On the set at Interweave in Loveland, Colorado, to film a Quilting Arts Workshop! (Who me?!!!!)

Can you believe it?  I’ve been to Loveland, Colorado, taped a Quilting Arts DVD Workshop, come home (exhausted but elated) and I can still barely believe it.  Yes, I have been “on the set” filming this week.   Due out in September as both a download and as an actual DVD (which is wonderful for us who live in the boonies with glacial internet), the working title is “Fused Collage and Thread-Coloring,”  a Quilting Arts Workshop from Interweave Press!

The project I used for the workshop is my Tomatoes, Basil and Garlic quilt (No. 1) [there will be 3 versions before I'm done], but the workshop is to teach you how to use your own photo to make an art quilt:

Tomatoes, Basil and Garlic, No. 1, the start of what I will call my Quilting the Good Life series!

My trip to the airport was an omen–a good one–for how the trip was about to go.  I mean, look at the beginnings of sunrise as I crossed the driveway to the garage!

4:25 a.m., Tuesday: leaving for the airport in Owl’s Head (near Rockland, maine) just before dawn

It got even more dramatic just over the ridge heading to the coast, at the intersection of Route 105 (the Camden Road) and High Street in Hope:

Can you believe that sky? Makes me want to get to the dye pots!

The route in was equally stunning. Here, mist rising off the Megunticook River in Camden.

And ten minutes down the coast in Rockland:

And the sunrise over Rockland Harbor, en route to our little airport at Owl’s Head.

I flew Cape Air (maximum of 9 passengers) to Boston, then JetBlue (for the first but not the last time!) to Denver, where I caught the shuttle to Loveland directly to the Interweave studio where I met Helen Gregory and the filming crew.  There we set up my materials, hung the quilts, and went over my plans for filming the next day.  Congrats to Helen on her promotion to Vice President for Content, Interweave and Martha Pullen,  and upcoming move to Colorado!

My DVD will have five segments, so five trays to lay out my supplies which I prepped at home.

And boy did I prep.  I had about a month (shorter than usual I think) between my contract and filming date, so I pretty much did nothing but make step-outs, more step-outs, refine, video (to get used to talking to a camera and to time myself), cut/edit, cut/edit/shorten more, etc.  For a month.  Non-stop.

Make-up, first thing Wednesday!

Interweave has a make-up artist come do you up for camera, as there are special products that make you look right on camera under all those bright lights.  I shoulda shot a picture of me sitting at the table looking at the room…it was FULL of big tripods, cameras, and cables and cords EVERYWHERE.  Miraculously, I did not trip and break anything or anyone!

Reviewing my notes before getting changed for taping.

THANK YOU JANOME-America and Patty WInkelman of Quilter’s Stash in WIndsor, Colorado, for arranging a Janome 8900–the machine I sew on at home–to use along with a Janome sewing table. I’d never used the table and we were all impressed at how sturdy and stable and heavy it is. Of course the 8900 sewed flawlessly!

Then it was time to get changed and start taping.  Then we mostly forgot to take still pictures!  But here are some….

Me on the left, Helen Greghory in the green top, and I think that is Laura (webinars guru) on the right, hidden mostly by one of the cameras. We were getting ready for the concluding segment I can tell by what is on the table.

At the end, I asked to have apicture of four of us: L to R, Laura E. (webinars and more), Helen Gregory (new VP for Content), me, and Lauren our camerawoman extraordinaire. Camera dude Nick was taking the photo, and camera dude Garrett had already run off to another “gotta be there” job. Those lights were bright, but sure make things visible and looking good.

I never saw this view, but either Helen or Lauren kindly took this photo for me, which shows the jib camera shot of the table with my project and quilts on it:

The jib/overhead camera view. If you look in the center just above the right corner of the screen view, you can see the overhead camera.  Also notice in the backgorund it looks like the quilts are on an angle.  They are–that is to offset the perspective angle that happens with the big camera lenses.  Fascinating!

Then it was time to go home.  Early.

Before I arrived, Colorado hit 80 degrees (F). Wednesday, it SNOWED. When I left the hotel at 3:58 a.m. for the shuttle to the Denver Airport, it looked like this! Then by today it was supposed to be back in the 60s–that’s more insane than our weather!

I’ll spare you the tedium of a crowded plane from Denver to Philadelphia, a smaller more crowded plane from Philly to Boston, the utter hopelessness of Logan Airport (UGH UGH UGH), but flying home on Cape Air is always fun.  As we approach the mid-coast, first I’ll spot the Camden Hills:

There are two landmarks visible from the sky from a distance. I was in the seat behind the co-pilot’s seat (which is usually filled with a passenger). The first are the Camden Hills: Battie, Megunticcok, Maidencliff.

Then

The second landmark is the big white tower at Dragon Cement, visible dead ahead in the middle of this photo. I realized on this trip how massively huge the quarry is for this company.

As you near Dragon Cement, we turn right and head for Owl’s Head (Knox County, RKD) airport.  The lights of home!

LOVE being able to snap out all windows of these small planes.  Landing strip is visible just to the right of the bar up the center of the windshield.

Travel was the usual crowded insanity and waiting, but I was home 16 hours later to son, hubby, cats and dog.  Two of the seven are here:

Doggie love is GOOD!

In the past month, I’ve not only prepped this, but THREE articles (more on them when they are close to being published), have a quilt to make in a week, another article to write, then teaching in North Carolina in June and southern California in July, then a quilt to make by August 5.  Then I can collapse a few weeks before school begins (how will Eli be a SOPHOMORE already?) and fall teaching in Massachusetts and at International Quilt Festival in Houston.   So I HOPE to blog more often, but at this rate can’t promise.  I have so much to catch you all up on, pictures from teaching in Florida, Vermont, and Mass….but must be mom, wife, and author first. Stay tuned!

I’d like to ask you to consider supporting a funding drive to complete a documentary on the Tentmakers of Chareh El-Khiamiah.  The fund drive is being held on Pozible (here) and they will accept any donation.  Even if you can donate only a few dollars, every bit helps.  Let’s get this documentary of textile art funded and made.  Today, Tuesday the 19th February, the total pledged is $13250, and 160 made a pledge – but they still need to reach their target of $20,00 by the end of February.   I hope you will find you can to support this important project with at least a small donation and by passing this on to some of your friends. Please feel free to link to this post and borrow from it to help support this project!
For more information, read on!

An Egyptian Tentmaker’s hanging in the collection of Alison Schwabe

Several years ago Jenny Bowker, a fabulous Australian art quilter and teacher, moved to Egypt while her husband served as the Australian Ambassador to Egypt.  While there, she came to know and love the land, and especially the Tentmakers.  In that culture, beautifully decorated tents were used for special events, but with the rise of machinery and the modern era, the art and craft of tentmaking was fading.  Jenny was so moved by this beautiful textile art, that she began to share it with the rest of the world.  I first read her posts on her blog and on the QuiltArt list.  Later, I attended a lecture at the International Quilt Festival in Houston where I sat with tears in my eyes as she shared the appliqued textiles they make and what she has done to bring pride and respect to their art.  She has since been able to bring a couple of the tentmakers and many men’s work (the tentmakers are men) to Australia, the United States and Europe where their works sold like hotcakes and impressed many.  The quilt above is one of two  in Australian quiltmaker Alison Schwabe’s collection (Alison’s website is here). Here is a detail photo:

Detail of the quilt at the top of this post.

And Alison’s other textile:

Egyptian tentmaker’s applique work, in the collection of Alison Schwabe

Detail photo

After the “Arab Spring” that began with demonstrations and protests in Dec. 2010 and continued through spring of 2011,  Jenny was involved with an exhibit in the UK; one of the tentmakers–having seen what is going on in our international quilt world from previous exhibits–had broken with the traditional imagery of their craft, and made a piece depicting the demonstrations in Cairo.  This was the first personal expression of this sort Jenny had ever seen, and I still get goosebumps remembering when Jenny posted to an internet list that the piece had been purchased by a Museum in England!  How utterly wonderful.

AQS then hosted the tentmakers for an exhibit here in the US and published a book about these pieces.

Alison and Jenny have written some detailed information which I will share here so you can follow the links.  Thanks Alison for allowing me to re-post your message!

From: alison schwabe al>
> Subject: The Tentmakers of Egypt – please read at least !
> Date: February 17, 2013 7:32:31 AM MST
>
> Dear Friends -
> You all know me as a textile and fabric artist – a quiltmaker, an art quilter – however you think of me, you know of my intense interest in things in fabric and thread. Because of this, I hope you will read and find interesting some of the material in this recent email from one of my close friends, prominent Australian textile artist and quiltmaker, Jenny Bowker.
> Jenny spent several years in Egypt where her husband Bob was Australia’s ambassador. When we visited in 2007 Jenny took as to several textile places (in addition to the pyramids, valley of the kings and other wonderful places around Cairo) and we found the time we spent in the Tentmakers' street in the old markets quite wonderful – its hard to describe the marvellous times and experiences there but, as just one indication we had to buy a suitcase to get what we bought there back here! If you are a Montevideo friend please remind me sometime you’re here that you’d like to see the magnificent 2m sq pieces of their art we have in bedrooms on the first floor…
> Jenny’s letter is frankly to explain and support the current appeal for funding to complete a quality full length documentary on this textile art with an ancient heritage stretching back over 800 years… but her words are far more authoritative and comprehensive than mine, and so I am copying her letter in full and sending it to you, hoping that by the time you’ve looked into some of the links, you too will feel able to pledge a small donation (or a large one, of course) to ensure this project goes to completion. To me, the importance of the project ranks up there with films I’ve seen on The Bayeux Tapestry, the quiltmaking of the Amish, the Overlord Embroidery and some of the many lacemaking and knitting traditions.
> I invite you to read what Jenny has written below, and if you are pressed for browsing time to follow links, I recomment the short videos and the pinterest images. And, please contact me if you want further details – I’ve been posting things about int on my facebook page and blog, but you may not be a FB friend or might not follow my blog ( but I hope you will sometime go there for more insights to what I do and what things influence me and my art)
> But, now over the Jenny Bowker., who wrote:
> “The Tentmakers are a group of men in Cairo who make spectacular applique. Nowadays most of what they make is intended for the walls of houses or on beds, but in Pharaonic, early Islamic, and Ottoman times it was intended for the inside walls of tents. With canvas behind it which formed the outside wall, the rich appliqué glowed with light on it, and was intended to amaze visitors to a leader’s tent. Did you know that Cairo was originally called Fustat – which means the big tent? In pharaonic times the tents were appliqued leather, now all the work is cotton.
>
> You can read more text about them here:
> http://www.jennybowker.com/tentmakers/
>
> You can see pictures of the work here:
>
> You can see a short video made by Bonnie McCaffrey for Luana Rubin here:
> http://www.youtube.com/watch?v=wHzWRui7Kjk
>
> And a longer one made by Bonnie as one of her wonderful vidcasts here:
> http://www.youtube.com/watch?v=39zkCcQqWp0
>
> And if you go to my Pinterest board on the Tentmakers you will see a lot of current work – and some that is much older and also some of the truly old tents so you can see how they were used.
>
> http://pinterest.com/jennybowker1/tentmakers-of-cairo/
>
> I think almost the best if Kim Beamish’s Facebook page for the film as he is putting up constant new images, and there is a lot lot of historical input as well.
> https://www.facebook.com/CharehElKhiamiah
>
> The art has been slowly dying. Big pieces of cheap, badly registered, printed fabric made in China have poured into Cairo and people buy this rather that the real appliquéd pieces. On top of that disaster – tourism has stopped with unrest for the last two years. Without the work sold in to exhibitions that I have been arranging in other countries they would all be gone by now – instead – stitchers who left are coming back and young ones are learning again. I am thrilled with the progress we have made and very happy with the AQS (American Quilters Society sic )who committed to them for three years. But – it is still hardly documented at all. There is not one piece in the Cairo Museum or even in the Cairo textile museum. The best article I have ever found is in the Uncoverings magazine and there are no books. Older stitchers are dying and no history has been written.
>
> Kim Beamish is an Australian friend who – when I took him to visit the street on his third day in Cairo – picked up the baton I offered and ran with it. He is making a film about the Tentmakers in these difficult times. He has given most of five days a week for the last seven months – or more. He has paid his own way to shows in England, and has had to pay for three more that have not even happened yet in France and two in America. He has become part of the street and the men are used to him and his camera. He has two young children and a wife who works in the Australian Embassy in Cairo. They have to pay a nanny so that he is free to film. He is, like I was, a trailing spouse. He did not choose to live the ‘cocktail parties and bridge’ life, but has chosen to go out on a limb to tell a very moving and necessary story. I know that at the moment he is on the bones of his behind financially and simply cannot afford anything else.
>
> The movie will not be made without funding for the essentials – the long and boring stages when the filming is done and the hard work starts. Editing, top level translation and the rest has to be done by experts and paid for. Please help. Even a little bit from a lot of people will add up to a lot – that is what crowd funding means. The link is now open and working. If he does not get to his total he gets nothing. Kim will spend the month hovering over the site and biting his fingernails.
>
> The work is really special and the film is essential.
>
> http://pozible.com/tentmakers – this is the link to support the Film – The Tentmakers of Chareh el Khiamiah. If Kim Beamish does not get this money the film cannot be made. Even tiny donations will help and big donations will help more. Please.
>
> If you use PayPal it will ask you to preauthorise. It sounds odd but it simply means that when the total is reached the money will then be taken from people’s accounts so it has to be done this way. Kim gets nothing if he does not reach his total and that is the way that Pozible works. He is a bit worried at the moment as only about 29 have helped in three days.
>
> I am hoping a lot of people will have read this far and be willing now to help us. PLEASE send this on to as wide an audience as you can reach. The moment the total is reached the project will be assured. Until then it looks as if it might be dead in the water.
>
> Thank you
>
> Jenny ”
>

Quote by Thomas Alva Edison. Class by Val Webb, more info here.

Oh my but I am having fun.  Of course, it is also a ton of work to make a page like this one (it took all day), but if you had asked me when class began back in late November if I would be able to do this in just  a couple of months, I would have laughed!   But lookit!  I did it!   I can’t hardly believe it!  This lesson is what Val Webb (click here for her blog) calls “crazy quilt” lettering, with rolling lines and many colors and little bits of art insterspersed with the writing.   Fortunately, I’ve been a bit behind and have benefitted from Val’s constructive comments for others pieces before I got around to working on this.  I had the wit to send Val my “first draft” before I spent a ton of time painting only to discovered I should have done something different.

First draft of the Thomas Alva Edison quote with the lettering going all the way across the page.

Val commented that when you have a wide motif in the center as with the overalls, it is hard for the eye to jump across to continue reading.  She suggested re-working the design to read as if it were two pages in a book.  Brilliant!  Took time, but I got it done.  Here’s the series of photos shoing my progress:

Testing out colors, letter shapes, and so on. Since I live in Maine and the guys wear Carhartt overalls, I opted for the Carhartt color instead of old fashioned demin. As you can see, I originally intended to do the letters in yellow, green and blue.  I also tested out a color for the silvery metal at the bottom of the light bulb, and getting a yellow fade for the light bulb. 

Working away at the dining room table. I even managed to NOT blotch and drip or smudge! And I’m happy I was able to lift the color on the knees to make the fabric look faded and worn by work.

The yellow and green letters are done, so I decided to break for a late lunch. When I took the photo, I realized I had picked up the colors in the placemats I made, and decided I liked the idea of the warm plummy-red better than blue, so changed my color scheme. So glad I did!

And one more time, the photo from the top, repeated for comparison here:

Quote by Thomas Alva Edison. Class by Val Webb, more info here.

I like the way this turned out so much I am tempted to get a custom mat to fit into a standard sized frame and hang it in my studio!

I blogged earlier about a wonderful lettering class I’m taking with Val Webb online; it was SO outstanding that I’ve also enrolled in an Herbs Drawing and Painting class.  I thought I’d share a few of my lessons, some good, some not so much.  All I need is a 37-hour day, with the extra hours for art!

P is for Pigwidgeon the Pug

One lesson was to create whimsical letters.  Val offered a pdf of a cat alphabet, but of course I had to attempt my dear (well, Eli’s dear dog) Pigwidgeon.  I didn’t spend a ton of time on the sketch so it isn’t quite spot on, but I love his little peeping face anyway!  This one is 3×3 inches.  And while not expert by a long shot, my control of the paint is improving!

Another lesson was Art Deco style.  Didn’t know what word, didn’t want something too long, and finally decided on Zelda, as in wife of F. Scott Fitzgerald (had to add that bit… Eli asked why Zelda, as the only one he knew was from the videogame Prisoners of Zelda!).  I was elated at how well this turned out.  The width of each section of letter is about 1/2 inch, they are about 3 1/2 or 4 inches tall:

Art Deco style lettering to simulate chrome–inked outline, watercolor,  used a teeny tiny size 1 brush for the shadows on the outer edges that are maybe 1/32″ wide!

Another WOOT was the “Decorated Versal” lesson.  Val had us try white ink with a crow quill dip pen.  Since I’m comfortable with nibs and dip pens, this wasn’t terrifying to me, unlike getting large smooth washes of watercolor (without blotches, which are HARD). Here are some practice bits using the white ink over a wash of blue watercolor:

White ink from a dip-pen on blue.

A Versal is a fancy initial capital letter at the beginning of a verse (had to learn that one ).  I wanted to do something William Morris-ish, so I created the vines behind the letters. I wasn’t sure what I would do to decorate the letter until I was actually muddling around, and decided to have the green vines turn to white on the letter to break up the space:

A decorated versal “S”. I like this, but thinks it needs something more to “weight” the S on the bottom. Awaiting feedback from Val!

Another lesson was to do letters that recede into the background.  You begin with a wash of a lighter color over a large space, wait for it to dry, then go back in with a darker color to create the negative space.  Instead of working within the box or rectangle in the class sample, I wondered what it would look like to offset the text and have illustrations on the edges.  Not so great is the answer!  You kinda loose the idea of perspective–of the darks going back to a vanishing point.  But it was fun anyway:

A less than brilliant effort.

But it is all about learning, and I am learning SO MUCH!  Now… I need those extra dozen hours a day to do more classwork, work on that quilt, exercise, sleep….. EEEK!  So with that I’m getting OFF the laptop and down to the studio!  Be back soon!

Having a lovely post-Christmas lull, painting and enjoying being holed up in the house!

Winter blew in on a Nor-easter today. Currently it is 27 degrees, we have inches of snow, it is still coming down and, as it has most of the day, the snow is blowing past the snow sideways.

This house is so cozy and snug… perfect for staying inside and catching up on art.  I recently shared two in progress pieces for my watercolor lettering class with Val Webb.  Here they are, colored in:

The interlaced knotwork, watercolored. I need more practice, but I’ve learned so much including how to make it look like the center bit is rounded!

And here is the “S”:

Part-way there. I’d love to have a plum colored background, but my skills aren’t quite up to that yet. I want to practice more then see if I can put deep plum around the “S” and outside the yellow border.

I’m pleased with the shading on the yellow knotwork (my own design!), but the turquoise is a bit overworked.

Today I did this scroll. Getting better, bit by bit!

And just because I couldn’t resist….

Showing Pigwidgeon the pug ornament he, Eli and Paul gave me for Christmas. Can you say CUTE? PUG-LOVE!

And we’ll end where we began…with the snow blowing sideways!

Off the side of the living room porch.