Archive for the ‘Paint’ Category

QA TV Series 2000, including me, is now on air!

Thursday, August 3rd, 2017

Hi everyone…a quick pop-in to share that Quilting Arts TV has begun airing.   Check with your local PBS station to find out when it will air in your area.  In Maine, it will be on Maine Public’s Create channel (I think).  If you’re like me and don’t have access to a PBS station (grumble) that airs it, you can download the episodes or series at Interweave, here.  I’ve even got a new badge:

Sarah’s on Quilting Arts TV again, Episodes 2001, 2007 and 2012.

 

I’ll be talking about my journey from hobbyist to professional in the industry (Episode 2001), how to get crisp corners when facing art quilts (Episode 2007), and  my way of using thermofax screens to blend collaged fabrics prior to quilting (Episode 2012).  I hope you’ll enjoy the journey with me–nothing of mine is earth shattering, but not much in life is.  It’s the little tweaks and changes that make the difference, and I hope my tips and techniques will improve your quilting and life.

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Teaching at Quilt Festival Houston–sign up soon

Sunday, October 2nd, 2016

Online signups for classes at International Quilt Festival in Houston end on October 7th !!!!! I’d love to see you in one of my classes.  Here’s my very busy line up!

Screen Shot 2016-07-19 at 4.39.58 PM

I’m thrilled to be so busy and hope to meet many of you.  Here’s a blogpost about The Nest, a new and totally fun half-day (or full day if a guild wants a full day) class, it’s a blast and the extensive kit/materials provided make it easy to prep.  I’m also teaching my intermediate/advanced Tame Fussy, Fiddly Threads for Machine Quilting class for those of you who want to learn more about the “cranky” threads–that really aren’t cranky if you just learn how to use them!

Houston has revamped the catalog a little bit. There are now (yeah!) pictures in the catalog (not just online) and there are weblinks so you can go to my website for the FULL supply list and handouts.   To shorten the process, if any of the above look good to you, you can go to my class listings page here for info about my classes.  Each description has a hotlink to the pdf Supply list.  If I have blogged about a class, that also is in the description.  You can also find all my supply lists in one place on my Resources page.  If you click on “Resources,” Look at the jump links at the top.  Click on Class Supply Lists and it will jump you down the page (instead of having to scroll down).

Here are some more blogposts about the classes I’m offering in Houston:

Decorative Stitch Applique here and here

Easy-Peasy Inside-Out Bag here

Can’t wait to see you in Houston!

 

Milkweed No. 2, Part 2

Sunday, February 7th, 2016

A few days ago, I shared with you the happy news that Milkweed No. 2 is heading to Australia and New Zealand to be a part of “A Matter of Time,” and exhibit curated by Brenda Gael Smith.  Brenda is blogging sneak peeks on the blog.

Milkweed pod, seeds and silks detail

Milkweed pod, seeds and silks detail

SASmith.MilkweedNo2.Detail2_DSC3256 I thought I’d share a few more bits of my process, especially because I will be demoing and teaching a class at Houston that incorporate these techniques.

In an effort to reduce the labor-intensive process of quilting the surface of my works at 1/8" apart over nearly the entire surface, I've started adding some surface design.

In an effort to reduce the labor-intensive process of quilting the surface of my works at 1/8″ apart over nearly the entire surface, I’ve started adding some surface design.

A couple years ago, I designed some Thermofax screens and had them made by Jan and Kristen at Fiber on a Whim.  They asked if I would be interested in selling the designs, and I quickly said Yes!   Here are three of my favorites:

On the photo above, I have used textile paint and my "celery" screen to help blend the collaged batiks and hand-dyes

On the photo above, I have used textile paint and my “celery” screen to help blend the collaged batiks and hand-dyes.

My alphabet screen was used on some rather plain brown hand-dyed (by me) fabric then cut into bits to use in the quilt in addition to using batiks.

My alphabet screen was used on some rather plain brown hand-dyed (by me) fabric then cut into bits to use in the quilt in addition to using batiks.

I mixed up some transparent textile paints--I use both Jacquard and ProFab--to screen print over the already collaged/fused background pieces.

I mixed up some transparent textile paints–I use Versatex, Jacquard and ProFab–to screen print over the already collaged/fused background pieces.

Next came the second round of screen printing, using my Squiggles screen, putting a darker green over the yellow-green I used for the celery.

I simply adore this screen. Add this to the top of any fabric--a plain tone on tone, hand-dye or batik and you've got great texture that can be blend or contrasty as you need.

I simply adore this screen. Add this to the top of any fabric–a plain tone on tone, hand-dye or batik and you’ve got great texture that can be blend or contrasty as you need.

I’ll be teaching some of this process in the Saturday Sampler where I will demonstrate working on your own personalized cloth as well as in my “Nest” class (you can see a bit about that here).

I also did a bit of stenciling using freezer paper and two colors of white.

I also did a bit of stenciling using freezer paper and two colors of white.

If you’d like to order those screens, visit Fiber on a Whim! Better yet, if you can come play with me in my classes at Quilt Festival in Houston this coming autumn!

JAM-SASmith

 

Milkweed No. 2 is headed to Australia

Thursday, February 4th, 2016

I’m delighted to share that my most recent art quilt, Milkweed No. 2, has been selected to be in Brenda Gael Smith’s current exhibit, A Matter of Time, and is en route to Australia!  Brenda is giving us all sneak peeks at the artworks in her blogpost series called “Just a Moment”  here.

Milkweed No. 2 has been juried into A Matter of Time and will be touring in Australia, New Zealand, and possibly points beyond in the coming two years. I'm thrilled---just wish I could fit inside the envelope and travel with it!

Milkweed No. 2 has been juried into A Matter of Time and will be touring in Australia, New Zealand, and possibly points beyond in the coming two years. I’m thrilled—just wish I could fit inside the envelope and travel with it!  Click to view a little larger.

Apparently I mostly forgot to take in progress photos (!!!) while I was making Milkweed No. 2, so I will share one or two in progress shots from the making off Milkweed No. 1 (which I have not yet shared in public…stay tuned for that in a few weeks) in this and in a second post about my process.

As usual, I began with an idea (more like an obsession with milkweed pods) and dyeing fabric.  I had plenty of batiks and some of my own hand-dyes but needed more for the sky.  I decided to dye some cotton duck for the backing, as well.

Backing and sky fabrics I dyed specifically for my two Milkweed quilts.

Backing and sky fabrics I dyed specifically for my two Milkweed quilts.

I use the cotton duck as a stabilizer.  It helps reduce shrinkage and the artwork hangs beautifully, although it isn’t as easy to handle under the needle as a lightweight fabric.  It is worth the trade-off!  I wrote an article about my process for Machine Quilting Unlimited and blogged about that here.

The top side of the cotton, is on the left. The right side shows where the dye pooled on the bottom (cloth was dyed flat on a surface).

The top side of the cotton, is on the left. The right side shows where the dye pooled on the bottom (cloth was dyed flat on a surface).

Next, using Mistyfuse (by far the softest hand, easiest to use, never “ages out”) adhesive / fusible web, I prepare my fabrics for collaging.  My video workshop (here on my site and available as a download here from Interweave) shows this part of the process, plus a lot more.  Anyway, I use my “stash” of fused pieces, but always end up adding more bits for a given piece.

Sorry about the shadow on the left---here I've got fabrics out for fusing and am sorting them into colors using carry-out dish lids (that I've been using for at least the past 7 years! that restaurant has been out of business for eons)

Sorry about the shadow on the left—here I’ve got fabrics out for fusing and am sorting them into colors using carry-out dish lids (that I’ve been using for at least the past 7 years! that restaurant has been out of business for eons)

Next, I start the fusing process.  In this shot, I’m working on the sky for Milkweed No. 1 (larger, landscape orientation), but I used exactly the same process on this piece.

Working on the sun-glow in the sky. This is totally a collage process. I tend to cut chunks to go into the various trays, then use as is or submit while collaging.

Working on the sun-glow in the sky. This is totally a collage process. I tend to cut chunks to go into the various trays, then use as is or submit while collaging.  The drawing you see is a piece of paper underneath my non-stick ginormous press sheet with my sketch.  I ordered this one from Valerie Hearder in Canada, but Mistyfuse now sells the Holy Cow Goddess sheet which is 36×48 inches.   Really helps with my process–I just cover the entire “big board” and get to work.

I then did a bit of surface design including stenciling and screen-printing using thermofax screens (details in my next post).  Finally, I quilted my piece.  Aren’t the colors just glorious?  And yes, bright purple works in a seed pod!

Quilting on one of the milkweed pods, using variegated thread from Superior Threads.

Quilting on one of the milkweed pods, using variegated thread from Superior Threads.

A second detail shot that shows some of the sky--I just love those days where there is a bright glowing spot in the sky where the sun is behind the clouds.

A second detail shot that shows some of the sky–I just love those days where there is a bright glowing spot in the sky where the sun is behind the clouds.

I’ll be back in a few days with more on the processes using paint!   Remember, visit A Matter of Time here and the “Just a Moment” previews blogposts about the various artists and artworks here.

 

 

Teaching at IQF Houston 2016!

Tuesday, February 2nd, 2016

As you might guess by the deafening silence here on the blog, I’ve been rather busy but I have various bits of good news to share, and I’ll start with the most recent:  I will once again be on the Faculty for International Quilt Festival in Houston in October/November 2016!   And, drum roll, I’ll be teaching a few new things….yippeee!   Here’s my schedule, which stretches from the Monday of Quilt Market (a closed trade show for industry professionals) through Saturday of Quilt Festival.   On Sunday I get to PLAY—provided I can put one foot in front of the other and still see!   For details about each of the classes, please visit my Classes page which has descriptions of all the classes, class supply lists and, when available, hotlines to blogposts from previous versions of these classes so you can get a feel for what to bring.

Learn to make the painted fabrics in this project in my mini-Whimsy class at IQF-International Quilt Festival Fall 2014.

Learn to make the painted fabrics in this project in my new class The Nest–Surface Design Exploration for Beginners at IQF-International Quilt Festival Fall 2016.

 

  • Monday, October 31:  Decorative Stitch Appliqué, in the Janome classroom, All-Day class
  • Tuesday:  a day off–I’ll probably be IN a class!
  • Wednesday, November 2:  Fine Finishes–An Album of Techniques (bindings and more), in the Janome Classroom, All-Day class
  • Thursday, November 3, morning:  Machine Quilting Forum–Fun and Fancy Thread, 9-Noon
  • Thursday, November 3, afternoon:  The Nest–Surface Design Exploration for Beginners, 2-5, kit fee
  • Friday, November 4:  Tame Fussy, Fiddly Threads for Machine Quilting, in the Janome Classroom, All-day, kit fee for a range of threads etc
  • Saturday, November 5, morning:  Saturday Sampler–Screen-Paint the Perfect Fabric, 10-Noon
  • Saturday, November 5, afternoon:  Easy-Peasy Inside-Out Bag, 2-5, in the Janome Classroom
  • Sunday:  PLAYTIME–to see the exhibits and shop and collapse, in that order!

I’m totally good with having stayed home this past year as it was our younger son’s senior year in high school, but I so missed seeing folks.  I’m thrilled to be back in Houston and on the faculty. Thank you IQF and students!