Archive for the ‘International Quilt Festival’ Category

Quilt Festival Houston 2014: where to find me and my work

Sunday, October 26th, 2014

It’s that wonderful time of the year again, Festival!  When you say “Festival” to a dedicated quilter, they know there is only ONE Festival that counts, the Big One In Houston.  Same thing–if you say Houston, we all know what that means–FUN, Friends, Quilts, all under one enormous roof.   I’m teaching again this year and will have four quilts in the exhibit area, plus two small pieces in a booth.  Read on!

Learn to make the painted fabrics in this project in my mini-Whimsy class at IQF-International Quilt Festival Fall 2014.

Learn to make the painted fabrics in this project in my mini-Whimsy class at IQF-International Quilt Festival Fall 2014.  See Thursday and Friday October 30 and 31.

Sunday, Oct. 26:  Travel from Maine to Texas.  Provided all goes well, I will not only have time to check in to the Teachers’ Room, find my shipped items and get ready for my first class on Monday, I’ll be able to get to the International Quilt Market show (already have my credentials!) to visit some friends who will be there only for Market.

Nourish the Body, Nourish the Soul, in the 500 Traditional Quilts exhibit. (c) Sarah Ann Smith.

Nourish the Body, Nourish the Soul, in the 500 Traditional Quilts exhibit. (c) Sarah Ann Smith.

Monday, Oct. 27:  I’m teaching Let’s Machine Quilt, my intro to Machine Quilting class.  Class runs from 9-5, with a two hour lunch break which I plan to spend on the show floor making more contacts at market.  When online registration closed, I think there were a couple spots left in this class.  If you’re interested, sign up at registration at Market.

Insalata, (c) Sarah Ann Smith 2014.  First major presentation in public at lecture, Tuesday, How Did She Do That?

Insalata, (c) Sarah Ann Smith 2014. First major presentation in public at lecture, Tuesday, How Did She Do That?

Tuesday, Oct. 28:  I’ll be giving my lecture, How Did She Do That?  It is a virtual trunk show of what I do and how I do it, supplemented with at least half a dozen real live quilts.   These lectures are in HUGE rooms so there is always room for more people.  I’m hoping to attend the lecture before me at 10.  Then at noon, I’ll be going to the luncheon and lecture (as will be many of the folks in my lecture).  Tuesday is the day the Market-only booths pack up and depart and the Festival-only booths arrive and begin setting up.  So I figure either the lecture will be full or empty (with folks having chosen to go off into the city or busy with booth set-up/take-down).  DO come–it’s so much more fun to talk to a room with people in it!

Haleakala Sunrise, (c) 2004 Sarah Ann Smith.  In the 500 Traditional Quilts exhibit.

Haleakala Sunrise, (c) 2004 Sarah Ann Smith. In the 500 Traditional Quilts exhibit.

Wednesday, Oct. 29:  Teaching Birch Pond Seasons, my third year in a row for this intro to art quilting and fused collage.  This is a no-sewing class and I’m thrilled to report it filled during online enrollment!  It’s my third year in a row teaching this class at Houston–so glad it works well for so many.  I encourage students to do their own thing–no copy-the-teacher stuff in my classes!

And some art cloth--this is SO not my typical, but I could see playing with surface design, a lot, to make more fabrics to use in my more typical style.  I wanted to have something totally "not me" though so that students get to try both representational and not!

And some art cloth–this is SO not my typical, but I could see playing with surface design, a lot, to make more fabrics to use in my more typical style. I wanted to have something totally “not me” though so that students get to try both representational and not!

Thursday, Oct. 30:  One of six presenters at Machine Quilting Forum (sold out) from 9-Noon.   Attending the lecture and teacher appreciation luncheon Noon to 2.  From 5-6 I will be teaching a mini-Whimsy Class at the Fiber on a Whim Booth, #144.  For more info, see  here and  here and here   There is no advance sign up–the first 8 people in line get in.  All supplies are provided by me.

In progress shot from The Nest, (c) 2014 Sarah Ann Smith.

In progress shot from The Nest, (c) 2014 Sarah Ann Smith, part of Sarah’s Whimsy Class.

Friday, Oct. 31:  From 11-Noon I’ll be teaching my mini-Whimsy Class (see Oct. 30 info and links).  Then from 5:30 to 7, I’ll be “on duty” in the Inspired by the Beatles exhibit.  In the evening, I’ll be enjoying diner the company of the marvelous artists in the Dinner@8 group.

Two of Us (c) 2013 Sarah Ann Smith.  Inspired by the Beatles challenge and exhibit.

Two of Us (c) 2013 Sarah Ann Smith. Inspired by the Beatles challenge and exhibit.

Saturday, Nov. 1:  almost first thing, I’ll be in the Machine Quilting Unlimited booth for an interview (who me?)!  I’ve written for them quite a bit back in 2008-9 and over the past 16 months.  This is one of the best magazines out there, especially if you love machine quilting, whether traditional, contemporary, modern, art….it’s a keeper!   Then I’m officially “OFF DUTY” and get to race around and see everything and everyone.

I’ve shared photos of my works on display throughout this post, but here they are in a list:

500 Traditional Quilts exhibit:

  • Nourish the Body, Nourish the Soul
  • Haleakala Sunrise

Dinner@8 Reflections exhibit:

  • Eli, Cross-Country 2013

Inspired by the Beatles exhibit:

  • Two of Us (blogpost here)

Fiber on a Whim booth #144

  • The Nest
  • White-Gray-Black-Red-Gold artcloth

See you in HOUSTON!  WOOOOOOHOOOOOO!!!!!

 

 

Dog walkies and Autumn rains

Saturday, October 25th, 2014
When I go on longer dog walkies, we go to the end of the driveway, turn left and head either to this duck pond (no ducks at this moment) or to the corner where the blueberry field is.

When I go on longer dog walkies, we go to the end of the driveway, turn left and head either to this duck pond (no ducks at this moment) or to the corner where the blueberry field is.

Just a quick post to share yesterday afternoon’s dog walkies.  I think many of you on the other end of my ether live in cities, and don’t know how many of you get to hear things like this little video, so thought I’d share the glorious sound of life in Maine when it is soggy.  Here’s the little video, followed by a couple more photos.  I think I need image stabilization in my phone…not as crisp as I’d like in terms of photos.  There is a culvert under the road which you can see in the lower right.  When I pan to the left and zoom, you can see the blueberry barrens at the end of this part of the road (at the corner).

IMG 0032 2 from Sarah Ann Smith on Vimeo.

I head to Houston well before dawn–as a matter of fact I may be taking off as the sun rises!  Will try to Facebook from Houston, and have several posts scheduled to publish while I’m away.  Have fun everyone, and hope to see some of you at International Quilt Festival Houston 2014, the 40th anniversary.

 

My usual view on dog walkies....good thing I love the curled tail!

My usual view on dog walkies….good thing I love the curled tail!

More of the duck pond

More of the duck pond.  Right click for larger view.

Two of Us: published again in Inspired by the Beatles

Friday, October 24th, 2014

Looking back on it, this has been an exceptionally good year for getting published!   It has also been a bit of a challenge as I’ve had to keep three quilts and one watercolor unpublished for an extended time while jurying of exhibits was done or waiting for books to be published.  The first of the quilts was the one of Eli running during Cross Country season, which I wrote about here.   This is the second:  Two of Us,

Two of Us, (c) Sarah Ann Smith 2014.  Part of the Inspired by the Beatles challenge and an anniversary gift for my husband of 33+ years.

Two of Us, (c) Sarah Ann Smith 2014. Part of the Inspired by the Beatles challenge and an anniversary gift for my husband of 33+ years.  Of course, as soon as I gave it to him (late) I then told him he had to give it back for two years because it was going in an exhibit and book!

part of the art quilt challenge organized by Donna Marcinkowski DeSoto.  The recently released book is Inspired by the Beatles:  An Art Quilt Challenge.   You can read more about the challenge here and order the book or read more about it here.  Even better, if you are lucky enough to be going to International Quilt Festival in Houston this year, selected works from the exhibit will be on display there, including mine!

Donna asked participants to choose a Beatles song title, then make a quilt with that same title, inspired by the song perhaps, but careful NOT to use any copyrighted lyrics, images, etc.   I had been wanting to make a quilt like this for Paul as an anniversary gift for a couple years–he is notoriously hard to get gifts as he always says he doesn’t want anything.  I wanted a scrapbook feel to this quilt, similar in some ways to the kimono quilt (you can see it here) that is pictured in one of the photos on the bottom right which I gave to Mother for her 80th birthday.

Detail of Two of Us, by Sarah Ann Smith (c) 2014.

Detail of Two of Us, by Sarah Ann Smith (c) 2014.  These photos include the only two grandparents who were alive for  the boys to know, Paul’s dad and my mom.

I went through our photo albums and boxes of photos, picking pictures of us from the time we met until just recently.  Beginning in the top left corner, you can see photos of Bissau, in the west African nation of Guinea-Bissau, where I met Paul.  A bit of our wedding invitation, a wedding photo, our home on Capitol Hill in DC, from Canada, Bolivia, Machu Picchu, Gabon and our first generation of cats run across the top.  Moving clockwise down the right you can see our home in Arlington, Virginia (I still love this architecture more than any other home we’ve had), me preggers with Joshua, with the boys when they were little, pregnant with Eli, in the hospital when Eli was just a day old then the first ferry ride home, to our home on San Juan island in the bottom right corner.

Moving right to left on the bottom, pictures of the boys when little and life at home.  And up the left side, the boys as they grew,  moving to Maine, Joshua with his beloved guitar (and boy is he GOOD) and Eli, honor student and exceptional athlete.  Can I just say, Life is GOOD!

Here's to book, a 176 page hard-bound whopper.  Each quilt gets its own page (some get two), with a fun and extensive commentary written by Donna from our replies to her questionnaire that tell about our lives, inspiration and methods.  Click on the links in the first paragraph to learn more.

Here’s to book, a 176 page hard-bound whopper. Each quilt gets its own page (some get two), with a fun and extensive commentary written by Donna from our replies to her questionnaire that tell about our lives, inspiration and methods. Click on the links in the first paragraph to learn more.

The quilt is made with fused collage.  For the house, Paul, the pug and me, I sketched us on white cloth with colored pencils.  I hate to admit but since I made this over a year ago, I don’t recall for use WHICH pencils I used–either Prismacolor or Inktense.  I have since learned that some of the Inktense colors are not colorfast, so I HOPE it was prismacolor!  Total finished size, as required for all quilts in this exhibit, is 24×24 inches.

This is a typical two-page spread.  The book is organized alphabetically by title.

This is a typical two-page spread. The book is organized alphabetically by title.

And a shot of "my" page!  Artwork (c) Sarah Ann Smith.

And a shot of “my” page! Artwork (c) Sarah Ann Smith.

And since we are quilters, I must show you the back.  I did the threadwork at the top stage and did simple outlining around the photos.  But it is the letter and photo I want you to notice:

Paul and me on our wedding day outside the church, and a photocopy of the very first letter Paul ever wrote me.  Yes, we wrote snail mail.

Paul and me on our wedding day outside the church, and a photocopy of the very first letter Paul ever wrote me. Yes, we wrote snail mail.

You see, Paul was working in West Africa and I was in grad school at Fletcher School of Law and Diplomacy near Boston when we met.  The letter is hilariously “State Department-ish.”  Paul was acting Ambassador (Charge d’Affairs, ad interim) for the first time, so for his first letter to me, he wrote to thank the American (me)  for her part in improving morale at post, in particular that of the admin officer (that would be Paul).  Then he added a note saying this would probably be suitably framed in something tacky and hung in the bathroom.  I vowed upon receipt to do just that–in his first apartment when he was back in the US.  Little did I know that in less than 10 months, his first apartment would be OUR condo as newlyweds.  The original letter still hangs in a tacky metal frame from the drug store (which is sorta falling apart, appropriately), over the toilet in our bathroom.  The signature on the letter has faded to near invisibility.

So that’s the “Two of Us.”  Plus kids, cats, pug, and assorted stuff from all over the world.

Thermofax screens galore!

Wednesday, October 8th, 2014

I promised I’d share more of the thermofax screens I have designed and that Fiber on a Whim is making and selling, so here they are.  You can order these online or buy them at International Quilt Festival and other shows where Fiber on a Whim has a booth.

Onions is one of my favorite designs.  I used a small white onion to stamp, then fiddled with the print in photoshop to create this screen.  It makes a fantastic background print.

Onions is one of my favorite designs. I used a small white onion to stamp, then fiddled with the print in photoshop to create this screen. It makes a fantastic background print or part of a  layered piece of complex cloth.

I’m teaching two mini Whimsy-Classes in the Fiber on a Whim booth on the show floor at Quilt Festival, and we’ll be using the onion screen for oen of the two small projects in the classes.  For more information on this, visit here.  There is no advance sign up–come to the booth and the first 8 in line 15 minutes before the classes get in.  The modest $10 fee covers the kit fee–I provide everything you need.

The screens are so new I don’t even have some of them yet!

Squiggles thermofax screen by Sarah Ann Smith at FiberonaWhim.com

Squiggles thermofax screen by Sarah Ann Smith at FiberonaWhim.com 

Woven, thermofax screen design.  Sometimes you just want a bit of something.  This is a full-size screen  so you can print as much or as little of the screen as you like.  With the somewhat irregular edges, it is easily overlapped.

Woven, thermofax screen design. Sometimes you just want a bit of something. This is a full-size screen so you can print as much or as little of the screen as you like. With the somewhat irregular edges, it is easily overlapped.

One of FoaW's best-selling thermofax screens is an old French ledger, so we thought we'd try an alphabet, hand-written by me in a brush pen.  Again, a good background design, which is what I was going for with most of my designs.

One of FoaW’s best-selling thermofax screens is an old French ledger, so we thought we’d try an alphabet, hand-written by me in a brush pen. Again, a good background design, which is what I was going for with most of my designs.

Another vegetable--this time celery!

Another vegetable–this time celery!

The dagger-drops screen is a smaller size because you can easily repeat it.  It will be fun to play with this, alternating the direction of the print 90 degrees or at diagonals or every which way.

The dagger-drops screen is a smaller size because you can easily repeat it. It will be fun to play with this, alternating the direction of the print 90 degrees or at diagonals or every which way.

The Queen Anne's lace is from a photo I took, modified in photoshop elements, then scaled into three sizes.  We will use this in the mini Whimsy-Classes project you can see in this blogpost.

The Queen Anne’s lace is from a photo I took, modified in photoshop elements, then scaled into three sizes. We will use this in the mini Whimsy-Classes project you can see in this blogpost.

Another onion print, a full size (9x12 inch) screen, that I call Tossed Onions.

Another onion print, a full size (9×12 inch) screen, that I call Tossed Onions.

Grasses, a full size screen with two ends to use.  Kristin of FoaW requested this one--I had ordered it earlier for one of my own projects.

Grasses, a full size screen with two ends to use. Kristin of FoaW requested this one–I had ordered it earlier for one of my own projects.

And last but not least, another great background print design, corn!  Yep, I sacrificed an ear of corn on the cob for the sake of art.

And last but not least, another great background print design, corn! Yep, I sacrificed an ear of corn on the cob for the sake of art.

In a few days I’ll do a review of Lynn Krawczyk’s great new book, Intentional Printing.  It will give you TONS of ideas on how to use thermofax screens and other surface design techniques.  Stay tuned! Here’s a link to Lynn’s website in the meantime, and she’s a ton of fun and on Facebook here.

And just in case you don’t feel like scrolling to the top but want to see the website where the screens are sold, here’s the link one more time!  I can’t wait to go to Quilt Festival, but I’m also looking forward to returning to my studio and playing with paint and thermofax screens!

 

 

 

 

In a new Janome advert!

Monday, October 6th, 2014

What a thrill!  My copy of American Quilter, the AQS magazine for members of the AQS (American Quilters Society, as in the quilty folks in Paducah), arrived a day or two ago.  Yesterday I pulled it out of its wrapper and was leafing through it while making decaf tea last night.  I set it down, cover down and my eyes just about popped out of my head–there was the banner I made for Janome in thanks for their long-term support and loan of machines over the past decade ON THE BACK COVER in Janome’s new ad!

The back cover of the current issue of American Quilter with a Janome advert and MY quilted banner!

The back cover of the current issue of American Quilter with a Janome advert and MY quilted banner!  Right click to view larger.  They photography is great–it is really hard to photograph quilting on white fabric and show the depth and texture and they did a great job with this.

The banner was quilted on an 8900 to show what one can do with the machine.  It is a *brilliant* machine.   If you don’t want the top of the line 15000 (what I currently am using on loan and OMG is it a phenomenal piece of computer and machinery) and all the embroidery functions, the 8900 is tops and has a zillion options.   Anyway, here is a picture I took of Janome’s booth last year in Houston, with my banner hanging!

The banner in the Janome booth at International Quilt Festival last year (2013).

The banner in the Janome booth at International Quilt Festival last year (2013).

And some shots of the full front, back and a couple of detail photos.

The full banner.  Right click to see larger.

The full banner. Right click to see larger.

The back.  I LOVE the backs.  The more I quilt, the more I like the back even more than the front!

The back. I LOVE the backs. The more I quilt, the more I like the back even more than the front!  Right click to see larger.

And some detail shots.

Detail of stitching.

Detail of stitching.  Right click to see larger.  I really like the way the background quilting turned out.

And one more detail photo. Right click to see larger.

And one more detail photo. Right click to see larger.

Thanks again to Janome America for years of support and making the best machines ever.

Thanks are also due to Jenny Bowker, a fanatastic art quilter from Australia.   About four years ago at Quilt Festival I was chatting with Jenny Bowker, who was telling me about how she teaches free-motion quilting and invited me by her classroom to see her samples.  In my classes I have always suggested using a large print to free-motion practice, but Jenny had this great way of using a square of big print surrounded by a solid color then by white (like a log cabin blog of sorts).  I asked permission to use/borrow/adapt Jenny’s idea and, Jenny being the wonderful and generous person she is, instantly said of course I could.   When I started my samples and offering this as an alternative to the main exercise in my intro free-motion quilting class, I wanted mine to be different so I eliminated the colored fabric and changes the shapes a bit.  Think of it as big print meets Quilt Modern!

After Festival I made some samples and blogged about them and Jenny’s work.  This banner is an extended version of those samples.   Thanks again to Jenny for a brilliant idea and sharing it!  Do go visit her website and enjoy her artwork, here.  Warning:  do not drool on your computer…her work is what I aspire to be able to do!