Archive for the ‘Techniques’ Category

Take a class with me in Houston!

Sunday, June 30th, 2019

WOOT! The International Quilt Festival Houston catalog is starting to ship and online registration–yes, ONLINE, with instant knowing if you got into the class, goes live in July (I’ll post when it does). If you’d like to take a workshop with me, now’s your chance because I’m teaching a ton of my favorite workshops. For more detail on any of these classes, please visit the Classes/workshops page of my website and scroll down to the individual class–you’ll find a supply list PDF and sometimes links to blogposts about previous workshops sharing student work. Here’s the list including class numbers:

To look at MY classes, head to the link for all classes and search by day or by name. The classes are listed in numerical order: #100 series are on Monday, #200 on Tuesday and so on, with the exception that Friday is #500, Friday EVENING is #600, and then Saturday is #700. That way you can find what classes are available on the day(s) you are at Festival.

Collage the Garden workshop: Inspired by a wild tiger lily on the roadside in Maine–learn to create a fused collage by creating your own pattern (several ways to the same goal), then create a top to finish at home

I’m thrilled that Quilts Inc. booked both days of my Quilting the Garden workshops! On Tuesday, learn my Collage the Garden process for creating fused quilts. You’ll learn how to create a working plan/pattern from photos and fuse an 11×14 collaged quilt of a flower, but the process can be applied to anything including people, animals, landscapes, you name it.

Thread Coloring the Garden is on Wednesday: enjoy an easy prep with this kitted class where you learn how to add depth, dimension and detail to your art quilts.

On Wednesday, Thread Coloring the Garden is all about the machine quilting and learning how I select and use thread to color and bring the quilt top to live To eliminate the stress of worrying about messing up that gorgeous top you’ve worked so hard to create, we work with a photo of a day lily printed on cloth (class has a kit [fee] with flower, thread, etc.) so that you gain confidence learning the quilting before you tackle your own masterpiece.

At the Machine Quilting Forum I’ll talk about using metallic, holographic, heavy and other so-called (not-so) fussy threads. If you’d like to take the full workshop, you CAN–on Friday (keep reading!)

Thursday is a busy day. In the Morning I’ll be presenting at the Machine Quilting Forum, where I’ll share some of my current work and share some tricks for working with what some folks think are fussy fiddly threads but really aren’t so fussy or fiddly!. In the afternoon, it’s a TOTALLY FUN half day class making my patented Easy-Peasy Inside-Out Bag–they’re like potato chips, you can’t stop with just one!

Easy-Peasy Inside-Out Bag workshop with Sarah Ann Smith: Once you learn the basic process, these are easy to adapt into card carryers and book or sketchbook covers!
Friday it is the full workshop for Tame Fussy Fiddly Threads. You’ll need black fabric and batting, the paint, supplies and decorative threads are supplied.

Friday Evening I’ll be part of the Date Night Sampler, where I’ll show using paint on cloth to work smarter, not harder! And if you’d like an immersive paint on cloth workshop with me, stay tuned–good news for a 3-day class in August 2020…will be able to share in September.

Saturday you can learn my approach to Hawaiian style Applique by Machine: we use my freezer paper technique for creating TWO fused blocks to appliqué by machine. You will try a small block to get the hang of it, then start on your 18″ block.

Hawaiian Style Applique by Machine is on for my final teaching day. Though I am known for my art quilting, I love ALL types of quilting, and my love for Hawaiian style quilts launched my career in quilting, and I love it to this day. Come for a day of fun and learning!

I hope to see you in Houston, especially in my classes! I might even still be coherent (?) by Saturday evening, though I think a Margarita may be on the menu once the teaching is complete!

Becoming a rose hip

Tuesday, January 15th, 2019

Off and on for the past couple of weeks I have been dyeing fabric, drawing or photoshopping images to make thermofax screens, and finally working on collaging the background for the rose hip, the large (36″ square) version. To those of you have landed here from my new newsletter, thank you! To those of you who don’t know about my new newsletter, please go here to the home page and sign up! I will write about mid-month and will never share your info!

When I last checked in with you, I was just getting to this stage–finishing the rose hip on a flat surface.
The next step was dyeing some greens. Kinda looks like pond scum, eh?

While I was at it, I used up the leftover dye for some autumn-y leaf colors for a future project.
Some of the fabrics turned out great–alas, most of these didn’t work for this piece. AND I got smart…I am now adding tags with the pure dyes used in each piece so I have a clue if I ever want to make them again.

Next, working on thermofax screens. This is the photo of a chicken at the Common Ground Fair last September–as soon as I saw the strong light and dark I thought “Thermofax screen!”
And here it is after photoshopping. It made a fabulous fabric, very dark tone on tone, that I’ve used in the background. Alas, I forgot tot akee pics before I cut it up!
I also wanted to make a texture similar to Rugosa rose leaves, so this is my initial sketch, which became a screen.
I tend to work in batches, so while I was making those screens, I made several others. That one on the right, the feathers, is about 20 inches long! The snow is for another future quilt.

These are the transparent paints I mixed, with a little black, to use for the rugosa texture on the rose leaves.
Here’s one of the leaves…..
And the two large leaves, in place. The long one on the left is about 18 inches long. Alas, after looking at it this morning, I have decided those two leaves are too dark and have to go. Back to the dye pots once this post and my newsletter are done! I’ll use the fabric for something else eventually.
LOVED the batik but knew ordering it that it was too high contrast for my process. A little Dye-Na-Flow and ProSilk textile paints fixed that easily: overpaint in green!
And where I am now. I want the quilt to be dramatic, but it feels to dark overall. The smaller version has brighter green leaves and I’ve decided I need to dye something that is midway between the medium-light hand-dyes on my shelf and the dark green used here. Or use some fabric Lisa Walton gave me years ago…I think her bits of green are just right, especially once I add some texture.

So that’s about it for now….thanks for surfing in, share the post, and let others know about the newsletter. I’d love to ramp up my teaching again, and the best way to do that is by showing my work and getting the word out there. Now, off to make cookies for the guys roofing the house in freezing weather, then down to the studio.

Moments, Hours, Days, Autumn, a Book of Hours

Sunday, December 23rd, 2018

Happy Solstice to one and all…at last the days no longer get shorter! To celebrate and as a Christmas gift (whether you celebrate it or not, it’s a gift of the season) to one and all, I thought I’d share a video I recently uploaded and just shared with those on my Newsletter List. (To sign up for the newsletter, go to my home page and fill in the blanks—about once a month I’ll pop in with this ‘n that.)

Those who follow me on Facebook (here) will recognize this pond and view which is down the driveway and onto Ludwig Road, between two neighbors’ houses.

Recently, I’ve been taking some journaling and watercolor classes. Then, the Mid Coast (Maine) Book Arts group had an exhibit at the Camden Public Library. I was inspired by a book of hours on display, so BFF Kathy D. and I decided to make our own small accordion books. Below the still photo you’ll see my a video tour of the book, which I have titled “moments hours days autumn” to chronicle my life this past Autumn.

Beginning at 3:11 a.m. through to my evening ritual of sitting in my chair near my hubby’s chair, with the dog and a pile of books. You can see still shots of each page in my new Mixed Media gallery.

The left page is a quote, some by me, most by someone else. The right page is a watercolor, 5 x 5 inches. I figured I would mess things up, so it was better to do each separately, then glue them to the accordion “base” pages. On the back, I painted a single LONG (80 inches!) view that runs from winter to spring, summer and fall, back to winter, with the sky running from night, through morning, noon and afternoon, back to night. I used a dip pen and acrylic ink to write Strider’s Poem, by J.R.R. Tolkien, which has been a favorite since high school and whose meaning goes far beyond the Lord of the Rings saga.

I used Daniel Smith Watercolors, Stonehenge Aqua 140 lb. watercolor paper, Yes! paste glue, and both acrylic and fountain pen inks and a dip pen for all the lettering. The cover is made from my own hand-dyed fabric fused to mat-board from Kathy with Mistyfuse.

Here’s to hoping you all have friends (which can include family!) and joy around you throughout your lives, not just this season. I hope you enjoy my first ever made-by-me book. I think I will do more! Let me know what you think, and what you’d like to see in my new Newsletter. (And to sound like a broken record, sorry, sign up here.) MERRY MISTLETOE!

International Quilt Festival #4: Fine Finishes (to be retitled to Bindings and Piping and Facings, Oh My!)

Saturday, November 24th, 2018

Bindings and Pipings and Facings, Oh My! class in Houston 2018:  Truth in teaching: this is usually what my teacher’s table looks like: a hot mess!

I LOVE teaching this class!  I LOVE that EVERYONE gets how to achieve a perfect mitered corner no matter what width your binding!  I LOVE showing students how to use Susan K. Cleveland’s Piping Hot Binding tool–students come into class thinking “I’ll try it but don’t think I’ll ever use it” and leave with the tool in hand planning how they CAN use it because it rocks!   Then I teach my perfect facings for art quilts which by the way is also how you can do perfect prairie point “bindings” etc.   I LOVE that this class has something for everyone:  traditional, modern, art, contemporary, whatever you do, it works.   I also LOVED that this class more than any I have ever taught immediately embraced the idea of taking notes ON their class samples:  that way the notes don’t get lost, what you need to remember about how YOU sew and what to do to improve is right there on the sample.

YES! They got it! Put the notes ON the sample to remember how to get is JUST right!

One older quilter in the class was BEAMING when she left–she was so delighted as she had never done a corner, let alone a piped corner, this good. I think I will remember her smile forever–THIS is why I teach this class!

Doesn’t the pink bandana fabric look great as piping?

More notes, during the “perfect corners” part of the class in the morning

Midday/right after lunch we get to the piping (do the precise and time-consuming stuff first). LOVE Susan K. Cleveland’s Piping Hot Bindings tool. Available here.  It may be available at larger online sites, but I like buying things direct from the creator–Susan’s website is Pieces be With You (in the link).  I wrote my own instructions for the class handouts (without looking at Susan’s), but her more in depth instructions are worth every penny!   

The best part of Festival is FRIENDS–Linda Cooper

The absolute BEST PART of International Quilt Festival is FRIENDS!   Over the summer I learned that Linda, a BFF from my life on San Juan Island, would have a quilt in a special exhibit and was coming to Festival.  On Tuesday she showed up at my classroom door at lunch break with her friend from SJI.   They decided on the spot to take my Bindings class on Friday, their last full day at Festival (pitter patter, tear in my eye)!   It was like the intervening 14 years since I left the island evaporated.

She and Barbara managed to get the stuff to make the quilt sandwiches (class prep) and amongst the three of us came up with the requisite thread, scissors, rotary cutters, etc. to use.

Class….the lunchtime lull.  Thank you Kathy Spier for being my “Teacher’s Pet”—so much fun, met Suzy Webster when she took one of my classes a couple years ago.  This year her mom took Bindings, and we all had lunch together!   Like I said, the BEST PART of Festival is friends, old ones and making new ones!

Time permitting, we even get into some fun alternative edge treatments…couched yarn is perfect for postcards and small works

And miraculously, I remembered Linda and I needed to get a photo before she packed up for the day!

Old friends reunited!

 

 

International Quilt Festival #2: Collage the Garden, Wednesday and Preview night

Thursday, November 22nd, 2018

First off, Happy US Thanksgiving to one all around the world–this was written ahead and scheduled to post because (a) not everyone is in the US and (b) sometimes we need some R&R from the feasting and festivities!

My second full day at International Quilt Festival 2018 I got to teach one of my “Quilting the Garden” workshops, Collage the Garden.  Along with Thread-Coloring the Garden, the two classes can be combined into a two-to-five day workshop–any guilds or retreats out there interested????   My students were, of course, brilliant!    They had a choice of either the tiger lily or water lily in the class–I love when students take my patterns and projects and completely make them their own.   Like yesterday’s post, I’ll have TONS of pictures including some from Preview night on the show floor. Taught students how to pattern, how to use my favorite Mistyfuse, how to get the fabric to do some of the work for you!

These are the two class samples…you can see how well the students did!  One had a *very* hard time letting go from the traditional quilty-applique “thou must do it thus and so exactly” but she finally threw caution to the winds and did a great job–so proud of her!

and here you can see the actual student work:

Way to go!

Learning how to pattern

fabulous fabric choice….let the fabric do a bunch of the work for you. The placements of the darks is spot on.

and the water lily–love how she went deeper darker in the center with reference photo right there to guide her choices

students hard at play!

an ochre/yellow version

Flower nearly complete

And auditioning a background

Another great fabric choice, and love how the trees fabric changes once cut up and placed into the background

WOW!

The students were wonderful—LOVED having a FULL Class…the collective energy helped everyone!

Then there was preview night…drum roll:  gotta love that little red dot indicating my Autumn on Blueberry Lane sold…AND it was hanging next to my dear friend Deborah Boschert’s ladders and trees quilt, which ALSO sold!

Mine on left, Deborah Boshert’s ladders on right…and both sold!

Love it when I spot someone looking closely at my work, this time it is the Pink Oyster Mushrooms quilt

And part of the Power of Women exhibit….my Lilies of the valley is on the bottom tier on the right side. LOVED this particular part of the exhibit!

I’ll be back with more on Festival 2018 in the coming days!