Archive for the ‘International Quilt Festival’ Category

Milkweed No. 2, Part 2

Sunday, February 7th, 2016

A few days ago, I shared with you the happy news that Milkweed No. 2 is heading to Australia and New Zealand to be a part of “A Matter of Time,” and exhibit curated by Brenda Gael Smith.  Brenda is blogging sneak peeks on the blog.

Milkweed pod, seeds and silks detail

Milkweed pod, seeds and silks detail

SASmith.MilkweedNo2.Detail2_DSC3256 I thought I’d share a few more bits of my process, especially because I will be demoing and teaching a class at Houston that incorporate these techniques.

In an effort to reduce the labor-intensive process of quilting the surface of my works at 1/8" apart over nearly the entire surface, I've started adding some surface design.

In an effort to reduce the labor-intensive process of quilting the surface of my works at 1/8″ apart over nearly the entire surface, I’ve started adding some surface design.

A couple years ago, I designed some Thermofax screens and had them made by Jan and Kristen at Fiber on a Whim.  They asked if I would be interested in selling the designs, and I quickly said Yes!   Here are three of my favorites:

On the photo above, I have used textile paint and my "celery" screen to help blend the collaged batiks and hand-dyes

On the photo above, I have used textile paint and my “celery” screen to help blend the collaged batiks and hand-dyes.

My alphabet screen was used on some rather plain brown hand-dyed (by me) fabric then cut into bits to use in the quilt in addition to using batiks.

My alphabet screen was used on some rather plain brown hand-dyed (by me) fabric then cut into bits to use in the quilt in addition to using batiks.

I mixed up some transparent textile paints--I use both Jacquard and ProFab--to screen print over the already collaged/fused background pieces.

I mixed up some transparent textile paints–I use Versatex, Jacquard and ProFab–to screen print over the already collaged/fused background pieces.

Next came the second round of screen printing, using my Squiggles screen, putting a darker green over the yellow-green I used for the celery.

I simply adore this screen. Add this to the top of any fabric--a plain tone on tone, hand-dye or batik and you've got great texture that can be blend or contrasty as you need.

I simply adore this screen. Add this to the top of any fabric–a plain tone on tone, hand-dye or batik and you’ve got great texture that can be blend or contrasty as you need.

I’ll be teaching some of this process in the Saturday Sampler where I will demonstrate working on your own personalized cloth as well as in my “Nest” class (you can see a bit about that here).

I also did a bit of stenciling using freezer paper and two colors of white.

I also did a bit of stenciling using freezer paper and two colors of white.

If you’d like to order those screens, visit Fiber on a Whim! Better yet, if you can come play with me in my classes at Quilt Festival in Houston this coming autumn!

JAM-SASmith

 

Teaching at IQF Houston 2016!

Tuesday, February 2nd, 2016

As you might guess by the deafening silence here on the blog, I’ve been rather busy but I have various bits of good news to share, and I’ll start with the most recent:  I will once again be on the Faculty for International Quilt Festival in Houston in October/November 2016!   And, drum roll, I’ll be teaching a few new things….yippeee!   Here’s my schedule, which stretches from the Monday of Quilt Market (a closed trade show for industry professionals) through Saturday of Quilt Festival.   On Sunday I get to PLAY—provided I can put one foot in front of the other and still see!   For details about each of the classes, please visit my Classes page which has descriptions of all the classes, class supply lists and, when available, hotlines to blogposts from previous versions of these classes so you can get a feel for what to bring.

Learn to make the painted fabrics in this project in my mini-Whimsy class at IQF-International Quilt Festival Fall 2014.

Learn to make the painted fabrics in this project in my new class The Nest–Surface Design Exploration for Beginners at IQF-International Quilt Festival Fall 2016.

 

  • Monday, October 31:  Decorative Stitch Appliqué, in the Janome classroom, All-Day class
  • Tuesday:  a day off–I’ll probably be IN a class!
  • Wednesday, November 2:  Fine Finishes–An Album of Techniques (bindings and more), in the Janome Classroom, All-Day class
  • Thursday, November 3, morning:  Machine Quilting Forum–Fun and Fancy Thread, 9-Noon
  • Thursday, November 3, afternoon:  The Nest–Surface Design Exploration for Beginners, 2-5, kit fee
  • Friday, November 4:  Tame Fussy, Fiddly Threads for Machine Quilting, in the Janome Classroom, All-day, kit fee for a range of threads etc
  • Saturday, November 5, morning:  Saturday Sampler–Screen-Paint the Perfect Fabric, 10-Noon
  • Saturday, November 5, afternoon:  Easy-Peasy Inside-Out Bag, 2-5, in the Janome Classroom
  • Sunday:  PLAYTIME–to see the exhibits and shop and collapse, in that order!

I’m totally good with having stayed home this past year as it was our younger son’s senior year in high school, but I so missed seeing folks.  I’m thrilled to be back in Houston and on the faculty. Thank you IQF and students!

 

See my work in Houston!

Thursday, October 29th, 2015

I’m thrilled to share that I have three works on display in Houston–in the juried show, the Dinner@8 Exhibit, and the National Parks exhibit.

In Miniature art quilts, you’ll find my Pink Lilies (if anyone takes a photo of it…of the entire ‘neighborhood’ not just the quilt, please do share!):

SASmith.PinkLilies.Full-0842 copy

In Dinner@8’s Affinity exhibit, is Descended from the Stars, my most recent major piece:

(c)Sarah Ann Smith 2015; quote (c) Mirza Khan, used with permission

(c)Sarah Ann Smith 2015; quote (c) Mirza Khan, used with permission

 

And, SOB, I STILL can’t share a photo of my Snowy Owl quilt for Acadia National Park in the National Parks exhibit.  I’m so sorry about that!   The book won’t be out until next spring and even though the exhibit is on display (with no photographs allowed signage) we’ve still been asked to NOT share pictures.  I’m so sorry–but it is 20×20 and mostly white (as befits a snowy owl in winter).   But here is the photo I took on Clarry Hill ridge in Union that was my main reference photo:

P1030533cropI so miss being in Houston…. enjoy it all of you who are there!  I’ll see you next year!

Descended from the Stars, Part 1

Wednesday, July 8th, 2015

I’m thrilled to be able to share my most recent major work along with the news that Descended From the Stars has been juried in to this year’s Dinner@8 exhibit, Affinity, which will debut at International Quilt Festival 2015 in Houston, Texas, this coming October.

(c)Sarah Ann Smith 2015; quote (c) Mirza Khan, used with permission

(c)Sarah Ann Smith 2015; quote (c) Mirza Khan, used with permission.  Click to open slightly larger.

You can find more about the exhibit and the other artists here.  I am blushing to find myself in such company, and humbled to be in this exhibit for my sixth consecutive year.

The theme is Affinity, and the call for entry reads:

I am the garden that I plant.
I have…a natural liking for or attraction to a person, thing, or idea.
I am all the books that I have read.
I have….. A close resemblance or connection to someone or some thing.
I am the places that I have been
I have…. An agreement with someone.
I am the people that I love to be near
I have…a relationship or ties to another individual.
I am the sum of my life experiences.
“Affinity”.
Months before hearing the new theme and call for entry, I had received an email from my high school, San Domenico, with a Lenten message.  This particular day’s message didn’t have an attribution as did the other quotations, so I wrote to Religious Studies director Mirza Khan (after googling the words) and learned he had written the text.  I asked and received permission to use them in an art quilt.  When I heard the call for entry, at a dinner with other Dinner@8 artists in Houston last year, I immediately thought of the quote and felt as if the theme were about identity. Here are Mirza’s words:

ONE LIFE

We have descended from the stars.   We have risen through the forms of thousands of animals. We have passed through the lives of our ancestors, our grandparents, and our parents.  And now we have been born into the moment of our supreme existence. We have a life. What will we do with it?

Mirza Kahn

San Domenico

Here are two detail shots of my quilt.  In my next two posts I’ll share more about my process and thinking as I made this piece.  All I can say is that I am REALLY HAPPY with it!
Detail of the lower right corner, showing the autumn tree of life.

Detail of the lower right corner, showing the autumn tree of life.

Detail of the lower left corner, with the winter tree kissed by snow.

Detail of the lower left corner, with the winter tree kissed by snow.

International Quilt Market and Festival, Monday/Tuesday

Friday, December 12th, 2014
SWOON! This year was the 40th anniversary (the ruby anniversary) of the International Quilt Festival, and the 35th Anniversary of the (wholesale, to the trade) International Quilt Market.

SWOON! This year was the 40th anniversary (the ruby anniversary) of the International Quilt Festival, and the 35th Anniversary of the (wholesale, to the trade) International Quilt Market.

This year absolutely was the biggest and best Festival I’ve seen, with true exhibits (not just husband’s lounge and charitable booths) all the way to the far wall.   And at the main doors, this display inspired by the phenomenal red and white exhibit in New York city a couple years ago.

One of the best things this year didn’t happen to me, but to Barb Black.  Barb greets all the teachers in the Teacher’s Room when you arrive, gives you your schedule, room assignments, paperwork, marching orders, goodie bag, solves problems and is just generally wonderful to us.   Well, Barb made a red and white quilt.   And HER QUILT was selected to be the theme quilt for this year’s show, on the entrance signage, banners in downtown Houston, on the show bag, and on display front and center right as you walked in.  I could SWEAR I took photos, but I can’t find them, so you’ll just have to enjoy her quilt on my bag (and I KNOW I took pics from the back side to see the quilting!).  I tell you, there were teachers all over the planet whooping it up because “OUR Barb” was on the bag!

Barb Black's beautiful red and white quilt on the 40th Anniversary International Quilt Festival show bag.  GO BARB!

Barb Black’s beautiful red and white quilt on the 40th Anniversary International Quilt Festival show bag. GO BARB!

And just for fun, here’s a peek into the teacher’s room.  The whole back wall is FILLED with boxes the teachers ship from all over the world to the Teacher’s Room with kit supplies, things to sell, handouts, you name it.  The area is organized alphabetically, so the first thing you do after checking in with  Barb is go find your boxes!

Teacher boxes

Teacher boxes…my stuff was at the far end.  I can tell this is early in the week because the boxes are still shut!

On Monday, I taught my intro class Let’s Machine Quilt.

The students were stupendous.  Here are some samples of the work the students did in class, and most professed to be rank beginners.  I thought they did a great job!

The students were stupendous. Here are some samples of the work the students did in class, and most professed to be rank beginners. I thought they did a great job!

Here's the class hard at work, with my samples up on the foam core boards at the front.

Here’s the class hard at work, with my samples up on the foam core boards at the front.

More student work--you really can write your own name!

More student work–you really can write your own name!

And yet another sample.

And yet another sample.

This year I wasn't in a Janome room, but was in Bernina instead (no idea why).  We had a WONDERFUL Bernina helper, the nice lady in the tray hair and dark top.

This year I wasn’t in a Janome room, but was in Bernina instead (no idea why). We had a WONDERFUL Bernina helper, the nice lady in the tray hair and dark top at showing how to thread the machine.

This is a fun exercise...quilting along a line and the other one no one ever believes will work, but does:  "driving" through the intersections.

This is a fun exercise…quilting along a line and the other one no one ever believes will work, but does: “driving” through the intersections.

On Tuesday, I gave an 11 am lecture, How Did She do That?  This talk is essentially a digital trunk show with some live quilts, telling folks “how I did that.”  I love giving it, and change it up at pretty much each venue.   Since Tuesday is the day AFTER Market ends and the day before Festival begins, most folks are traveling or in classes during that time so the crowd was small, but it went well.  Since my talk was the middle of the day, I couldn’t head out to museum-hop or shop in Houston, so I attended Pam Holliday’s lecture, which was just before mine.

Pam Holliday's quilt of her cat

Pam Holliday’s quilt of her cat

And this GLORIOUS quilt based on Pam's photography (she's an amazing photographer, too).  Shot taken during her lecture.

And this GLORIOUS quilt based on Pam’s photography (she’s an amazing photographer, too). Shot taken during her lecture.

And of course you run into friends:

With Luana Rubin of eQuilter, whom I first met at Festival in 2003!

With Luana Rubin of eQuilter, whom I first met at Festival in 2003!  Luana always looks so lovely!

I discovered that I needed something for my Wednesday class, so after my talk I walked up to a RiteAid a half mile or so away.  On the way back I spotted this and had to take a picture:

Inspiration is everywhere....

Inspiration is everywhere….got any idea what it is?

A wall inside an office-building!

The lobby

The lobby–the grain,m the texture of the stone reminded me of the froth on waves.

Next post will cover my Birch Pond Seasons class, which I’ll be teaching next at Maine Quilts 2015 here in Maine !