Today’s projects are floor cushions and toss pillows from Michael Miller’s adorable new fabric line, SuperFred and Space Pals. As soon as I saw them I knew I’d love to make some floor cushions for my daughter-in-law’s Kindergarten classroom! You can find part 2 here as of March 12, 2020.

With the help of my trusty (just try to pry it out of my cold dead hands! I’m taking it with me) Janome M7 Continental, and some experience having done custom home dec work in a previous life, sewing these cushions was easy, and I’d like to share a free pattern for Everyone’s a Kid Floor Cushions and Toss Pillows with you and show you just how easy!

Fabric requirements are at the bottom of this post and on the free pattern (link in the previous paragraph). The pattern also has all the other “stuff” you’ll need (zipper, interfacing, and so on) and ridiculously detailed instructions. I will focus on bigger pictures for the “how-to” things in this and my next post even though there are plenty of photos in the pattern.

My Deep-Pocket Placket

So many home dec books and pieces of furniture are made with skimpy zipper plackets that gap open and show the zipper teeth–boo hiss! The designer for whom I worked eons ago had *very* high-end clients, so I developed what I think is a much nicer zipper method. Yes, it uses a couple more inches of fabric, but the zipper is fully concealed, doesn’t gap, and even has a little “garage” at the end to hide the zipper pull. I have leftover (miles of leftover) upholstery zipper tape and pulls from doing custom home dec work, but you can order #5 weight zippers or use heavy duty zippers available at big box stores.

The pattern has exact cutting dimensions for the finished zipper gusset (the section of the boxing/sides of a cushion that has the zipper), but honestly I usually cut my strips about an inch wide than I think I’ll need. This gives me some fudging room to get the zipper centered. Once the zipper is sewn in, then I trim it to the desired finished measurements and complete making the gusset.

For this project, I knew the cushions would get a LOT of wear and tear, so I decided to reinforce all of the quilting-weight-cotton fabric with mid-weight fusible interfacing. Then I began assembling the components starting with the zipper. Of course, I was so excited to get started that the interfacing isn’t (yet) on the fabric shown below….I fixed that!

The video below shows me using the Janome M7’s “M” foot. Most machines have something similar. The three little wires help hold the fabric flat, the blade keeps the stitch perfectly positioned on the edge of the seam so you get a good-looking, functional, and non-puckered stitch.

Next, sew the wider upper side of the zipper gusset to the zipper tape using the edge-stitch foot only–you don’t need to do the straight seam close to the teeth as you did with the lower side of the gusset.

Your next step is to attach the rest of the boxing a.k.a. sides a.k.a. gusset–the fabric that goes around the edge of the cushion. First, use the overcast foot to sew the ends together. BE CAREFUL to NOT stitch through the ZIPPER TEETH! Just lift your presser foot and move over the clunky zipper teeth before finishing that seam. Repeat on the other side.

Make the first of the little zipper garage / pockets at the zipper ends. You really only need one at the closed end, but I like the cushions to be symmetrical (about the only time I love symmetry in my work!) so I do both ends the same way. In the photo above, you can see that I have made a pocket about 1 1/2″ deep by making a Z-fold (or S- depending on which side you look at). Pin in place (lower part of photo above) and then stitch a straight line about 1/2″ from the raw edges.

PHEW…that’s Zipper Wisdom according to Sarah. We are now blessedly done with the zipper–I swear it takes longer to explain it in writing than actually do it…well except for the fussing to make sure it is absolutely perfectly straight and nice! In my next post I’ll show constructing and stuffing the floor cushions. And, there are TONS of photos in the pattern, too. One more time, here’s the PDF for the Everyone’s a Kid Floor Cushions and Toss Pillows. Check back in 3 days for Part 2!

And one last minute goodie–my fellow Brand Ambassador Charisma Horton has made this adorable quilt out of different color ways of Super Fred–what a great combination for a kiddo: my cushions and pillows and her quilt! Check it out here on her blog, or the Far, Far Away pattern in her Etsy shop, in both download or paper versions.

Both print and digital versions of Far, Far Away are available in Charisma’s Corner Etsy shop, here. Go to page 3 of the Etsy shop and scroll down to find the patterns.

Fabric requirements for two 24” square floor pillows and two 14×20” toss pillows:

Preshrink all fabrics!

NOTE:  Yardage is to make two floor and two toss pillows. Additional materials (zippers, foam and so on) as well as cutting and construction details in the free PDF show measurements and how to make each pillow. 

• Focus Fabric 1:  Space Pals Black                 3/4 yard (will yield two 19” center squares)
• Focus Fabric 2:  SuperFred Grey                 3/4 yard (will yield two 19” center squares)
• Solids:  
  • Yellow                                         1/2 yard
  • Apricot                                        1/2 yard        
  • Acid                                            1/2 yard
  • Lilypad                                        1/2 yard
  • OPTION:  you can use the same fabric for all of the sides if you prefer
• Boxing / sides fabric:  Galactic Black            2 yards

I was absolutely delighted when Create Whimsy wrote to ask if I’d like to do a Spotlight interview with them–so many people I admire have interviews that you can still see and read. It was even more fun when the Editor, Chardel Blaine, realized that I had taught at a shop she worked at–Quiltworks Northwest in Bellevue, Washington–and we had met about 15 YEARS ago!

Here’s the link to my interview… I hope you enjoy reading the flotsam and jetsam of my life and mind. I opened up a half dozen interviews to review and prepare which led me to a new artist I admire, and I’m planning on opening another half dozen for lunchtime reading. Thank you Chardel and Create Whimsy!

And yes, I meant every single one of those excessive exclamation points. Usually I’m lucky to get two out of two quilts juried in to a given show. This time, not only did both Lupines and Rose Hip get in to the Mancuso Brother’s Mid-Atlantic Quilt Festival, they BOTH RIBBONED!!!!!! That is a bucket list item that I never, ever, Ever, EVER expected to check off! Guess what…done! To the judges: THANK YOU for making a dream come true!

I’ve never won a prize such as Best Use of Color at a national level show, so I am particularly pleased–my work is about color, and then about the quilting. Next August 5-7 I’m going to be teaching a three-day workshop, Exploring Paint on Cloth, at ProChemical and Dye in Fall River, Massachusetts. I’ll be sharing the techniques I used in both of these quilts in that workshop and hope some of you can join me! Details in the hotlink. I’m deep in the planning for the specifics of what we can do in three days and getting so psyched for it!

Over the past week to two weeks, I have been working on ….sit down and prepare yourselves for this… a **pieced** quilt. Yes, me. A very simple pieced quilt, but nonetheless.

I’ve also been experimenting with the AccuQuiltGO! that was given to this year’s crop of Michael Miller Fabrics Brand Ambassadors. To my distress my block was not perfect–too small! I KNEW it had to be something on my end (it was), so I triple checked my seams (perfect to scant). I checked the size of the fabric cut on the dies: perfect. I checked that I used the correct dies: I did. Then I noticed something. After ironing, the block seemed off. Look at what I discovered:

• 

First I placed my half square triangles on the dies, and look how much smaller the pieces are after sewing and ironing! So then I checked the start of the square-in-a-square center of the block. Same thing: after steam ironing/pressing, a unit that finishes at 2″ and one that finishes at 3 1/4″ are each 1/16-1/8″ smaller!

I decided to get a bit more scientific about it: Cut, measure, dry iron, measure, steam iron, measure. Here is what happened with the Cotton Couture, a delightful solid with a glorious feel in the hand:

• 

Batiks are made using hand-dyeing processes that include a resist being applied (usually wax of some sort), then the wax is washed out, more dye applied, and so on. This means some of the shrinkage should already have happened.

So my lesson is, when I am not fusing things up, I really need to either pre-steam-iron everything, or prewash and mostly-dry it and then iron dry and smooth. I can now use the perfection of the AccuquiltGO and actually achieve as close to perfect as I will ever get! Now, off to order backing fabric for my BIG quilt.

Sewing machine companies are always coming out with new models, most of which are incrementally different from before. But every 10-15 years, Janome re-thinks the machine from all angles and comes up with something that is a major leap–and worth considering adding to your studio. The Janome 6600 was such a machine (circa 2004/5), and the new M7 Continental may well go down as one of The Best Sewing Machines Ever (in any brand!), and given the quality of Janome’s machines that is a high standard.

I have been dying to share with you the things I’ve been making, but most of them are Christmas gifts, so I can’t yet. But I made myself the York Pinafore from Helen’s Closet Patterns, so now I can finally tell you about this wonder with the dress as my example.

When Janome comes out with a new machine, every single time I think “oh, I can’t give up the loaner I have” (I’m beyond fortunate to be a Janome Artisan so I get to try out their brilliant machines year after year), nothing can be better than this one. And then the new one is even better. Every single time they add new features that make me wonder “oh gosh why didn’t I realize that would be so wonderful.” The M7 is even MORE SO….read on!

The first thing I did, after cutting out the pattern, was to make a lining. I knew that using flannel that I intended to wear over leggings meant that the dress would stick like velcro. Fiddlehead Artisan Supply had a fabric I’ve not used before, Bemberg Rayon, for linings. The bolt end says dry clean, but we all know that can be ignored sometimes. I just bought an extra quarter yard to accommodate shrinkage and tossed it in a wash with hot water wash, cold water rinse, and hot dryer so it would do whatever shrinking it planned to do.

A French seam is really a seam inside of another seam that completely encloses the raw edges. It is typically found in high end garments and used on fabrics that ravel.

Janome’s new slogan is Reliability by Design….I stopped to think about it: I have been sewing on Janome machines since 2003 and not once–let me repeat that, NOT ONCE– have I had an issue that was due to the machine. Once or twice due to operator error, but really, the machines have been utterly, totally and completely reliable. And each one gets better.

This new M7 Continental Janome is really something else, and although I am a Janome Artisan and affiliated, I would say all this if I had bought this machine at full retail. I’ll take you through some of the other marvelous things it can do in January and February. In the meantime, another small but marvelous detail: the thread stand has a COLLAPSING antenna.