction
  • Chapter 1:  Exploring Intentional Printing
  • Chapter 2:  Tools and Materials
  • Chapter 3:  Fabric Printing Techniques
  • Chapter 4:  Handstitching
  • Chapter 5:  Layered Printing
  • Chapter 6:  The Projects
  • Templates
  • Acknowledgments, Resources and Index

Inspired by this book, I worked up two pieces that you’ve seen recently on this blog, The Nest and my X and O (Hugs and Kisses?) pieces that I’ll be teaching in the Fiber on a Whim Booth at International Quilt Festival in a mere two weeks!   Here’s a link to more information about my mini-class and to my thermofax screens blogpost (and to Fiber on a Whim where you can ORDER those screens!)   Once you see the inside of the book, you’ll see Lynn’s X and O piece, which must have been in my subconscious when I made mine!

Learn to make the painted fabrics in this project in my mini-Whimsy class at IQF-International Quilt Festival Fall 2014.

Learn to make the painted fabrics in this project in my mini-Whimsy class at IQF-International Quilt Festival Fall 2014.

And some art cloth--this is SO not my typical, but I could see playing with surface design, a lot, to make more fabrics to use in my more typical style.  I wanted to have something totally "not me" though so that students get to try both representational and not!

And some art cloth–this is SO not my typical, but I could see playing with surface design, a lot, to make more fabrics to use in my more typical style. I wanted to have something totally “not me” though so that students get to try both representational and not!

What I really liked was that Lynn’s approach can work for the way I use fabric.  So many of the surface design books are by people for whom the fabric and the process are the be-all and end-all.  Once the cloth is done, no more needs to be done.  But I don’t like abstract stuff very much, and I don’t think the cloth is the artwork (for me! if it is for you, that’s great, but it’s not what I want to do), it is something that goes into creating the art.  With Lynn’s book, the cloth can be the goal and the finished product, OR it can be a component that goes in to the artwork.

In The Nest, for example, I used a couple techniques Lynn covers in creating the background fabric, the nest, and the eggs.    In a quilt that I will share with you next week, Insalata, I dyed the fabric for the background but it just wasn’t quite enough.  So I used paint and a couple stencils to create background texture that got the fabric from “pretty good” to “just right.”  That’s exactly what Lynn’s book is about:  getting the fabric you need for the idea in your head / the project you want to make.

For novices to surface design, this book is a great start.  For folks like me who have tried it some but just weren’t jazzed, this book is a great way to help focus random flinging of paint into a process that will give you something with which to create (instead of a pile of “what am I going to do with that now?” cloth).  HIGHLY Recommended!

So if you want to WIN A COPY, here’s what to do:  go to Lynn’s website and blog,  Then come back here and  leave a comment  by 5 pm East Coast Time on Saturday, October 18th (that’s SOON), and tell me something that you liked about her website and/or blog.   Here’s her site, Smudged Textiles Studio and her blog.  I’ll post the winner probably on Sunday–Eli has a Cross Country meet that will last all day Saturday.   ENJOY!

And thank you Lynn for offering a copy of your book…I LOVE IT!

Thermofax screens galore!

Wednesday, October 8th, 2014

I promised I’d share more of the thermofax screens I have designed and that Fiber on a Whim is making and selling, so here they are.  You can order these online or buy them at International Quilt Festival and other shows where Fiber on a Whim has a booth.

Onions is one of my favorite designs.  I used a small white onion to stamp, then fiddled with the print in photoshop to create this screen.  It makes a fantastic background print.

Onions is one of my favorite designs. I used a small white onion to stamp, then fiddled with the print in photoshop to create this screen. It makes a fantastic background print or part of a  layered piece of complex cloth.

I’m teaching two mini Whimsy-Classes in the Fiber on a Whim booth on the show floor at Quilt Festival, and we’ll be using the onion screen for oen of the two small projects in the classes.  For more information on this, visit here.  There is no advance sign up–come to the booth and the first 8 in line 15 minutes before the classes get in.  The modest $10 fee covers the kit fee–I provide everything you need.

The screens are so new I don’t even have some of them yet!

Squiggles thermofax screen by Sarah Ann Smith at FiberonaWhim.com

Squiggles thermofax screen by Sarah Ann Smith at FiberonaWhim.com 

Woven, thermofax screen design.  Sometimes you just want a bit of something.  This is a full-size screen  so you can print as much or as little of the screen as you like.  With the somewhat irregular edges, it is easily overlapped.

Woven, thermofax screen design. Sometimes you just want a bit of something. This is a full-size screen so you can print as much or as little of the screen as you like. With the somewhat irregular edges, it is easily overlapped.

One of FoaW's best-selling thermofax screens is an old French ledger, so we thought we'd try an alphabet, hand-written by me in a brush pen.  Again, a good background design, which is what I was going for with most of my designs.

One of FoaW’s best-selling thermofax screens is an old French ledger, so we thought we’d try an alphabet, hand-written by me in a brush pen. Again, a good background design, which is what I was going for with most of my designs.

Another vegetable--this time celery!

Another vegetable–this time celery!

The dagger-drops screen is a smaller size because you can easily repeat it.  It will be fun to play with this, alternating the direction of the print 90 degrees or at diagonals or every which way.

The dagger-drops screen is a smaller size because you can easily repeat it. It will be fun to play with this, alternating the direction of the print 90 degrees or at diagonals or every which way.

The Queen Anne's lace is from a photo I took, modified in photoshop elements, then scaled into three sizes.  We will use this in the mini Whimsy-Classes project you can see in this blogpost.

The Queen Anne’s lace is from a photo I took, modified in photoshop elements, then scaled into three sizes. We will use this in the mini Whimsy-Classes project you can see in this blogpost.

Another onion print, a full size (9x12 inch) screen, that I call Tossed Onions.

Another onion print, a full size (9×12 inch) screen, that I call Tossed Onions.

Grasses, a full size screen with two ends to use.  Kristin of FoaW requested this one--I had ordered it earlier for one of my own projects.

Grasses, a full size screen with two ends to use. Kristin of FoaW requested this one–I had ordered it earlier for one of my own projects.

And last but not least, another great background print design, corn!  Yep, I sacrificed an ear of corn on the cob for the sake of art.

And last but not least, another great background print design, corn! Yep, I sacrificed an ear of corn on the cob for the sake of art.

In a few days I’ll do a review of Lynn Krawczyk’s great new book, Intentional Printing.  It will give you TONS of ideas on how to use thermofax screens and other surface design techniques.  Stay tuned! Here’s a link to Lynn’s website in the meantime, and she’s a ton of fun and on Facebook here.

And just in case you don’t feel like scrolling to the top but want to see the website where the screens are sold, here’s the link one more time!  I can’t wait to go to Quilt Festival, but I’m also looking forward to returning to my studio and playing with paint and thermofax screens!