Archive for the ‘Art’ Category

Visiting Franklin and Marshall — random inspiration

Friday, May 13th, 2016

While visiting Eli’s soon-to-be college, I found a bit of inspiration:

Just outside the wrestling practice room.

Just outside the wrestling practice room.

Some of the graduating seniors put on a Research Fair during the Closer Look prospective student weekend. This student allowed me to photograph this image from her research. Wouldn't this be an awesome structure for an art quilt, as well as for a thermofax screen?

Some of the graduating seniors put on a Research Fair during the Closer Look prospective student weekend. This student allowed me to photograph this image from her research. Wouldn’t this be an awesome structure for an art quilt, as well as for a thermofax screen?

Life Happening: a college visit

Sunday, May 8th, 2016

The brilliant news is that our younger son, Eli (the athlete), has been accepted at his first choice:  Franklin & Marshall College in Lancaster, Pennsylvania.  It has the perfect academics for him (he wants to major in Animal Behavior), is not too big and not too small, in a small city (not rural like here and not a huge, overwhelming city), and…drum roll:  has a Division 1 Wrestling Team!  Yes, Eli will (oh please let him be less injury prone in college!) wrestle in college.  His teammates are *very* impressive, the coach is wonderful, and we are thrilled that he already has a group of like minded souls to be his first “college family.”  So we went to the “Closer Look” day the Friday before Maine’s Spring Break weekend in mid April.  Here are some pics from the way down:

About an hour a half from home, Paul said "Oh oh."  He realized he was still wearing his house slippers.  And had no other shoes.  So we made a quick detour to Freeport to buy something for him to wear as we were too far from home to turn around. LL Bean had this totally awesome clockwork thingie...LOVED it.  Could see a fab steampunk-ish art quilt inspired by this.

About an hour a half from home, Paul said “Oh oh.” He realized he was still wearing his house slippers. And had no other shoes. So we made a quick detour to Freeport to buy something for him to wear as we were too far from home to turn around. LL Bean had this totally awesome clockwork thingie…LOVED it. Could see a fab steampunk-ish art quilt inspired by this.

We got back on the road, I got caught up on a mountain of magazines (mostly art and quilt related to keep up on inspiration and industry news), Paul drove, and I took occasional photos.  It is a 9 1/2 hour drive, and we needed to be in Lancaster, PA by about 7 pm, so we had to make good time.

This is in NY, I think, but I love the look up to the just-about-to-bud-out trees.  I also really like the ghost silhouette of Paul in the reflection on the window.

This is in NY, I think, but I love the look up to the just-about-to-bud-out trees. I also really like the ghost silhouette of Paul in the reflection on the window.

The landscape changes when you get into western NJ and then into the farm fields of Pennsylvania.

The landscape changes when you get into western NJ and then into the farm fields of Pennsylvania.

more fields and hills in

more fields and hills in Pennsylvania

Finally, nearly there!  Next post I’ll share some inspiration I found at F&M.

ten hours after leaving home, with only VERY brief pitstops, we are at Lancaster, PA!

ten hours after leaving home, with only VERY brief pitstops, we are at Lancaster, PA!

Insalata in Australia!

Friday, April 29th, 2016

Thanks to Bill Reker, the Traveling Exhibit Coordinator, for forwarding these images of the SAQA (Studio Art Quilt Associates) exhibit Food for Thought on display in Australia, and thanks to the person who sent him the pictures.  The exhibit was on display in Brisbane, Sydney and Melbourne.  The AQC, Australian Quilt Convention (Conference?) is held in a building of breathtaking beauty.  I’ve decided that whenever I finally in this life ever get to Australia, I have to go during AQC just so I can see this building!

My "tomatoes" quilt, Insalata, on display at the AQC.  LOVE that it is facing the center in a prime spot, and love the black walls on which the works are displayed.

My “tomatoes” quilt, Insalata, on display at the AQC. LOVE that it is facing the center in a prime spot, and love the black walls on which the works are displayed.

Here’s another shot of the overall exhibit:

Don't you just want to BE in this space?  Insalata and other works in the Food for Thought exhibit are visible at the far end.

Don’t you just want to BE in this space? Insalata and other works in the Food for Thought exhibit are visible at the far end.

And one more…some day I really must get to Australia and New Zealand!

The best shots, for me, of my quilts when traveling are "neighborhood" shots--not just *my* quilt, since I already know what it looks like, but ones that show the context.  Even better, when someone likes my work enough to get up and look at it closely--like the lady taking a detail photo!  Woot!

The best shots, for me, of my quilts when traveling are “neighborhood” shots–not just *my* quilt, since I already know what it looks like, but ones that show the context. Even better, when someone likes my work enough to get up and look at it closely–like the lady taking a detail photo! Woot!

Milkweed No. 2 is headed to Australia

Thursday, February 4th, 2016

I’m delighted to share that my most recent art quilt, Milkweed No. 2, has been selected to be in Brenda Gael Smith’s current exhibit, A Matter of Time, and is en route to Australia!  Brenda is giving us all sneak peeks at the artworks in her blogpost series called “Just a Moment”  here.

Milkweed No. 2 has been juried into A Matter of Time and will be touring in Australia, New Zealand, and possibly points beyond in the coming two years. I'm thrilled---just wish I could fit inside the envelope and travel with it!

Milkweed No. 2 has been juried into A Matter of Time and will be touring in Australia, New Zealand, and possibly points beyond in the coming two years. I’m thrilled—just wish I could fit inside the envelope and travel with it!  Click to view a little larger.

Apparently I mostly forgot to take in progress photos (!!!) while I was making Milkweed No. 2, so I will share one or two in progress shots from the making off Milkweed No. 1 (which I have not yet shared in public…stay tuned for that in a few weeks) in this and in a second post about my process.

As usual, I began with an idea (more like an obsession with milkweed pods) and dyeing fabric.  I had plenty of batiks and some of my own hand-dyes but needed more for the sky.  I decided to dye some cotton duck for the backing, as well.

Backing and sky fabrics I dyed specifically for my two Milkweed quilts.

Backing and sky fabrics I dyed specifically for my two Milkweed quilts.

I use the cotton duck as a stabilizer.  It helps reduce shrinkage and the artwork hangs beautifully, although it isn’t as easy to handle under the needle as a lightweight fabric.  It is worth the trade-off!  I wrote an article about my process for Machine Quilting Unlimited and blogged about that here.

The top side of the cotton, is on the left. The right side shows where the dye pooled on the bottom (cloth was dyed flat on a surface).

The top side of the cotton, is on the left. The right side shows where the dye pooled on the bottom (cloth was dyed flat on a surface).

Next, using Mistyfuse (by far the softest hand, easiest to use, never “ages out”) adhesive / fusible web, I prepare my fabrics for collaging.  My video workshop (here on my site and available as a download here from Interweave) shows this part of the process, plus a lot more.  Anyway, I use my “stash” of fused pieces, but always end up adding more bits for a given piece.

Sorry about the shadow on the left---here I've got fabrics out for fusing and am sorting them into colors using carry-out dish lids (that I've been using for at least the past 7 years! that restaurant has been out of business for eons)

Sorry about the shadow on the left—here I’ve got fabrics out for fusing and am sorting them into colors using carry-out dish lids (that I’ve been using for at least the past 7 years! that restaurant has been out of business for eons)

Next, I start the fusing process.  In this shot, I’m working on the sky for Milkweed No. 1 (larger, landscape orientation), but I used exactly the same process on this piece.

Working on the sun-glow in the sky. This is totally a collage process. I tend to cut chunks to go into the various trays, then use as is or submit while collaging.

Working on the sun-glow in the sky. This is totally a collage process. I tend to cut chunks to go into the various trays, then use as is or submit while collaging.  The drawing you see is a piece of paper underneath my non-stick ginormous press sheet with my sketch.  I ordered this one from Valerie Hearder in Canada, but Mistyfuse now sells the Holy Cow Goddess sheet which is 36×48 inches.   Really helps with my process–I just cover the entire “big board” and get to work.

I then did a bit of surface design including stenciling and screen-printing using thermofax screens (details in my next post).  Finally, I quilted my piece.  Aren’t the colors just glorious?  And yes, bright purple works in a seed pod!

Quilting on one of the milkweed pods, using variegated thread from Superior Threads.

Quilting on one of the milkweed pods, using variegated thread from Superior Threads.

A second detail shot that shows some of the sky--I just love those days where there is a bright glowing spot in the sky where the sun is behind the clouds.

A second detail shot that shows some of the sky–I just love those days where there is a bright glowing spot in the sky where the sun is behind the clouds.

I’ll be back in a few days with more on the processes using paint!   Remember, visit A Matter of Time here and the “Just a Moment” previews blogposts about the various artists and artworks here.

 

 

Photography in 2016–the new Ricky Tims 52-Week Challenge

Sunday, November 15th, 2015

Hi all: the best news first:  you can now sign up for this class in its 2016 version at Ricky’s new website https://www.photoclassforyou.com/

Anyway, for about the past half the year, I’ve been sharing each week’s lesson results with you here on my blog. My photography education this year began this way:

In December of last year, I saw Ricky’s post on Facebook announcing a photography challenge for 2015.   I promptly signed up, knowing that I needed the push to learn more about my DSLR and really USE it, since it is heavier and more complicated than my Panasonic SuperZoom.   I’ve always loved photography, and the class also included learning to use Photoshop (PS).  I was a bit leery, since PS used to cost a fortune–like $300+.  But now Adobe sells it as a subscription of $10.54 per month with a free trial month (or is it two?).  So I figured over three years that cost equals each edition of PS but in manageable monthly payments.  Now that I have used it, I wouldn’t be without it.

These mushrooms/toadstools in the yard are HUGE—at least 6 inches across when opened.  They seem to scream “ do NOT eat me!”  Smart sharpen, slight adjust to brighten.

One of my better recent shots.  Right click to see larger. These mushrooms/toadstools in the yard are HUGE—at least 6 inches across when opened. They seem to scream “ do NOT eat me!” Smart sharpen, slight adjust to brighten.

Now you can sign up for NEXT year [2016 R. Tims photo challenge part 1 sign up and info] to take a similar version of this course (Ricky has re-formatted it from 52 weeks in one swoop into a 26 week and two 13 week segments).  He asked for blurbs, I was happy to provide, and I’m so pleased he included my testimonial on his new website for teaching photography.

Right click to see larger.

Right click to see larger.  Here’s that hotlink again to take you to the page pictured above.

Your photography skills—composition, knowing your camera, and processing—will grow exponentially over the course.  Best of all, each lesson’s scope is a do-able “bite-size.”  If you have more time, you can go deeper, learning from fellow students’ work.  Recently, I took my son’s Senior (HS) portrait and the comments were “looks professional!”  That’s thanks to how much I have learned this year.

Here are a couple more of my recent photos that I think represent what I’ve learned.

More autumn decay with blueberry barrens, decaying stone wall and birches in autumn in Maine. The usual edits:  smart sharpen, tiny bit of vibrance, crunching levels.

More autumn decay with blueberry barrens, decaying stone wall and birches in autumn in Maine.
The usual edits: smart sharpen, tiny bit of vibrance, crunching levels.

 

Eli's choice for his yearbook photo.  They also do something utterly cool...see next photo....

Eli’s choice for his yearbook photo. They also do something utterly cool…see next photo….